和ロック其の一

Japanese thrash metal with traditional instruments, 150 BPM, 4/4, E minor, drop D tuning, riff-driven structure, tight downpicked 16th-note guitar riffs, dry, sharp, controlled distortion, no sustain bloom, Tsugaru shamisen as a lead instrument equal to guitars, percussive, aggressive, noisy shamisen attack, rock band and shamisen fully integrated, not ornamental, female vocals, low-register, calm and controlled, no shouting, no screaming, flat, chant-like delivery with restrained intensity, short phrases, rhythm-focused, almost spoken, emotion through pressure, not volume, minimal vocal effects, dry and close, clear section contrast, instrumental parts carry the main narrative, ritualistic, tense, fast, physical, hard stop ending, no fade Tsugaru shamisen, thick and close-mic, full-bodied low-mid presence, strong fundamental with heavy body resonance, controlled highs, reduced treble, not thin, occupies low-mid to mid range (250Hz–1, 2kHz)

Japanese rock, fast tempo, emotional and intense, shamisen and drums intro, koto and piano middle session, shakuhachi and bass final session, festival anthem, explosive ending, powerful vocals, passionate atmosphere, strong rhythm, dramatic build-up, energetic performance, live concert feeling, emotional vocals, powerful chorus

Japanese rock with shamisen and koto, male solo vocal in Japanese, dry and powerful vocal, clear forward voice, strong chest voice, minimal vibrato, no breathy or sexy tone, song starts with instrumental intro only, no humming or vocalizing at the beginning, shamisen is rhythmic and percussive, hard rock drums drive the rhythm, koto provides high-register melodic lines, short instrumental break after the first chorus with shamisen and drums only, clear verses and pre-chorus, strong emotional choruses, final chorus is explosive and upward, anthem-style with soaring high notes, after the final chorus, a dramatic bridge leads into an extra climax section, powerful ending with full band

Genre: High-speed futuristic jazz fusion × progressive metal × cold alternative rock with Japanese traditional scales Style: Thrilling, edgy, groove-driven, cyberpunk-inspired; razor-sharp technical guitars, rapid-fire riffs, syncopated rhythms Vocals: Cute and expressive soprano kawaii female vocals with emotional, soaring, crystalline tone Mood: Cool, atmospheric, dramatic, sophisticated, with urgency and forward motion Instrumentation: Melodic electric bass with slap accents; layered jazz-fusion guitars; technical fast runs; ambient synth pads; brushed drums; subtle keys Melodic Elements: Traditional Japanese scales (yo scale, in scale, pentatonic modes) woven into melodies and chords without traditional instruments Tempo: High-speed energy over a mid-tempo, syncopated groove with fluid transitions Structure: Instrumental-focused with evolving motifs, rapid sections, breakdowns, and ambient cyberpunk bridges Production: Clean, spacious mix with warm low-end, shimmering highs

Japanese rock + industrial electronic, cyber-gagaku, taiko drums, shamisen & koto riffs, shinobue lead, kagura bells, glitchy ad-jingle samples, dark festival march, aggressive synth arpeggios, cinematic, energetic, female vocal, Add an instrumental interlude before Verse 1 (8 bars): kagura bells, shinobue motif, glitch rain, Add a powerful instrumental break before Bridge (16 bars): taiko rolls, distorted guitar + shamisen lead trade, aggressive synth arps, noise riser, then drop back into Bridge

Japanese wagakki rock + dubstep, 140 BPM, heavy sub-bass, halftime drop, taiko thunder drums, shinobue lead, distorted electric guitar riffs, tsugaru shamisen stabs, shamisen riff, cinematic storm atmosphere, dramatic silence before drop, minor key, no rap, no hip-hop, no trap vocals, melodic singing only

