AWM

Knfe Party, shoegaze, groove metal, with late 90's to early 2000's-trance-like melodic harmoniy-based chorus, ‑-edm, ‑-dance, ‑-electronica, ‑-trace, ‑-techno, ‑-synths, ‑-power metal, ‑-hairmetal, ‑-glamrock

Intro: Hard punching, long melodic groove metal intro, In general: Use poly-rhythms/counting that takes a very long time to resolve, Verse: Brutal technical death metal, groove metal, post-metal, Refrain: Primarily explosive melodic shoegaze and early melodic groove and nu metal, accompanied by 80s Amiga demo-scene chip-tune inspired synthwave backing, All of it is to be bordering on symphonic, Bridge: Progressive groove metal and aggressive art rock resolving into 90's ambient electronica synths without the bass or beats, before repeating the first refrain and coming to an end, End: Returning to bridge, but no vocals, Phasing out one instrument at a time, Maynard, Chino Moreno, Stephen Carpenter, Sergio Vega, Corey, Mick Thomson, Mario Duplantier, ‑hair/glam rock, ‑progressive overly technical rock from the 60's up to and including the 90's

Vocal:baritenor, aggressive shouts and screams, controlled growl‑sing blend mixed with falsetto, intense‑aggressive, raw‑feral, occasional melodic introspection, no overt sensuality, Exclude:breath, tight-breath, BPM:60, timeSignature:45/11, Drums:minimalistic variation, minimalistic tribal tom rolls, minimalistic fills, Snare:tight tune, on-beat strike articulation, frequent ghosting, Kick:45/11ths on-beat strike articulation, Mood:dark, agressive, Genre:groove metal, shoegaze, Bass:agressive, sub-heavy, fingerpicked, drop-C tuned 5-string, locked to drums, overdrive for punch, high-end sizzlee, Guitar:drop-C tuned 7-string, only rhythm and chords, no solo, no lead, Vocal:Articulation:tight‑breath on breaths, legato consonants in verses, legato phrasing in choruses, no excessive vibrato, SFX:none, Percussion:none, Room:consistent room feel, large rehearsal‑room vibe, moderate natural reverb, decay 150 ms, no auto-fade, stable volume, ‑SFX, ‑piano, ‑synth, ‑keyboard, ‑dj, ‑scratching, ‑vocal, ‑voice, ‑flute, ‑synth, ‑rap, ‑rnb, ‑country, ‑bluegrass, ‑ballad, ‑glitch, ‑scratching, ‑scrach, ‑recordscratching, ‑record scratching, ‑whiny, ‑breathy, ‑moaning, ‑falsetto, ‑excessive vibrato, ‑overt distortion, ‑sexualized tone, ‑country, ‑bluegrass, ‑folk, ‑rap

Vocal:baritenor, aggressive shouts and screams, controlled growl‑sing blend mixed with falsetto, intense‑aggressive, raw‑feral, occasional melodic introspection, no overt sensuality, Exclude:breath, tight-breath, BPM:60, timeSignature:45/11, Drums:minimalistic variation, minimalistic tribal tom rolls, minimalistic fills, Snare:tight tune, on-beat strike articulation, frequent ghosting, Kick:45/11ths on-beat strike articulation, Mood:dark, agressive, Genre:groove metal, shoegaze, Bass:agressive, sub-heavy, fingerpicked, drop-C tuned 5-string, locked to drums, overdrive for punch, high-end sizzlee, Guitar:drop-C tuned 7-string, only rhythm and chords, no solo, no lead, Vocal:Articulation:tight‑breath on breaths, legato consonants in verses, legato phrasing in choruses, no excessive vibrato, SFX:none, Percussion:none, Room:consistent room feel, large rehearsal‑room vibe, moderate natural reverb, decay 150 ms, no auto-fade, stable volume, ‑SFX, ‑piano, ‑synth, ‑keyboard, ‑dj, ‑scratching, ‑vocal, ‑voice, ‑flute, ‑synth, ‑rap, ‑rnb, ‑country, ‑bluegrass, ‑ballad, ‑glitch, ‑scratching, ‑scrach, ‑recordscratching, ‑record scratching, ‑whiny, ‑breathy, ‑moaning, ‑falsetto, ‑excessive vibrato, ‑overt distortion, ‑sexualized tone, ‑country, ‑bluegrass, ‑folk, ‑rap

