3:01
Down Where
v5.5
modern pop-punk, 168 BPM, distorted power chords, palm-muted downstrokes, octave lead guitar, gang vocals, punchy snare backbeat, driving 16th-note hi-hats, analog drum kit, parallel compression, high-fidelity mix, wide stereo guitars, plate reverb, tape saturation, anthemic defiance, confessional release
2:55
Won't Come Back
v5.5
modern pop punk, emo-leaning alternative rock, 168 BPM, hyperactive drums, jittering hi-hats, distorted power chords, octave lead guitar, gang vocal chorus, synth bass drop, glitchcore synth punctures, parallel compression, high-fidelity studio mix, stereo width, bitter breakup, confrontational release, explosive chorus, verse chorus drop, call and response hooks
2:53
Just Let Go
v5.5
modern pop-punk, 168 BPM, muted verse guitars, distorted power chords, octave lead guitar, pick scrape accents, tom-driven prechorus, gated snare, trap-style hat flurries, double kick chorus, anthemic gang vocals, shouted hooks, high-fidelity mix, tight parallel compression, wide stereo guitars, glassy delay tails, anxious release, explosive catharsis
2:52
Hate My Guts
v5.5
modern pop-punk, post-hardcore, 168 BPM, distorted power chords, palm-muted downstrokes, octave lead guitar, gang shouts, screamed verse vocals, driving tom fills, punchy snare backbeat, glitch synth stabs, analog drum kit, sidechain bass, high-fidelity mix, wide stereo guitars, anthemic chorus, volatile rivalry, cathartic release
2:33
Your Desire
v5.5
modern pop-punk, 178 BPM, distorted power chords, palm-muted downstrokes, octave lead guitar, gang vocal chants, hyperactive drum fills, syncopated snare accents, offbeat crash hits, driving bass pick, high-fidelity studio mix, wide stereo guitars, compressed drum bus, breakdown drop, minor key, defiant euphoria
2:27
Do You Feel
v5.5
pop punk, arena rock, 152 BPM, syncopated tom fills, octave lead guitar, palm-muted downstrokes, distorted power chords, gang vocals, shouted chorus, overdriven bass guitar, punchy snare backbeat, parallel compression, stereo room mics, bright cymbal attack, high-fidelity mix, restless tension, bittersweet urgency
2:45
Stumbling
v5.5
modern pop-punk, arena rock, 168 BPM, projected male vocals, gang chant chorus, octave lead guitar, power chord downstrokes, fretless bass slides, analog drum kit, tom fill lift, synth doubled guitars, distorted vocal delay, parallel compression, glossy high fidelity, stereo widening, breakdown drop, anthemic angst, rising urgency
2:53
Whispers
v5.5
modern pop-punk, 168 BPM, half-time chorus, distorted power chords, palm-muted eighths, gang vocal shouts, projected male vocals, parallel guitar doubles, punchy snare backbeat, subdrop transitions, tape saturation, plate reverb snare, sidechain compression, glitchy drum fills, dark catharsis, arena lift, stereo width automation, post-hardcore edge
1:57
Try to Be
v5.5
modern pop-punk, anthemic pop punk, distorted power chords, hyperactive drum fills, palm-muted verses, gang vocal hooks, octave guitar leads, downstroke chugs, smashed snare, parallel compression, high-fidelity mix, wide stereo guitars, call-and-response breakdown, explosive chorus lift, urgent youthful angst, 168 BPM
1:32
Tell the Truth
v5.5
pop punk, arena rock, distorted power chords, octave guitar leads, palm muted verses, crash driven downbeats, tom fill ramps, gang chant hooks, bridge breakdown, sidechain compression, glossy studio mix, stereo guitar spread, 168 BPM, adrenal surge, bittersweet urgency
1:37
modern pop-punk, arena pop-punk, 170 BPM, distorted power chords, octave lead guitar, palm-muted downstrokes, gang vocals, driving eighth-note bass, live room drums, punchy snare backbeat, cymbal choke crashes, parallel compression, tape saturation, plate reverb, wide stereo guitars, half-time breakdown, bittersweet defiance