[Genre / Style]Gothic Metal mixed with Melodic Metalcore, Japanese dark gothic aesthetic, dramatic and elegant, no neoclassical elements, no rap influence [Tempo]Up-tempo, energetic and driving, strong forward momentum [Vocal]Clean vocals only, melodic singing throughout, emotional and expressive, wide pitch movement, no rap, no monotone delivery, no scream, no growl, no harsh or distorted vocals [Instruments]Heavy and deep bass drum impact, double kick drum, distorted guitars for dark harmony, traditional Japanese instruments for texture and melody only: Koto driving upper rhythmic patterns, Shakuhachi, Bells, Suzu, no neoclassical guitar techniques [Mood]Tragic, dignified, haunting yet passionate, refined darkness, emotional tension reflecting cursed love and restrained sorrow [Mixing / Production]Wide stereo image, Clear instrument separation, no muddy mids, Crisp transients, controlled compression, High-resolution master emphasizing clarity and balance

Music inspired by Japanese war chronicles and battlefield combat, Fast, disciplined, and battle-driven atmosphere, Rhythm must be fast and constant, driven by relentless percussive strikes, resembling running troops and galloping horses, No tempo looseness, no slow sections, no rhythmic contrast, Melodies must use traditional Japanese pitch systems only, based on Hirajoshi, Miyako-bushi, and Insen, Japanese melodic logic must dominate at all times, No Western or Chinese scale influence, Only traditional Japanese instruments are allowed, Koto performs aggressive, drum-like battlefield riffs, Wind instruments act as battle cries and rally signals, Instrumental sections must feel confrontational, like clashes in combat, Allowed instruments only:Biwa, Koto, distorted Koto, Shakuhachi, Taiko, Tsuzumi, Suzu, No unlisted instruments are allowed under any circumstances, No Western instruments, no electronic or synthetic sounds, No narration, chanting, sutra-style vocals, or recitative elements, ‑use any guitars of any kind (no electric, ‑acoustic, ‑distorted, ‑clean, ‑or muted guitar), ‑use rap, ‑spoken word, ‑chant-style vocals, ‑monotone delivery, ‑or narration, ‑shift melodic leadership away from koto and shakuhachi, ‑use Western scale dominance or blues-based phrasing, ‑add genre labels or stylistic changes mid-track, ‑include volume build-up terminology or late-track escalation cues, ‑soft, ‑ambient, ‑pop, ‑electronic, ‑or dance-oriented textures

female vocals, dance, fast, shamisen, shakuhachi, taiko, japanese anime style, J-Rock, Electric guitar

Japanese Dark Rock × Ritual Atmosphere female dark whisper & powerful vocal, slow to mid tempo, heavy taiko drums, shamisen & koto with distortion, deep reverb, cold ambient pads, minimal melody, oppressive silence gaps, ritualistic rhythm, cinematic darkness, forbidden shrine vibe Additional SE: low heartbeat pulse, distant shrine bell hit (very low), reversed breath, subtle glitch noise, stone echo footstep, low-frequency rumble, fading silence emphasis

Okinawan Eisa Taiko MAXIMUM DOMINANT – massive raw festival tribal rhythm, output priority highest, Okinawan Shamisen AGGRESSIVE & DOMINANT – hard percussive attack, short repetitive 2–4 note Ryukyu scale riff loops, rhythm-first, cutting through mix, Alternative / Rhythm-Driven Indie Rock, light post-hardcore energy, Guitars supporting only, no leads, Bass groove locked tightly to taiko & shamisen, Female Lead Vocal FRONT & OVERPOWERING – Okinawan Minyo style EXTREME, pronounced nasal tone, Kobushi MAX, instant vocal flips between chest voice and falsetto, sudden sharp voice breaks, wild call-like delivery, pitch stable but emotionally raw, Japanese lyrics dominant with English accents, Festival calls “Iyasasa!”, high-pitched finger whistles, sharp rhythmic hits, Explosive Okinawan Festival Rock Anthem – tribal, raw, uncontrollable energy, Ultra High Quality, Loud But Clear, Live Festival 3D Sound, Single Key Locked, Perfect Pitch