Male vocal, mid-range, light-breath, no whiny, breathy, or moaning articulation, Vocals:gritty baritenor, aggressive shouts, occasional melodic chant, controlled growl‑sing blend mixed with falsetto, Exclude:breath, tight-breath Mood:intense‑aggressive, raw‑feral, occasional melodic introspection, no overt sensuality Dynamics:fast double‑kick sections, tight snare hits, open hi‑hat bursts, tribal tom rolls, no gradual volume increase Articulation:tight‑breath on breaths, staccato consonants in verses, legato phrasing in choruses, no excessive vibrato Genre mid 90's numetal, shoegaze, early‑2000s production Guitars:down‑tuned 7‑string, heavy palm‑muted riff, high‑gain lead with pinch‑harmonics, limited feedback, no excessive distortion, no solo, no lead Bass:aggressive finger‑picked, sub‑heavy, locked to drums, slight overdrive for punch Drums:fast double‑kick, tight snare, open hi‑hat bursts, tribal tom rolls, consistent room feel Room:large rehearsal‑room vibe, moderate natural reverb, decay 150 ms, no auto-fade, ‑Exclude:whiny, ‑breathy, ‑moaning, ‑falsetto, ‑excessive vibrato, ‑overt distortion, ‑sexualized tone, ‑country, ‑bluegrass, ‑folk, ‑rap

Vocal:baritenor, aggressive shouts and screams, controlled growl‑sing blend mixed with falsetto, intense‑aggressive, raw‑feral, occasional melodic introspection, no overt sensuality, Exclude:breath, tight-breath, BPM:60, timeSignature:45/11, Drums:minimalistic variation, minimalistic tribal tom rolls, minimalistic fills, Snare:tight tune, on-beat strike articulation, frequent ghosting, Kick:45/11ths on-beat strike articulation, Mood:dark, agressive, Genre:groove metal, shoegaze, Bass:agressive, sub-heavy, fingerpicked, drop-C tuned 5-string, locked to drums, overdrive for punch, high-end sizzlee, Guitar:drop-C tuned 7-string, only rhythm and chords, no solo, no lead, Vocal:Articulation:tight‑breath on breaths, legato consonants in verses, legato phrasing in choruses, no excessive vibrato, SFX:none, Percussion:none, Room:consistent room feel, large rehearsal‑room vibe, moderate natural reverb, decay 150 ms, no auto-fade, stable volume, ‑SFX, ‑piano, ‑synth, ‑keyboard, ‑dj, ‑scratching, ‑vocal, ‑voice, ‑flute, ‑synth, ‑rap, ‑rnb, ‑country, ‑bluegrass, ‑ballad, ‑glitch, ‑scratching, ‑scrach, ‑recordscratching, ‑record scratching, ‑whiny, ‑breathy, ‑moaning, ‑falsetto, ‑excessive vibrato, ‑overt distortion, ‑sexualized tone, ‑country, ‑bluegrass, ‑folk, ‑rap

Male vocal, mid-range, light-breath, no whiny, breathy, or moaning articulation, Vocals:gritty baritenor, aggressive shouts, occasional melodic chant, controlled growl‑sing blend mixed with falsetto, Exclude:breath, tight-breath Mood:intense‑aggressive, raw‑feral, occasional melodic introspection, no overt sensuality Dynamics:fast double‑kick sections, tight snare hits, open hi‑hat bursts, tribal tom rolls, no gradual volume increase Articulation:tight‑breath on breaths, staccato consonants in verses, legato phrasing in choruses, no excessive vibrato Genre mid 90's numetal, shoegaze, early‑2000s production Guitars:down‑tuned 7‑string, heavy palm‑muted riff, high‑gain lead with pinch‑harmonics, limited feedback, no excessive distortion, no solo, no lead Bass:aggressive finger‑picked, sub‑heavy, locked to drums, slight overdrive for punch Drums:fast double‑kick, tight snare, open hi‑hat bursts, tribal tom rolls, consistent room feel Room:large rehearsal‑room vibe, moderate natural reverb, decay 150 ms, no auto-fade, ‑Exclude:whiny, ‑breathy, ‑moaning, ‑falsetto, ‑excessive vibrato, ‑overt distortion, ‑sexualized tone, ‑country, ‑bluegrass, ‑folk, ‑rap

