3:19

zruck in da Spur
v5.5
RAW fast-tempo Dark hard guitar driving indie rock, 92 BPM, 4/4 Takt
Intro: electric guitar, instrumental guitar intro, No vocals at the beginning, No drums at the beginning, Loose flowing rhythm guitars, Continuous swinging movement, Cold restrained guitar tone, Small dirty amplifier sound, No bright melodies, No solos, Drums enter later softly, Dry snare, Light kick, Tight moving hi-hat, Minimal fills, Bass subtle and secondary, Vocals enter later:
fade restrained male voice, stoic, baritone
detached, half-spoken, slightly rough, flat delivery, limited range, almost monotone, same vocal energy throughout, equal steady humming, low repetitive mumbling, lazy pronunciation, never shout, no emotional singing, no vocal climax, Mood:
cold, dry, urban night motion, emotionally frozen but moving forward, Arrangement:
steady swinging movement, fast but restrained, raw, no buildup, no explosive chorus, no cinematic, hard rock, psychedelic
1:54

Deep Dark tense driving rock, 132 BPM, Deep tight bass, repetitive eighth notes, 3/4
intro without drums, like an unmetered guitar recording, bass: low-tuned, repetitive eighth-note ostinato, constant and unchanging
drums: soft kick + dry snare, minimal pulse, no fills, no cymbals, no variation
guitar: 12-string acoustic, steady low-energy strumming, dark tone, no brightness, no lead
vocals: low baritone male, deadpan, monotone, narrow range, almost spoken, same-pitch double tracking on repeated lines
texture: very subtle psychedelic tone, static, no evolution
effects: minimal tape echo and plate reverb, very low, constant, no buildup
arrangement: immediate loop feel, trance-like repetition, no progression, no added layers
STRICT:
no humming, no choir, no backing vocals
no build-up, no climax, no tonal lift, no harmonic change
ending: natural fade-out, cinematic, fast
3:36

minimal blues rock, bass-driven rock, 132 BPM, 3/4 meter, 12-string acoustic strumming, low-tuned bass ostinato, dry snare, soft kick, deadpan baritone vocals, same-pitch double tracking, dark ambient bed, tape echo, plate reverb, sparse drum pulse, trance-like repetition, natural fade-out, dark steady rock, bedroom demo, hypnotic rock
2:22

die Zeichnung()
v5.5
STYLE:
fast-tempo dry tense hypnotic bass driven blues rock, light swing, ~82 BPM, forward groove
intro: 5s solo fingerpicked acoustic guitar, warm, slightly free timing, NO drums, NO bass
acoustic continues under verse
bass: fades in early, warm, steady eighth-notes, no fills
drums: enter softly after intro, kick + dry snare, light hi-hat, no stomp, no heavy downbeat, no cymbals
guitar: subtle in verses, more strumming in refrain, no lead
vocals: low baritone male, calm, deadpan, almost spoken, no vibrato, NO shouting
arrangement: gradual natural layering, no dramatic build-up, no climax, steady energy
effects: minimal tape warmth, light reverb
STRICT:
no humming, no choir, no backing vocals
no stomping rhythm, deep, indie
2:41

des Leb'n
v5.5
STYLE:
mid-tempo dry tense hypnotic bass driven indie blues rock, ~82 BPM, forward groove
intro: 5s solo fingerpicked electric guitar, warm, slightly free timing, NO drums, NO bass
electric guitar continues under verse
bass: fades in early, warm, steady eighth-notes, no fills
drums: enter softly after intro, kick + dry snare, light hi-hat, no stomp, no heavy downbeat, no cymbals
guitar: subtle in verses, more strumming in refrain, no lead
vocals: low baritone male, calm, deadpan, almost spoken, no vibrato, NO shouting
arrangement: gradual natural layering, no dramatic build-up, no climax, steady energy
effects: minimal tape warmth, light reverb
STRICT:
no humming, no choir, no backing vocals
no stomping rhythm, deep, indie
3:19