Metal sound using traditional Japanese instruments, BPM180, Drum'n'Bass, Dual lead focus, Tsugaru Shamisen and Electric Guitar battle, Equal presence, Instrument-driven Japanese Metal, Aggressive Shamisen shredding, Heavy plectrum striking, Sharp percussive attack, Constant shamisen performance, Rich overtones, High-frequency piercing Shamisen, Mid-range heavy guitar riffs, Cutting through the mix, Mid-range heavy guitar riffs, Chugging rhythms, Down-tuned distorted guitar, Deep growling bass, Heavy low-end foundation, Distorted bass tones, Powerful double bass drumming, High-tension percussion, Sharp snare, Fast blast beats Vocal Style: Powerful deep husky female vocals, Sultry and shadowy tone, Languid and venomous adult sexiness, Dynamic range from strong chest voice to ethereal falsetto, Full-throttle high-intensity singing, Shouting chorus at max volume, Aggressive and edgy, High-octane, Powerful dynamics, Heavy compressed sound, Well-defined instrumentation

Neo-Japanese Fusion, Funk, Acid Jazz, Experimental Rock Instrumentation: Aggressive slap bass in the foreground, hybrid acoustic–electronic drum kit, sharp shamisen riffs, minimalistic shakuhachi phrases, subtle synth textures Rhythm: Tight funk-driven groove with controlled swing and mechanical precision Mood: Cold, defiant, resilient, darkly playful Texture: Dry and edgy low-end, percussive string attacks, spacious but tense atmosphere Vocal: Cool, restrained delivery with moments of intensity, clear articulation, minimal vibrato Production Notes: Bass-forward mix, sharp transients, clean separation between traditional instruments and modern rhythm section

[Genre: J-Rock, Rap Rock, Trap Metal, Power Metal] [Mood: Competitive, Energetic, Dramatic, Melodic] [Vocals: Twin Male Vocals, Clear Vocals, Articulate, Powerful] [Vocal 1 (Musashi): Baritone, Masculine, Clear Rap, Powerful Rock Voice] [Vocal 2 (Kojiro): Tenor, Sharp, Fast Rap, Clean High Tone] [Instruments: Electric Guitar, 808 Bass, Trap Beats, Heavy Drums] [Tempo: Medium-Fast, 145 BPM, Heavy Groove] [Production: Crystal Clear Vocals, Vocal Forward, High Fidelity] [Genre: Mixture]

Playfu Gagaku Rock, A dreamy, deep sea and zero-gravity atmosphere with ethereal ambient pads and a central, heavy, distorted fuzz bassline creating an addictive, driving rhythm, track (125 BPM) with a mysterious, and chaotic vibe, The foundation is a bouncy swing rhythm with a four-on-the-floor kick and jazzy piano, The core tension comes from a heavy, distorted, dissonant sub-bass line that clashes with the harmony, A frantic, dissonant shamisen plays glitchy, percussive phrases, The track opens with a quiet, atmospheric intro featuring a haunting shakuhachi melody and spacey synths, representing the moon's silence, It builds into an explosive, danceable chorus where a full big band horn section collides with the chaotic bass and shamisen, The vocals are a jp kawaii female voice, singing in a languid, whispering style, processed with a heavy megaphone effect for a lo-fi, distant sound, Include a mid-song break for a rhyming English dialogue section, The overall feeling is a joyful

[Song] Epic, dramatic, dark, madness, haunting, melancholic, beautiful yet sinister, A grand fusion of symphonic metal, theatrical rock, and trip-hop, Features a grand orchestra, mournful piano, heavy distorted guitars, powerful drums, and a heavy, dissonant, distorted sub-bass, With traditional Japanese instruments (Wagakki): haunting shakuhachi flute, beautiful koto, aggressive shamisen, and epic taiko drums, Also includes dark electronic beats, atmospheric synths, and industrial noise, Vocals: Jp kawaii female voice, Verse vocals are bewitching, sensual, hoarse, breathy, alluring, and coquettish, almost sticky, Chorus vocals explode with raw emotion, powerful throat-tearing screams, and harsh distorted effects, Extreme dynamics: from a quiet atmospheric intro to an explosive chorus, fading to a lonely whisper at the end

