3:14
Save Point
v4.5-all
rock, Warm, laid-back grunge ballad with slightly overdriven guitars, rounded bass, and roomy drums, Verses stay intimate and hushed, letting the vocal sit close and confessional; chorus blooms with fuzzier rhythm guitars, splashier cymbals, and doubled male vocals, Light chorus on the guitar in the bridge for a dreamy float, then bring the full band back in for a final, resigned lift, grunge, soothing
5:00
Petals
v4.5-all
Shimmering electropop groove, bright arps and buzzy analog synth bass, four-on-the-floor kick, Verses stay tight and percussive with plucky synth stabs; chorus blooms wide with stacked female vocals, sidechained pads, and a lifting countermelody, Short bridge strips back to filtered drums and vocoder before a final, explosive hook repeat
3:14
Cutting Class
v4.5-all
Bouncy pop-punk groove with clean, crunchy guitars and tight bass, Drums stay upbeat and punchy, with group “hey!” shouts on turnarounds, Verses snarky and half-spoken, chorus big and chantable with stacked harmonies, Brief middle-eight breaks down to drums and vocal before slamming back into the final hook, Male or female vocals, lots of attitude
3:49
Dans Le Verre
v4.5-all
Glossy French house groove with sidechained synth pads, filtered disco samples, and a rubbery bassline, Beat starts lean with a muted kick and tight hats, then swells as the filters open into a euphoric, loopable chorus, Male vocals sitting dry and close on the verses, widening with airy doubles and soft vocoder harmonies on the hook, Subtle strings and chopped vocal fills keep the energy hypnotic but light, contemporary
5:47
Saying Nothing
v4.5-all
Sparse jazz-leaning groove built around a dry, close-miked trumpet and soft brushed kit; upright bass walks gently under warm Rhodes chords, Verses stay hushed and conversational, trumpet answering vocal phrases like a second voice, Chorus widens with simple horn harmony and airy background “oohs, ” then drops back to an intimate, late-night whisper, Male or female vocals, very close to the mic
3:04
Broken Glass
v4.5-all
Moody trap-ballad, male vocals, Sparse minor-key piano with distant bell tones and a pulsing sub bass, Verses sit close and intimate, half-whispered, with tight drums and subtle reversed pads, Chorus opens wider with stacked, slightly detuned harmonies and a harder kick, riding a slow swing, Final section strips back to piano and vocal ad-libs, letting the tension and ache linger, heartfelt
4:14
Smiling
v4.5-all
Bright, breezy new-age pop with island percussion, glassy synth pads, and warm acoustic guitar, Verses ride a mid-tempo sway; chorus lifts with stacked harmonies, airy leads, and a pulsing bass drone, Light shakers and marimba accents keep it playful, Big, open reverb on vocals for ocean-size space, then tighten slightly on the bridge for intimacy before a final wide, confident chorus, new age
3:29
Sunshine Naps
v4.5-all
Gentle chamber-choir piece, SATB with soft piano and airy strings, Verses in close, intimate harmony; chorus blossoms into warm, stacked chords with a simple, singable top line, Subtle swells and releases like breathing; a tender rubato feel that follows the vocal phrasing, Very light percussion from hand-rubbed shakers and breathy consonants, leaving space for resonance, soft