4:46

La Perla di Labuan
v4.5+
A rousing folk metal sea shanty with a strong maritime rhythm, blending traditional Malay instruments like the rebab, gamelan and kompang with Neapolitan sounds such as mandolin, tammorra and layered folk choirs, The song should have powerful pirate-style vocals, dramatic shifts between minor and major keys, and evoke a tropical yet Mediterranean seafaring atmosphere, Add metallic percussions, distorted guitars, and choral gang vocals in the chorus, Inspired by the tale of “The Pearl of Labuan” and her Neapolitan roots, the track should sound exotic, epic, and full of longing and adventure
6:40

Italian, Medieval, folk death metal track, The track opens with a fading heartbeat and soft drone underlining sparse harp motifs, establishing a somber alpine atmosphere, Ethereal synth washes echo throughout, while female vocals shift between tongue-whispered ritual chants and plaintive melodies, all layered with eerie, menacing undertones
4:15

Opening with haunting Alpine folk melodies on flute and mandolin over eerie synth pads, tribal percussion enters alongside tremolo-picked melodic death metal guitar, Verses contrast ethereal female vocals with brutal growls, underscored by layered riffs and dark bass, Bridge fuses folk motifs and menacing double-kick buildup; instrumental breaks highlight dissonant harmonies, evolving to a furious, cathartic outro
3:46

Jolanda, Ahoy!
v4.5+
Pirate folk metal sea shanty with Mediterranean vibe: bouzouki, hurdy-gurdy, Spanish acoustic guitar, Italian mandolin; rhythmic drums like hammering on ship deck; vocals gritty and melodic, chorus in Italian-Spanish mix (“Ahoy, Jolanda!”); cinematic and rowdy
5:17

Italian, Medieval, folk death metal track, The track opens with a fading heartbeat and soft drone underlining sparse harp motifs, establishing a somber alpine atmosphere, Ethereal synth washes echo throughout, while female vocals shift between tongue-whispered ritual chants and plaintive melodies, all layered with eerie, menacing undertones