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

Genre: Vocaloid, Japanese festival rock, traditional Japanese rock Tempo: Fast and choppy, 120-140 BPM Mood: Addictive, playful, Japanese festival, masculine Rhythm: Rhythm-driven, bouncy yet divinely irregular, Strange syncopations and sudden shifts create a ferocious, festival-like sense of imbalance, Sound: Masculine taiko drums and sharp shamisen, punchy koto firmly anchored in a divine, strange rhythm, twin drums with quick fills, stops, and rhythmic tricks, synthesizers with dissonant textures, and tricky shakuhachi, Vocals: Vocaloid, Miku, clear and expressive, powerful rhythmic phrases, melodic hooks, and a playfulness with a dark edge, Lyric Themes: Divinity, an emotional rising sun, impulsive prophetic messages, sincere emotion, strong will, and worship, Structure: Short, rhythmic koto intro, groove-driven sacred chorus, strange breakdown, energetic final chorus, Overall: Rhythmic, sacred, Japanese drum rock, powerful message, yet fun

style: Japanese-style Rock + Future Bass + Cyberpunk electronic Emotional curve: Loneliness → Tension → High-speed battle → Flashback → Climax → Eternity Instruments: Shamisen / flute / koto lead, electric guitar power chords, Future Bass sidechain bass, synth pad, arpeggio, glitch FX, metallic sounds, hi-hat / snare roll Structure: Intro: lonely cityscape, pad + flute Verse: narrative, pad + koto + metallic sounds (prosthetic movements) Pre-Chorus: build-up with riser + percussion Chorus / Drop: high-speed combat, electronic + rock + Japanese lead, blade-swing rhythm synced with glitch FX Verse 2: flashback, piano + strings + pad Pre-Chorus 2 → Chorus / Drop 2 Bridge / Break: ambient pad + flute/koto + metallic effect Final Drop / Outro: climax with fade-out, lonely cityscape Lyrics guidance: include hiragana lyrics with <Drop> markers, can be integrated into the generation passionate Japanese male vocal, youthful but powerful tone, heroic anime-style delivery

Live performance recording, Experimental industrial expression sound, Wadaiko×Detroit rock history hybrid, Shakuhachi × driving car sound, Express “200 mph car rampage” Modulation progress: from night drive to car chase to over the limit of car speed, Wadaiko: tires of sound, Japanese traditional drum, stoner-core, high gripping on the ground and strong progress of the car, road noise, Guitar: Detroit proto-punk based, engine of sound, V8 engine high power turbo, garage noise distortion, Bass: torque of music, fatty and speed of sound, Shakuhachi: sonic sound, wind noise, exhaust sound, breaking sound, Vocal: male, wide range, raw and raspy, J-alt-emo, Enka influenced, Motown DNA, voice is the accelerator and handling of groove, Mood: free drive to 200 mph Car rampage running away on freeway, Mix: Motown history, smartphone friendly

A Japanese fusion math rock song with strong traditional flavor, Complex rhythms, syncopated guitar riffs, and shifting time signatures blend with koto, shamisen, shakuhachi, and taiko drums, Tempo around 125 BPM, energetic yet mystical, Verses are delicate and quiet, with whisper female vocals over solo koto and airy shakuhachi, Pre-chorus grows with layered koto arpeggios and subtle taiko rolls, Chorus bursts into angular math rock guitar, driving taiko ensemble, and soaring shakuhachi lines, Bridge strips to biwa and soft guitar harmonics, before a final chorus with full instrumentation, Vocal: raspy, defiant female voice with sharp midrange punch