Drop C tuning, Cymbal off-beat accents, No lead/sologuitar, Rythm: Real drums only, Songs tempo is stable until the outro, where the sound of the piano hook is that of one falling into black hole, Piano should not follow the same count and only play on the off-beats, resolving in time before the next part, Vocals are swaying/lagging behind rythmically and be tonally unpredictable, but always resolve, The ambience is an overbaring dark, dystopian, sci-fi theme rooted in the emptiness and vastness of space - but in context of a brutally hard introspective ballad about love and consciousness, using poly-rhythms/counting that takes a long time to resolve, Intro: A mix of the main hook and space phenomena converted to audible signals, Monotenous heavy space ambience during verses, Shoegaze heavy/numetal chorus, Simple bridges consisting of ambience and a distant piano playing single eerie dark dystopian notes ("something I can never have") with lots of time for the reverb to hang, ‑wahwah, ‑autotune, ‑hair/glam rock, ‑progressive overly technical rock from the 60's up to and including the 90's, ‑synthwave, ‑hiphop, ‑scratching, ‑synth

Intro: Hard punching, long melodic groove metal intro, In general: Use poly-rhythms/counting that takes a very long time to resolve, Verse: Brutal technical death metal, groove metal, post-metal, Refrain: Primarily explosive melodic shoegaze and early melodic groove and nu metal, accompanied by 80s Amiga demo-scene chip-tune inspired synthwave backing, All of it is to be bordering on symphonic, Bridge: Progressive groove metal and aggressive art rock resolving into 90's ambient electronica synths without the bass or beats, before repeating the first refrain and coming to an end, End: Returning to bridge, but no vocals, Phasing out one instrument at a time, Maynard, Chino Moreno, Stephen Carpenter, Sergio Vega, Corey, Mick Thomson, Mario Duplantier, ‑hair/glam rock, ‑progressive overly technical rock from the 60's up to and including the 90's, ‑autotune

instrumental groove metal with heavy metal and art metal elements, intro‑less start, lead-less, 2 rhythm guitars only, clean rhythm tone, tight palm‑muted chugs, keep melody to vocal/bass, no solos, maintain groove‑metal feel, ‑guitar lead-slide, ‑guitar screaming, ‑guitar scream, ‑guitar screaming slide, ‑guitar chopped tremolo, ‑guitar wahwah, ‑guitar solos, ‑guitar solo, ‑guitar solos, ‑guitar sliding, ‑guitar grinding, ‑guitar shredding, ‑guitar staccato picking, ‑guitar legato picking, ‑guitar machine-gun picking, ‑guitar tapping, ‑guitar pinching, ‑artificial harmonics, ‑guitar sfx transitions

Room:{(consistent sound feel), (persistent dynamics), (stable volume)} Genre:{(melodic ambient subtly technical post groove metal), (melodic ethereal 2000s trance elements), energetic but chill tempo} Mood:{dark, anxious)} Vocal:{(SHUT THE FUCK UP UNTIL LYRICS START), (calm female mezzo), (soft legato phrasing), (tight breath control), (very soft and gentle vibrato), (subtle presence in mix), (no autotune)} Synth:{(drone intro verse), (open pad chorus), shifting pulse, intricate sound design excluding vocal glitch and vocal delay effects} Bass:{subheavy, overdrive punch, steady pulse} Guitar:{exclude shred tapping staccato and lead, (dropC 7string), (legato), (static stereo pan), (calm strum open verse), (open chorus), (chugging)} Drums:{(minimalist technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)} Snare:{11/11 offbeat strike accents, tight tune, frequent ghosting} Kick:{45/11 onbeat strike accents, roomy}