im tunnel !
v5.5
RAW low-tempo Dark guitar indie rock, 86 BPM, 4/4 Takt
Intro: electric guitar, instrumental guitar intro, No vocals at the beginning, No drums at the beginning, Loose flowing rhythm guitars, Continuous swinging movement, Cold restrained guitar tone, dirty amplifier sound, No bright melodies, No solos, Drums enter later softly, Dry snare, Light kick, Tight moving hi-hat, Minimal fills, Bass subtle and secondary, Vocals enter later:
low restrained male fade voice, stoic, detached, half-spoken, slightly rough, flat delivery, limited range, almost monotone!
same vocal energy throughout, equal steady humming, low repetitive mumbling, lazy pronunciation, never shout, no emotional singing, no vocal climax, Mood:
cold, dry, urban night motion, emotionally frozen but moving forward, Arrangement:
steady swinging movement, fast but restrained, raw, dry
no buildup, no explosive chorus, no cinematic ending, hard rock, slow
3:25

mid strumming accustic dry tube amplifier overdriven guitar punk swing rock grunge 92 BPM 3/4
INTRO:
solo accustic guitar filigrane fingerpicked
lightly muted picking
steady rolling rhythm
same pattern repeated
no bass
no drums
no percussion
vocals enter after intro
mid dry male deadpan voice
quiet
spoken-sung
matter-of-fact
slightly amused
clear words
narrow range
no vibrato
no humming
no choir
no backing vocals
guitar:
repetitive
hypnotic
slightly twangy
dry
no solos
drums:
dry kick
dry snare
light closed hi-hat
minimal groove
no fills
no crashes
atmosphere:
wandering thoughts
riverbank
daydream
uncertain memory
moving forward
not sad
not dramatic
constant energy
no build-up
no climax
hard stop psychedelic, swing, trance-like
2:56

money, money
v5.5
mid percussive acoustic dry tube amplifier crunch guitar
post-punk swing rock grunge
92 BPM 4/4
INTRO:
solo electric guitar only
lightly muted picking
steady rolling rhythm
same pattern repeated
no bass
no drums
no percussion
vocals enter after intro
mid male deadpan voice
half spoken-sung
matter-of-fact
slightly amused
narrow range
no humming
no choir
no backing vocals
guitar:
repetitive
hypnotic swing groove
slightly twangy
dry fuzzy
drums:
dry kick
dry snare
light closed hi-hat
minimal groove
no fills
no crashes
continuous vocal presence
no instrumental bridge
no instrumental break
constant energy
no build-up
no climax
hard stop hypnotic
psychedelic
swing
trance-like
2:41

fast dry dark guitar post punk indie grunge blues rock 42 BPM 4/4
INTRO:
solo electric guitar only
one simple repeating guitar figure
lightly muted picking
steady rolling rhythm
same pattern repeated
no bass
no drums
no percussion
vocals enter after intro
low male voice
quiet
spoken-sung
matter-of-fact
slightly amused
clear words
narrow range
no vibrato
no humming
no choir
no backing vocals
guitar:
repetitive
hypnotic
slightly twangy
dry
no solos
bass:
enters later
simple root notes
low in mix
drums:
dry kick
dry snare
light closed hi-hat
minimal groove
no fills
no crashes
atmosphere:
wandering thoughts
riverbank
daydream
uncertain memory
moving forward
not sad
not dramatic
constant energy
no build-up
no climax
hard stop psychedelic, swing, trance-like
2:50

mid strumming accustic dry tube amplifier overdriven guitar punk swing rock grunge 92 BPM 3/4
INTRO:
solo accustic guitar filigrane fingerpicked
lightly muted picking
steady rolling rhythm
same pattern repeated
no bass
no drums
no percussion
vocals enter after intro
mid dry male deadpan voice
quiet
spoken-sung
matter-of-fact
slightly amused
clear words
narrow range
no vibrato
no humming
no choir
no backing vocals
guitar:
repetitive
hypnotic
slightly twangy
dry
no solos
drums:
dry kick
dry snare
light closed hi-hat
minimal groove
no fills
no crashes
atmosphere:
wandering thoughts
riverbank
daydream
uncertain memory
moving forward
not sad
not dramatic
constant energy
no build-up
no climax
hard stop psychedelic, swing, trance-like
0:34

koan schlaf
v5.5
STYLE:
mid-tempo dry tense accustic guitar grunge driven indie blues rock, light swing, ~62 BPM, forward groove
intro: 5s solo fingerpicked acoustic guitar, warm, slightly free timing, NO drums, NO bass
acoustic continues under verse
no bass
drums: enter softly after intro, kick + dry snare, light hi-hat, no stomp, no heavy downbeat, no cymbals
guitar: subtle in verses, more strumming in refrain, no lead
vocals: low baritone male, calm, deadpan, almost spoken, no vibrato, NO shouting
arrangement: gradual natural layering, no dramatic build-up, no climax, steady energy
effects: minimal tape warmth, light reverb
STRICT:
no humming, no choir, no backing vocals
no stomping rhythm, deep
4:33