Alt Math Rock × Heavy Guitar Riffs × Traditional Japanese Fusion (Shamisen), Mechanical glitch beats with odd-time math rock drums, drop-C distorted guitar riffs, and shamisen plucks layered as melodic counterpoint, Dark, aggressive, cinematic atmosphere with glitch noise and metallic hits, Bridge features shamisen solo with lo-fi effect before exploding into final chorus, Vocal: raspy, defiant female voice (Kuro-style), whisper-to-shout dynamics, midrange punch, stutter emphasis, Lyrics: full English, theme of “0/1”, life vs death, binary existence, featuring wolf symbolism

rap with shamisen, dance, syncopated rhythms, vibrant brass, danceable with shamisen; features shamisen solos, lively, dirty girl voice, duo chorus in playful punk rock, shamisen punk, playful, roc, instrumental is shamisen with shamisen

Emotional Rock Ballad, Japanese traditional instruments, Koto, Shakuhachi, Piano-led, Orchestral strings, Powerful male vocals, Atmospheric intro, Cinematic, High energy chorus, Zen, Cosmic vastness

[Genre / Style] Slacker rock with Percussive Elements and Dark Shoegaze and Noise rock [Mood] dramatic and Cathartic [Instruments] Bright percussive shamisen driving upper rhythm (3–8kHz, high-range focus), Fuzz guitar (400Hz–3kHz) with bridge-muted picking in verses and open chord strumming in choruses, Complex syncopated bassline with rhythmic variations, Electronic drums with resonant ambience [Mixing / Production] Crisp and resonant shamisen attack with spacious reverb, creating a cosmic atmosphere, High-resolution, wide dynamic range, masterpiece-quality production

Kumi-daiko / taiko ensemble + supportive electric bass pulse, 112 BPM, strict ON-THE-ONE, JB-style funk pocket: tight 16th feel, subtle ghost-note energy, taiko-led, NO genre shift: taiko-forward from intro to outro; do NOT turn into rock; no rock band, Mix: ODAIKO is the lead and loudest at all times (louder than bass), Chorus lift ONLY via taiko density + odaiko power + shouted chants, Bass: simple low pulse, minimal movement, no fills/spotlight, low in mix, No guitars (no chords/riffs/solos/distortion), No drum kit (no cymbals/hi-hats/snare/toms), Taiko: Odaiko anchors beat 1 + lead phrases; Shime on 2&4; rim clicks/bachi taps = 16th hat-like drive; Okedo tight fills/controlled rolls, Sound: raw punchy dry close-mic, minimal ambience, no reverb tail, ‑guitar, ‑synth, ‑keys/piano, ‑strings, ‑brass, ‑woodwinds, ‑koto, ‑shamisen, ‑flute, ‑electronic drums, ‑drum machine, ‑EDM, ‑trap, ‑dubstep, ‑autotune

Nu-metal, Hardcore Punk, Japanese Folk Metal, Aggressive growls, High-pitched frantic vocals, Heavy distorted guitar riffs, Slap bass, Taiko drums, Shamisen, Shakuhachi, Rapid tempo changes, Experimental, Chaotic

Nu-metal, Hardcore Punk, Japanese Folk Metal, Aggressive growls, High-pitched frantic vocals, Heavy distorted guitar riffs, Slap bass, Taiko drums, Shamisen, Shakuhachi, Rapid tempo changes, Experimental, Chaotic

Japanese-style dark wa-rock with strong traditional elements, tempo around 115–155 BPM in verses and early choruses, then a sudden explosive tempo and intensity increase in the final chorus, Female vocal in a low to mid range, breathy and unstable, fragile emotional singing in choruses, shifting into obsessive, almost unhinged intensity in the final chorus, Occasional murmured or spoken lines to heighten psychological tension, Instrumentation features shamisen, koto, shakuhachi, taiko-style percussion, distorted electric guitar, bass, and drums, Early sections are minimal and ritualistic: shamisen plucks, sparse koto, breathy shakuhachi, heartbeat-like bass, restrained drums, Final chorus erupts with heavily distorted guitars, full rock drums, aggressive shamisen, and heightened rhythmic density, Mood is dark, intimate, claustrophobic, and obsessive, with a ritualistic atmosphere of secrecy, denial, and irreversible devotion, Production emphasizes contrast: dry