Timesignature:{45/11} Room:{consistent room feel, large rehearsalroom vibe, (natural reverb decay), (no autofade), (stable volume mix)} Genre:{nu metal, groove metal, shoegaze, late 90s Norwegian death metal} Mood:{dark} Vocal:{(male Chino-like baritone), intense, raw, melodic controlled shout scream sing blend, no overt sensuality, (harmonious female ensemble backing chorus bridge), (crisp and clear articulation), (gentle modest vibrato), (only breath on inhale)} Drums:{(Cunningham-like, subtly varied technical hihat bursts, airy crash ride in chorus and bridge), (Duplantier-like offbeat ghost kick articulation in pre_chrous and chorus), (Carey-like snare, tight tune, offbeat ghosting), short decay} Bass:{(Fieldy-like, aggressive, fingerpicked), (dropB), overdrive for punch, highend sizzle} Guitar:{(Chino Moreno-like), (sololess), (leadless), (chords), (dropB), (simple long lasting open chords)} Strings:{(cello ensemble), (bass), (long strokes), (chords), (sololess)}, ‑rnb, ‑rap, ‑electronica, ‑synthwave, ‑disco, ‑arpeggio, ‑staccato, ‑sliding, ‑picking, ‑tapping, ‑shredding, ‑guitar overtone

{ Mood:{dark}, Genre:{simple post grunge metal, drawn out open chord melodic nu metal, slight groove with ambient elements}, Room:{consistent sound feel, rehearsal room vibe, reverb decay 180ms}, Vocal:{baritenor, tight breath control, intense, raw, occasional melodic introspection, controlled shout scream blend with light falsetto, (harmonious chorus and bridge backing)}, Drums:{minimalist technical groove flow, short tom rolls, unpredictable single tom strike fills, Snare:{tight tune, subtle ghosting}, }, Bass:{dropC tuned 5string, aggressive, subheavy, fingerpicked slap blend, locked to drums, (overdrive punch), (fret sizzle)}, Guitar:{(-staccato, -shredding, -slide, -tapping, -staccato picking, -machinegun picking, dropC tuned 7string), (two rhythm guitars with static panning), open chorus, palmmuted accents}, Cello:{-staccato, -shredding, -slide, -tapping, -staccato picking, subheavy, (dystopian chords)}, }

instrumental groove metal with heavy metal and art metal elements, intro‑less start, lead-less, 2 rhythm guitars only, clean rhythm tone, tight palm‑muted chugs, keep melody to vocal/bass, no solos, maintain groove‑metal feel

instrumental groove metal with heavy metal and art metal elements, intro‑less start, lead-less, 2 rhythm guitars only, clean rhythm tone, tight palm‑muted chugs, keep melody to vocal/bass, no solos, maintain groove‑metal feel, ‑-"Guitar:lead-slide, ‑screaming slide, ‑chopped tremolo, ‑wahwah, ‑solos, ‑sliding, ‑grinding, ‑shredding, ‑legato picking, ‑machine-gun picking, ‑tapping, ‑pinching, ‑artificial harmonics"

instrumental groove metal with heavy metal and art metal elements, intro‑less start, lead-less, 2 rhythm guitars only, clean rhythm tone, tight palm‑muted chugs, keep melody to vocal/bass, no solos, maintain groove‑metal feel, ‑lead-slide, ‑screaming slide, ‑chopped tremolo, ‑wahwah, ‑solos, ‑guitar solo, ‑guitar solos, ‑sliding, ‑grinding, ‑shredding, ‑legato picking, ‑machine-gun picking, ‑tapping, ‑pinching, ‑artificial harmonics

