3:37

Dmin, Dm, 1990's Alternative, Tape Saturation, Melancholy, Psychedelic, Grunge, Underwater, Digital noise, Alternative surf, Grunge vocals
4:00

1990's Alternative, Grunge, Sludge Rock, Atmospheric, Spooky, Grunge Vocals, Nostalgia
4:29

All Pours Out
v4.5
A Dmin-driven 1990’s Seattle Alternative/Grunge track with tape-warble textures and psychedelic surf guitar lines, Melancholy verses and vocals layered with reverb-drenched chords, while choruses erupt with gritty grunge vocals, fuzzy bass, and punchy drums for a raw, immersive sound
3:29

Dmin, Dm, 1990's Surf Punk, Melancholy, Psychedelic, Grunge, Digital noise, Alternative surf, Grunge vocals
3:18

The Homie
v4.5
Punchy reggae-punk electric bass drives the upbeat groove, layered with lofi funk drums and funky syncopation, Illbient surf guitars add woozy vibes, with tape warble, vinyl crackle, and ambient pink noise coloring the texture, Sections alternate between chill, flowing surf lines and tight, punk-infused reggae beats
3:59

All The Same
v4.5
Dark ambient dream pop, Lo-fi compressed drums, distorted ambient drones, bouncy psychedelic guitar lead, Warm gritty bass, broken distorted vocal, alternative rock ambience, introspective, tape hiss, warm saturation, Cinematic transitions, transparent limiting
3:17

Dmin, Dm, 1990's Alternative, Tape, Melancholy, Psychedelic, Grunge, Digital noise, Alternative surf, Grunge vocals
4:29

This Time
v4.5
Ambient grunge foundation with lo-fi illbient drums textured like leather, submerged by an underwater filter, Low pass filtered electric guitar plucking soft art rock melodies fight the ambient noise wall, Washed-out layers form a dense wall of ambient noise and metallic harmonics, Whisper vocals hover in near-ambient space, framed by tremolo reverb, string swells fill in layers underneath, pink noise, and 90% stereo alignment; phase-locked, distorted, and soothing bass anchors the mix, Verses are whispered, Chorus 1 rises in energy throughout, Chorus 2 decreases energy throughout