Female vocal with a clear yet slightly husky tone, emotional and dramatic, Japanese-style rock with strong traditional influences, Fast to mid-tempo, minor key, sad and melancholic atmosphere, [Instrumentation includes shamisen, koto, taiko drums, and shakuhachi], blended with distorted shamisen, bass, and powerful rock drums, Verses are restrained and haunting, emphasizing Japanese instruments, Chorus is melodic, emotional, and dramatic, [Include a shamisen solo between sections], showcasing sharp picking and traditional phrasing, Final chorus should explode with energy: full band, thicker guitars, stronger drums, shamisen doubling the melody, vocals pushed to their emotional peak, Overall mood: tragic, beautiful madness, moonlit, fatalistic, elegant darkness, cherryblossom atmosphere

Genre: Cinematic Rock × Japanese Traditional × Lo-fi Ambient Mood: Haunting, poetic, emotionally tormented; a ghostly monologue under moonlight Tempo: Slow to mid-tempo (70–85 BPM), with dramatic swells and ambient decay Instrumentation: - Intro: koto, shakuhachi, rain field recordings - Verse: piano, strings, whispered female vocals - Chorus: distorted electric guitar, taiko drums, layered screams and harmonies - Bridge: reversed vocals, ambient noise, spectral textures - Outro: sparse piano, distant bells, fading reverb Vocal Direction: - Lead: female voice, low and intimate, alternating between whisper and anguish - Harmony: ghostly chorus with heavy reverb - Bridge: brief male spoken line (as Genji’s echo) Lyric Themes: - Verse: solitude and memory of Genji - Chorus: obsession, jealousy, emotional possession - Bridge: spiritual collapse, plea for release - Outro: unresolved grief, eternal haunting

Japanese Rock Ballad / 和ロックバラード female vocal, soft but emotional koto, shakuhachi, soft taiko melodic guitar lines, warm reverb nostalgic, bittersweet, cinematic mood slow to mid tempo

Kawaii Metal, J-pop idol vocals, High-pitched cute female voice, Sweet and energetic singing, Japanese Folk Metal, Heavy Metal, Aggressive Distorted Guitar, [Extreme Shredding Tsugaru Shamisen], [Dominant Cinematic Taiko Percussion], [Shakuhachi Flute Riffs], [Percussive Koto], 195 BPM, Heavy Contrast, Catchy Melody, Traditional Japanese Festival energy, Highly Detailed Traditional Instruments

Shimisen, Japanese drums, Japanese flute Japanese koto, Taiko Drums, Shakuhachi, Koto, Shamisen, bamboo flute, Epic symphonic power metal, dramatic male vocals

rock, breakcore, heavy metal, drum n bass, shamisen, koto, taiko, shinobue, shakuhachi, Japanese female vocal, powerful female voice, cool and commanding tone, wa-rock, shamisen riff, japanese traditional instruments, modern rock, dark rock, cold atmosphere, high tension chorus, aggressive but controlled, authoritative vocal delivery, call and response shouts, dramatic build up, intense rhythm, stage-commanding presence, epic and sharp sound, no cute tone, no pop sweetness

Rock, high tone female vocal, A heavy metal track layered with distorted guitars, driving bass, and thunderous drums builds momentum, while traditional Japanese instruments—shamisen riffs intertwining with piercing shinobue melodies—cut through the mix, Aggressive breakdowns alternate with soaring, dynamic instrumentals, creating a fusion of intensity and intricate texture

Genre: Aggressive Japanese Fusion Rock BPM: 150 Feel: Intense, rebellious, dark, and electrifying Rhythm: Fast-paced rock rhythm with syncopated drum fills and traditional Japanese accents Vocal: Gritty, husky female vocal with raw power, featuring emotional shouts, growls, and rolled R's (trilled R sounds) Instrumentation: Distorted electric guitar with heavy riffs, punchy bass, double-kick drums, shamisen, koto, taiko drums, and subtle electronic effects Arrangement: Start with a suspenseful koto melody and taiko hits, then explode into a high-energy rock section, Alternate between aggressive rock and traditional Japanese interludes, Build to a climactic finale with intense guitar solos, taiko accents, and a commanding vocal performance with shouts, growls, and rolled R's, End with a sudden, dramatic stop