Bluegrass, Groove Metal, Shoegaze

Knfe Party, shoegaze, groove metal, ‑-edm, ‑-dance, ‑-electronica, ‑-trace, ‑-techno, ‑-synths

drum instrumental single strike on-beat, no variation, no rolls, no fills, nothing else, BPM:60, timeSignature:45/11, Kick:single 29/8ths on-beat strike, Snare:single 8/8ths on-beat strike, Mood:dark, Genre:groove metal, shoegaze, ‑SFX, ‑synth, ‑keyboard

instrumental groove metal with heavy metal and art metal elements, intro‑less start, lead-less, 2 rhythm guitars only, clean rhythm tone, tight palm‑muted chugs, keep melody to vocal/bass, no solos, maintain groove‑metal feel, ‑lead-slide, ‑guitar screaming, ‑guitar scream, ‑screaming slide, ‑chopped tremolo, ‑wahwah, ‑solos, ‑guitar solo, ‑guitar solos, ‑sliding, ‑grinding, ‑shredding, ‑staccato picking, ‑legato picking, ‑machine-gun picking, ‑tapping, ‑pinching, ‑artificial harmonics, ‑sfx transitions

Timesignature:{45/11} Room:{consistent room feel, large rehearsalroom vibe, (natural reverb decay), (no autofade), (stable volume mix)} Genre:{simple smooth flowing open chord post groove nu metal} Mood:{dark} Drums:{(Cunningham-like subtly varied technical groovy hihat bursts with airy crash ride chorus bridge), (Duplantier-like offbeat ghost kick articulation pre_chrous chorus), (Carey-like snare tight tune offbeat ghosting), consistent room sound} Bass:{(Fieldy-like open aggressive fingerpicked) (dropB), overdrive for punch, highend sizzle} Guitar:{(Moreno-like sololess) (dropB) (simple long lasting open chords)} Strings:{(deep empathic counterpoint sololess long stroke cello chords)}

Timesignature:{45/11} Room:{consistent room feel, large rehearsalroom vibe, (natural reverb decay), (no autofade), (stable volume mix)} Genre:{nu metal, groove metal, shoegaze, late 90s Norwegian death metal} Mood:{dark} Drums:{(Cunningham-like, subtly varied technical hihat bursts, airy crash ride in chorus and bridge), (Duplantier-like offbeat ghost kick articulation in pre_chrous and chorus), (Carey-like snare, tight tune, offbeat ghosting), short decay} Bass:{(Fieldy-like, aggressive, fingerpicked), (dropB), overdrive for punch, highend sizzle} Guitar:{(Chino Moreno-like), (sololess), (leadless), (chords), (dropB), (simple long lasting open chords)} Strings:{(cello ensemble), (bass), (long strokes), (chords), (sololess)}, ‑synthwave, ‑rnb, ‑rap, ‑disco, ‑arpeggio, ‑staccato, ‑sliding, ‑picking, ‑tapping, ‑shredding

Intro: Hard punching, long melodic groove metal intro, In general: Use poly-rhythms/counting that takes a very long time to resolve, Verse: Brutal technical death metal, groove metal, post-metal, Refrain: Primarily explosive melodic shoegaze and early melodic groove and nu metal, accompanied by 80s Amiga demo-scene chip-tune inspired synthwave backing, All of it is to be bordering on symphonic, Bridge: Progressive groove metal and aggressive art rock resolving into 90's ambient electronica synths without the bass or beats, before repeating the first refrain and coming to an end, End: Returning to bridge, but no vocals, Phasing out one instrument at a time, Maynard, Chino Moreno, Stephen Carpenter, Sergio Vega, Corey, Mick Thomson, Mario Duplantier, ‑hair/glam rock, ‑progressive overly technical rock from the 60's up to and including the 90's

psytrance, schpongle-like, ‑guitar lead-slide, ‑guitar screaming, ‑guitar scream, ‑guitar screaming slide, ‑guitar chopped tremolo, ‑guitar wahwah, ‑guitar solos, ‑guitar solo, ‑guitar solos, ‑guitar sliding, ‑guitar grinding, ‑guitar shredding, ‑guitar staccato picking, ‑guitar legato picking, ‑guitar machine-gun picking, ‑guitar tapping, ‑guitar pinching, ‑artificial harmonics, ‑guitar sfx transitions

