2:54
To hurt and be hurt
v4.5+
A raw and energetic Japanese 3-piece rock band track, The guitar is distorted but twangy, influenced by 1950s rockabilly and punk rock, The bass is upright-style, punchy and percussive, with a walking rhythm that occasionally slaps, Drums are tight, snare-heavy, and slightly swung, with rapid hi-hat hits and kick-snare interplay, Vocals are raspy, urgent, and poetic, delivered with a loose rhythm and an emotional edge, The overall sound is gritty, lo-fi, with a rebellious garage rock atmosphere, Think of a blend between 50s rebel rock and Japanese post-punk spirit
2:34
Use quirky percussive sounds that mimic air pops or flexible plastic flaps, resembling the sound of a school desk sheet ("pa-fon" sound), Layer these subtly in the rhythm section as playful FX, Add distorted electric guitar riffs with a raw, edgy tone—slightly fuzzy, mid-heavy, and energetic, The guitar should create contrast and tension, blending chaos with structured groove, The overall sound is playful yet aggressive, like a noisy classroom band jamming after hours
2:54
ain’t worth a damn
v4.5+
Use quirky percussive sounds that mimic air pops or flexible plastic flaps, resembling the sound of a school desk sheet ("pa-fon" sound), Layer these subtly in the rhythm section as playful FX, Add distorted electric guitar riffs with a raw, edgy tone—slightly fuzzy, mid-heavy, and energetic, The guitar should create contrast and tension, blending chaos with structured groove, The overall sound is playful yet aggressive, like a noisy classroom band jamming after hours, male vocals, 180bpm
2:49
Disappear
v4.5+
Use quirky percussive sounds that mimic air pops or flexible plastic flaps, resembling the sound of a school desk sheet ("pa-fon" sound), Layer these subtly in the rhythm section as playful FX, Add distorted electric guitar riffs with a raw, edgy tone—slightly fuzzy, mid-heavy, and energetic, The guitar should create contrast and tension, blending chaos with structured groove, The overall sound is playful yet aggressive, like a noisy classroom band jamming after hours, male vocals
2:49
Use quirky percussive sounds that mimic air pops or flexible plastic flaps, resembling the sound of a school desk sheet ("pa-fon" sound), Layer these subtly in the rhythm section as playful FX, Add distorted electric guitar riffs with a raw, edgy tone—slightly fuzzy, mid-heavy, and energetic, The guitar should create contrast and tension, blending chaos with structured groove, The overall sound is playful yet aggressive, like a noisy classroom band jamming after hours, male vocals, 180bpm
3:10
“Little Songs
v4.5+
Happy, tearful indie pop with warm acoustic guitar strumming, soft drums, clear piano chords, and emotionally honest vocals, The rhythm is uplifting but gentle, conveying a feeling of pure relief and joy, The vocals sound like someone singing with a smile and tears at the same time, Light bass, natural reverb, and minimal synths, Sunny, real, bittersweet
2:10