High-tone androgynous **boyish male** vocal, Voice is youthful, clear, slender, and lightly breathy, with a distinctly **young male** brightness—not feminine, Tone has a fragile, crystalline edge with fast emotional shifts and agile flips between chest and falsetto, Delivery feels mischievous, dramatic, and weightless, Music is hyper-fast Japanese-style digital rock: sparkling synths, koto-like plucks, sharp electric guitar stabs, and tight taiko-inspired percussion, Rhythm is bouncy and syncopated with sudden breaks and ninja-like agility, Chorus bursts with soaring high notes, emotional flash, and a magical digital shine, Overall vibe: energetic, playful, ethereal, and distinctly **androgynous boy** rather than female

High-speed Japanese rock with a melancholic twist, 180–200 BPM, Female vocal: dramatic and emotional, soaring in choruses while maintaining clarity in verses, Rich layering of traditional Japanese instruments (koto, shamisen) providing a beautiful and melodic backdrop, Rhythm guitars: heavy distortion for aggressive, tight riffs; maintain a strong presence in verses and choruses, Use palm-muted sections for verses, with crunchy power chords in the chorus to create contrast, Clean guitar accents can be layered for atmospheric effects, Bass: punchy and melodic, locking tightly with the kick; use a warm tone with some grit, Drums: fast, energetic, with snappy snares and double-kick for a driving force; occasional fills to add excitement

Japanese progressive metal rock, fast tempo with aggressive energy, female vocal with controlled intensity, distorted electric guitars and driving bass, tight drums with occasional odd time sections, shamisen blended into heavy guitar riffs, dynamic key changes, dark, powerful, and quietly burning atmosphere

Japanese progressive metal rock, fast tempo with aggressive energy, female vocal with controlled intensity, distorted electric guitars and driving bass, tight drums with occasional odd time sections, shamisen blended into heavy guitar riffs, dynamic key changes, dark, powerful, and quietly burning atmosphere

Non-stop frantic Tsugaru Shamisen, Gidayu Shamisen, Hutosao, percussive bachi-uchi strikes, shredding, hyper-fast multi-layered Koto, 13-string Koto, 17-string bass Koto, arpeggios, glissandos, massive Taiko percussion ensemble, Odaiko, Shime-daiko, Nagado-daiko, rapid-fire rolls, aggressive Shakuhachi, Bamboo flute, overblowing, screeching high-notes, high-octane Wagakki fusion, extremely dense instrumentation, ultra-fast neoclassical shred Tsugaru Shamisen, rapid-fire double bass taiko drumming, complex progressive bachi-uchi, virtuosic bass fills koto, power Shime-daiko, 200 bpm, Powerful female vocals with intense Minyo folk singing technique, sharp Enka-style vibrato and "Kobushi" flourishes, guttural "Uneri" growls, soaring high-pitched piercing voice, aggressive and commanding stage presence, authoritative Japanese folk metal diva, Japanese lyrics, enka, Edo Festival Music, Kabuki, Gagaku, wagakki, j-folk, j-pop, j-rock, jazz, Dense and complex Celtic folk music

Visual kei gothic hard rock / dark metal with Japanese traditional instruments, inspired by late-era DEAD END mood, Slow-to-mid tempo (90–110), heavy and spacious groove, dramatic pauses and tension, Harmony & melody: strongly harmonic minor with occasional Phrygian dominant color, Chord language: frequent diminished chords (dim, dim7), diminished arpeggios, chromatic approach chords, tritone movement, Arrangement: thick distorted guitars, expressive bass, powerful rock drums, Japanese instruments featured: shamisen doubling riffs and answering leads, koto arpeggios, taiko accents, eerie shinobue lines, After the second chorus, drop into a dark instrumental break with a long, dramatic guitar solo, Guitar solo emphasizes symmetrical diminished patterns, dim7 arpeggios, chromatic runs, and dramatic bends, Avoid blues or pentatonic guitar licks, Vocal: charismatic female vocal, theatrical and sensual, Dark, decadent, cinematic atmosphere

