Into Oblivion

eerie pitch shifting whammy tremolo guitar, new age nu metal, male vocals, reverbed and slowed

male vocals, cello, hurdy gurdy, mediaeval, violin, organ, nu metal

112bpm, slow androgynous vocals, reverb, dance/pop, dreamy, atmospheric synth sound, lo-fi bedroom pop, electronic keyboard

alternative indie, dream pop, male vocals, electronic, sad, depression

gothic pop, nu metal, synthwave, 118 BPM, electric keyboard ostinato, downtuned guitar chugs, distorted bass, symphonic string layer, taiko hits, gated snare, tape saturation, plate reverb, wide stereo synths, half-time chorus, driving 16th notes, melancholic grandeur

powerful, ethereal, cello, piano, male vocals, female vocals

gothic orchestral nu metal, gregorian chant, cello drone, electric violin riffs, wind percussion, heavy drums, male baritone vocals, cathedral reverb, tape saturation, sidechain pumping, cinematic build, chant hook, dark grandeur, tribal cadence, 120 BPM, halftime breakdown, symphonic brass, distorted bass, mono choir, dramatic crescendo

nu metal, 92 BPM, detuned guitar intro, de-tuned riff tightening, palm-muted drop tuning, male baritone vocals, trumpet stabs, cello counterline, piano chord lifts, gated snare, sidechain pumping, tape saturation, wide chorus delay, syncopated half-time groove, tension release, defiant catharsis

synth tuba trumpet electric guitar akin to the Final Fantasy 7 battle music with a nu metal twist, processed male vocals with soft female vocals

orchestral dubstep, symphonic nu metal, electric violin runs, cello ostinato, taiko hits, cathedral plate reverb, analog synth arps, distorted bass growls, stereo widening, sidechain pumping, glitch percussion, sub-bass drop, build and impact, angelic resolve, machine collision, 140 BPM, halftime groove