4:14

Who are You
v5.5
adult contemporary, soul ballad, baroque pop, 72 BPM, whispered spoken intro, melismatic female belt, piano arpeggios, cinematic string ensemble, hurdy gurdy drones, fiddle counterlines, steel-string fingerpicking, taiko accents, gated snare buildup, chorus stack harmonies, plate reverb, tape saturation, vulnerable intro, dramatic crescendo, anthemic release
4:02

Still Me
v5.5
Celtic dance-pop, eurodance, 126 BPM, female belt vocals, driving 16th-note hi-hats, punchy sidechained bass, acoustic guitar strumming, bodhrán accents, violin ostinato, 1960s string section, marimba synth plucks, staccato synths, plate reverb, gospel choir hooks, pre-chorus lift, anthemic defiance, bittersweet nostalgia
4:09

Chasing Dreams
v5.5
baroque pop, dark chamber pop, Celtic folk, 2000s pop-rock, hurdy gurdy drones, Celtic violin ostinato, 1960s string section, electric guitar riffs, hip hop drums, driving beat, handclap chorus, gang chant hook, sweeping orchestration, heavy reverb, retro glamour, anthemic uplift, melodic earnestness, verse build
3:47

Almost There
v5.5
Celtic folk-pop, baroque pop, 112 BPM, spoken intro, female belt vocals, acoustic guitar strumming, hurdy gurdy drones, Celtic violin lines, mandolin counter-melody, tom-heavy hip-hop drums, sidechain compression, heavy reverb snare, 1960s string section, choir harmonies, gradual chorus lift, bittersweet triumph, driving beat, anthemic hook
3:53

City Light
v5.5
folk rock, pop rock, Scottish singer-songwriter, 112 BPM, driving 6/8 pulse, energetic strumming, stomp clap drums, hip hop snare accents, acoustic bass, 1960s string section, baroque pop chamber, moody synth pads, heavy plate reverb, wide stereo mix, instant-impact arrangement, bittersweet resolve, anthemic chorus
4:13

16 Cents
v5.5
folk-rock, cinematic pop, 2000s pop-rock, Scottish singer-songwriter, Celtic fiddles, hurdy gurdy, acoustic strumming, piano arpeggios, synth bass pulse, hip hop drums, rhythmic percussion, 1960s string section, sweeping orchestration, heavy plate reverb, lush vocal harmonies, spoken intro, intimate verses, anthemic chorus, bittersweet nostalgia
3:22

3:32

Goodbye Karen
v5.5
folk-pop, neo-medieval folk, cinematic pop, female belt vocals, stacked harmonies, bowed fiddle, baroque piano, steel-string strumming, fingerpicked acoustic guitar, 1960s string section, hip hop drums, hand percussion, reverb, tape saturation, wide stereo mix, pre-chorus lift, midtempo pulse, anthemic chorus, defiant uplift
4:11

Daily Life
v5.5
folk-pop, cinematic pop, Scottish singer-songwriter, bodhrán accents, accordion countermelody, mandolin tremolo, violin ostinato, pump organ chords, acoustic guitar strum, hip hop drums, sidechain compression, plate reverb, widescreen strings, four-on-the-floor kick, pre-chorus lift, anthemic, bittersweet resolve, 132 BPM
4:09

American Dream
v5.5
dark folk-pop, Celtic folk, baroque pop, acoustic guitar strumming, mandolin tremolo, fiddle doubles, pump organ, 1960s string section, hip hop drums, four-on-the-floor kick, sidechain pumping, plate reverb, tape saturation, expansive chorus, bittersweet defiance, anthemic lift, 112 BPM, driving backbeat
4:51

pop-rock, 2000s pop-rock, cinematic pop, Scottish singer-songwriter, Celtic country, female belt vocals, spoken intro, hurdy gurdy riffs, violin countermelody, steel-string strumming, electric guitar hooks, hip hop drums, driving kick-snare, 1960s string section, sweeping orchestration, heavy reverb, slapback delay, radio-ready mix, melancholic resolve, high-energy lift
4:24

End of an Era
v5.5
indie pop, anthemic hook, Scottish singer songwriter, acoustic guitar fingerpicking, intimate alto vocals, 2000s pop rock drums, dry snare crack, sidechained synth pad, plate reverb, mono room mic, driving 118 BPM, four on the floor, building chorus lift, uplifting resolve, Celtic fiddle lines, hurdy gurdy drone, baroque string runs, retro stereo width
3:34

Goodnight, Life
v5.5
folk-pop, Celtic folk, 92 BPM, Scottish vocals, acoustic guitar strumming, hurdy gurdy drones, fiddle counterlines, bodhrán groove, soft kick-snare, hip hop backbeat, polished compression, plate reverb, 1960s string swell, catchy bassline, bittersweet resolve, stumbling steady, build to chorus, uplifting anthem
4:55

Sunrise
v5.5
Celtic pop, baroque pop, 128 BPM, driving 16th-note drums, acoustic guitar intro, piano ostinato, hurdy gurdy drone, violin counterlines, 1960s string section, gang vocal chorus, snare backbeat, sidechain pumping, bright polished mix, wide stereo imaging, euphoric lift, anthemic release