Genre/Style: Japanese Symphonic Rock, Japanese Traditional Instrument Rock, Electronic Rock, Theme: Symbolic tragedy, Tempo/Rhythm: Slow start (Adagio) accelerating to high-tempo (Presto), Instrumentation: Shamisen, Koto, Shakuhachi, Taiko drums are the primary focus, blended with heavy modern rock (Clean/Overdrive guitar, rapid drums, sweeping strings, bright synths), No Death Growls or Metal elements, Structure/Arrangement: [Intro]: Slow dramatic, Solo mournful Shakuhachi/Koto, Sudden acceleration to Chorus tempo, [Chorus]: Starts immediately, Epic anthemic, utilizing full traditional Japanese orchestra and rock backing, [Verse]: Driving fast-paced, Complex Shamisen/Guitar interplay, [Bridge]: Tempo drops, Koto/Shamisen dialogue, Virtuoso solo, build to full tempo climax, [Outro]: Fast duet, final powerful Taiko hit, Vocal Style: High-energy female vocals, clean tone, powerful operatic Enka runs

70s style Classic Hard Rock, Gravelly, powerful male rock vocals, Sound characterized by heavy, overdriven guitar tone, a prominent wah-wah pedal effect, driving, syncopated drum rhythms, and a loud, distinct bass line, The song structure should feature an anthemic, sing-along chorus and a long, blues-infused, high-energy guitar solo in the middle, The overall sound should be raw, high-gain, and full of swagger, The theme is about 'Mame Daifuku' (Japanese sweet) as an overwhelming force of desire and comfort, "

Energetic J-Rock, Japanese fusion, Shamisen shredding, Koto, Powerful female vocals, Wadaiko drums, Fast tempo, Festive atmosphere, Dramatic transitions, Hard rock guitar

female, emotional, bouncy, Bouncy A melancholic and emotional Japanese-style rock ballad that fuses traditional instruments like shamisen, koto, shakuhachi, and taiko drums with modern rock elements such as electric guitar, bass, and drums, Bridge:RockUpbeat, Dark, Low-pitched, Low-pitched, chopin Tempo: 110-120 BPM, Key: minor, Genre: symphonic Japanese rock ballad with traditional influences

Shō, shamisen, J-rock, r&b, 2030S Style

[Style: Pure Acoustic Tsugaru-jamisen, Solo Performance, No Genre] [Instruments: Only ONE instrument, This instrument is a Japanese Shamisen (three-string lute), Use its raw, unplugged, acoustic sound, ] [Shamisen Technique: Focus entirely on the physical act of playing, Aggressive bachi strikes, percussive tapping on the skin, loud string snaps, deep resonance from its wooden body, Emphasize the unique "sawari" (buzzing sound), ][Vocal: Sharp high soprano][Instruction: NO SYNTHESIZER, NO ELECTRONIC SOUNDS, NO GUITAR (acoustic or electric), NO PIANO, NO STRINGS, NO BRASS, NO DRUMS, NO PERCUSSION (except what comes from the Shamisen itself), NO BASS, NO VOCALS (no singing, no humming, no spoken word), Absolutely NO external elements, ONLY the sound of the Shamisen, ] [Mood: raw, primal, harsh, focused, singular, percussive, ] [Mixing: Dry, extremely close-miked, no reverb, no delay, no effects, Every single nuance of the Shamisen's physical sound should be clear and upfront, ]

Intense Japanese heavy metal with folk elements, powerful and soaring female vocals, aggressive electric guitars with shredding solos, thunderous double-kick drums, fast tempo around 180bpm, epic fantasy atmosphere like a phoenix rising in ancient myths, symphonic undertones with shamisen-inspired riffs, dynamic build-ups from melodic verses to explosive choruses