Cello playing chords deep empathic counterpoint to low octave grand piano during intro and outro, always allowing reverb on instruments and vocal to fade out naturally without abrupt cuts Timesignature:{45/11} Room:{rehearsal jam feel with instrument and amp dynamics} Mix:{early 2000s production, instruments and vocals conclude without volume changes, maintain volume and guitar amp cabinet sound and drum dynamics sound across entire song, no post processing effects, no autotune} Genre:{-rap, polyrhythmic technical groove metal verse, explosive melodic minimalis groove metal chorus with symphonic shoegaze ambience} Vocal:{male baritone, shoutscream blend, tight breath control, no vibrato, female harmonies in prechorus and chorus, clear precise pronunciation without mistakes, paced articulation} Guitar:{Fender Stratocaster panned left, Ibanez SG counterpoint panned right, dropC, legato strumming, palm muted chugs, -staccato, -tap} Snare:{offbeat accents, tight tune, frequent ghosting}

Genre:{psy djent metal, profound melodic breaks, symphonic soundscape, groove metal rhythm, Mood:{introspective, calm} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, (tight tune), overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑sampling, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching, ‑cello tapping, ‑cello arpeggio, ‑cello shredding, ‑cello machinegun picking, ‑cello machinegun tapping, ‑cello machinegun, ‑cello solo, ‑cello lead

Genre:{psy djent metal, melodic introspection, symphonic soundscape, groove metal rhythm, Mood:{introspective, calm} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, (tight tune), overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑sampling, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching, ‑cello tapping, ‑cello arpeggio, ‑cello shredding, ‑cello machinegun picking, ‑cello machinegun tapping, ‑cello machinegun, ‑cello solo, ‑cello lead

Genre:{groove nu metal, melodic trance-like ambience, symphonic soundscape, Mood:{introspective, calm} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, (tight tune), overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑sampling, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching

Genre:{melodic energetic technical post groove metal, light shoegaze ambient elements, Mood:{chaotic, dramatic, beauty} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, tight tune, overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching

Genre:{melodic energetic technical post groove metal, light shoegaze ambient elements, Mood:{chaotic, dramatic} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, tight tune, overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching

Genre:{melodic energetic technical post groove metal, light shoegaze ambient elements, Mood:{chaotic, dramatic} Timesignature:{((45/11))} Mix:{no post production sfx, static even levels, studio recording, raw audio, natural reverb} Room:{(consistent dynamics), (single room late 90's rehersal studio)} Vocal:{(baritenor), (male baritenor ensemble legato humming lead melody in chorus), intense, raw} Guitar:{(dropC 7string), (legato), (static stereo pan), (only chug and strum open chord chorus), (no lead solo play)} Strings:{(cello), deep counterpoint melody)} Bass:{dropC tuned 5string, aggressive, subheavy, (fingerpicked with occasional thumb slaps), (lock to drums), (overdrive punch), (high end sizzle)} Drums:{(technical flow), (short simple unpredictable rolls), (varied soft offbeat single tom strikes), (subtle hihat bursts), (riding cymbals chorus)) Snare:{11/11 offbeat strike accents, tight tune, overt and persistent unpredictable technical ghosting} Kick:{45/11 off-beat rolling strike articulation} }, ‑country singer, ‑piano, ‑violin, ‑brass, ‑live, ‑concert, ‑audience engagement, ‑audience buildup, ‑glitch rolls, ‑bass strum slapping, ‑autotune, ‑excessive vocal vibrato, ‑clapping, ‑audience chanting, ‑concert breaks, ‑guitar lead, ‑guitar solo, ‑instrumental solo, ‑shredding, ‑tapping, ‑machinegun picking, ‑string tremolo, ‑string arpeggio, ‑string solo, ‑string staccato, ‑amp noise, ‑amp crackle, ‑inconsistent amp sound, ‑inconsistent amp dynamics, ‑inconsistent room sound, ‑inconsistent room dynamics, ‑post production effects, ‑post production cuts, ‑clap pause, ‑clap breaks, ‑finger snapping, ‑finger snapping breaks, ‑guitar sliding, ‑guitar tapping, ‑guitar shredding, ‑guitar solo, ‑guitar lead, ‑guitar single string fills, ‑guitar arpeggio, ‑guitar screaming, ‑beatboxing, ‑synth, ‑drum machine, ‑scratching