The Start

Use a Drop C tuning, tempo ~160 BPM, and classic early 2010s production, Include crunchy heavy rhythm guitars, catchy lead hooks, punchy fast double-kick drums, and subtle synth backing throughout, Mix should be tight and polished: layered tenor clean vocals with stereo delay on chorus harmonies, slight saturation on the guitars, and a radio-ready hard rock sheen

Craft a polished, studio-quality melodic metalcore track in C♯ minor, 4/4 time at ~85 BPM (≈170 double-time), guitars tuned low (e, g, drop-B), The sound should be heavy yet melodic: thick, warm distorted guitars (low tuned power chords and riffs) with subtle overtones, tight punchy drums, and deep bass, Add soft synth pads or clean electric- guitar flourishes to fill out choruses, Lead vocals must be strong, soaring clean tenor singing with emotional intensity and bright tone, Focus on anthemic, melodic phrasing (e, g, sustained high notes and small vocal runs on key words), no screaming, The mix is crisp and radio-ready, with the vocals upfront and guitars balanced under the clean, passionate vocal performance

TENOR RANGE CLEAN VOCALS ONLY, Craft a polished, studio-quality track in C♯ minor, 4/4 time at ~85 BPM (≈170 double-time), guitars tuned low (drop-B), The sound should be heavy yet melodic: thick, warm distorted guitars (low tuned power chords and riffs) with subtle overtones, tight punchy double-kick drums, and deep bass, Add clean electric guitar flourishes to fill out choruses, Lead vocals must be – strong, soaring clean tenor singing with emotional intensity and bright tone, Focus on anthemic, melodic phrasing (sustained high notes and small vocal runs on key words), no screaming, The mix is crisp and radio-ready, with the vocals upfront and guitars balanced under the clean, passionate vocal performance, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo

NO SCREAMING AND CLEAN VOCALS ONLY IN WHOLE SONG, Compose a uptempo studio-quality track in D minor at ~75 BPM (150 BPM double-time), Guitars (drop B tuning) should pound heavy Dm–C–Bb power chords and fast arpeggios, Include a moody violin intro and corresponding outro, Include a breakdown or bridge with chugging riffs and double-bass drums, Use dramatic, minor-key chord changes and melodic guitar leads, Produce a polished mix: high‑gain guitars, tight bass, punchy snare, and backing synth/choir pads for depth, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming, No screaming of any kind

CLEAN VOCALS ONLY, NO SCREAMING, Produce a heavy yet melodic post-hardcore track in B♭ major at ~135 BPM (68 BPM half-time), Using drop B tuning, Chorus should be anthemic and uplifting, featuring multi-tracked cleans with harmonies, Spice with a soft piano or synth intro and a gentle bridge leading into a heavy double‐kick finale, Maintain studio-level clarity: a glossy production with big drums, warm bass, and polished guitars, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming, No screaming of any kind

TENOR RANGE CLEAN VOCALS ONLY, Produce a studio‐quality post-hardcore track in E minor at roughly 108 BPM, with guitars tuned to drop B, Begin with a clean, moody intro leading into palm-muted chugging power chords (Em–C–G progressions) and double‐kick drums, Build to soaring, melodic clean vocals, Use harmonic minor runs and fullstrum dark riffs for tension in the chorus, and an anthemic, radio-ready bridge, Aim for polished punchy drums, heavy bass, thick distorted guitars, and subtle synth textures for atmosphere, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo

CLEAN VOCALS ONLY, NO SCREAMING, Use a Drop C tuning, tempo ~85 BPM, and classic 2010s acoustic, Its sad and emotional acoustic, fully accoustic, crisp clean vocals and vocals that are masterful during emotional portions and chorus, Catchy lead accoustic guitar riffing and accoustic guitar tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo

CLEAN VOCALS ONLY IN SONG, Design a studio- quality melodic post-hardcore song in B minor at ~105 BPM (210 BPM double‐time), Open with a spoken word intro, Use drop B guitars playing minor-key riffs (Bm–G–A), Build to a soaring chorus in B harmonic minor with power‐chord progressions and vocal harmonies, Insert a heavy bridge or breakdown with rapid double kicks and syncopated fretboard runs, Keep it polished and radio-ready: crisp drums, thick low-end guitars, and atmospheric pads or light synth layers under the post-chorus, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming, No screaming of any kind

NO SCREAMING, CATCHY LEAD GUITAR RIFFING, HEAVY GUITARS, D major at ~75 BPM (150 BPM double‐time), Feature chugging drop B guitars playing bright D–A–Bm power chords with upstrokes and occasional staccato accents, Structure it with a half‐time groove verse (laid-back double kick feel) and a big, anthemic clean‐vocal chorus, bridge with a melodic heavy guitar lead using the D major scale and chromatic fills, Aim for punchy, polished drums and bass, heavy studio quality, hits hard, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming, No screaming of any kind

CLEAN VOCALS ONLY, NO SCREAMING, Produce a heavy yet melodic post-hardcore track in B♭ major at ~135 BPM (68 BPM half-time), Using drop B tuning, Chorus should be anthemic and uplifting, featuring multi-tracked cleans with harmonies, Spice with a soft violin or synth intro and a gentle bridge leading into a heavy double‐kick finale, Maintain studio-level clarity: a glossy production with big drums, warm bass, and polished guitars, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming, No screaming of any kind

CLEAN TENOR VOCALS ONLY, Generate a radio-friendly post-hardcore track in D major at ~75 BPM (150 BPM double‐time), Feature chugging drop B guitars playing bright D–A–Bm power chords with upstrokes and occasional staccato accents, Structure it with a half‐time groove verse (laid-back double kick feel) and a big, anthemic clean‐vocal chorus, Incorporate dynamic clean backing vocals and a bridge with a melodic guitar lead using the D major scale and chromatic fills, Aim for punchy, polished double-kick drums and bass, glossed production, and a warm radio mix that still hits hard, Catchy lead guitar riffing and tapping, NO SCREAMING OF ANY KIND, NO SCREAMING, No Screamo, No screams or screaming