0 or 1
v5.5
mid-tempo Dry surreal hypnotic indie boogie groove rock, 92 BPM, 4/4, INTRO:
solo pulse electric bass only, One simple repeating bass figure pulse, Same rhythm repeated over and over, No vocals, No drums, No guitar, No percussion, No fills, No variation, After intro vocals enter, Band joins later, Low male voice, Quiet, Deadpan, Half-spoken, Storytelling, Almost monotone, Clear words, Lyrics before melody, Slight underwater mood, Hypnotic, Dreamlike, No humming, No choir, No backing vocals, No scat, No nonsense syllables, Bass:
deep steady root notes, pulse, hypnotic
Drums:
dry kick, dry snare, closed hi-hat, no fills, Guitar:
hypnotic boogie groove, slightly fuzzy, repetitive, Road atmosphere, Psychedelic undertones, Working-class optimism, No build-up, Same energy throughout, Abrupt hard stop
3:18

every night
v5.5
Dry driving grunge indie blues-rock, 132 BPM, 4/4
Intro: dirty clean electric guitar, broken amp texture, immediate start, Bass: repetitive straight eighth-note bassline, hypnotic constant pulse, steady and mechanical, Drums: dry kick + snare, tight straight hi-hat, minimal fills, rigid groove, no swing, Guitar: rough rhythmic electric guitar, slightly jangly indie-blues tone, tight steady strumming, no solos, Vocals: low rough male voice through distorted cheap microphone, fuzzy saturation, deadpan, half-spoken, monotone, narrow range, lazy phrasing, occasional same-pitch doubles, Mood: restless night-drive atmosphere, warm but tense, melancholic without sounding depressive, Effects: subtle tape saturation, tiny slapback echo, minimal plate reverb, mostly dry mix, Arrangement: trance-like loop feel, constant forward motion, same energy throughout, no buildup, no climax, STRICT:
no swing
no humming
no choir
no backing vocals
no emotional lift
Ending: abrupt hard stop
3:14

mid dry hypnotic psychedelic electric bass pulsing post-punk rock grunge guitar 42 BPM 3/4 male barriton voice
INTRO:
solo Rolling Walking Bass
lightly muted picking
steady rolling rhythm
same pattern repeated
no bass
no drums
no percussion
vocals enter after intro
mid dry deadpan voice
no female voice, quiet
spoken-sung
matter-of-fact
slightly amused
clear words
narrow range
no vibrato
no humming
no choir
no backing vocals
guitar:
repetitive
hypnotic
slightly twangy
dry
no solos
drums:
dry kick
dry snare
light closed hi-hat
minimal groove
no fills
no crashes
atmosphere:
wandering thoughts
riverbank
daydream
uncertain memory
moving forward
not sad
not dramatic
constant energy
no build-up
no climax
hard stop psychedelic, swing, trance-like, electro
2:21

together
v5.5
Songlänge 1:38, Lockerer-rockiger Song mit ruhigem, trockenem Bass-Intro im leichten Blues-Groove, Bass bestimmt das monotone Grundtempo, Entspannte Bariton-Stimme halb gesprochen, halb gesungen, leicht bairischer Akzent, Nach und nach setzt ein groovendes Schlagzeug ein, dann eine Overdrive-Gitarre, die warm und locker Rhythmusflächen legt, Die Stimmung ist fröhlich, ehrlich, humorvoll, Der Refrain nimmt Fahrt auf, wird schneller, eingängig mit merkbarem Rhythmus und Mitsing-Gefühl, Nach dem letzten Chorus nimmt das Tempo ab, Instrumente steigen langsam aus, nur der Bass klingt humorvoll-leise und entspannt aus
2:00

Zusammen
v5.5
low-tempo Dark guitar indie minimal grunge rock, 98 BPM, 3/4 Takt
Intro: electric guitar, instrumental guitar intro
No vocals at the beginning, No drums at the beginning, No humming, No mmmh
Loose flowing rhythm guitars, Continuous swinging movement, Cold restrained guitar tone, dirty amplifier sound, No bright melodies, No solos, Drums enter later softly, Dry snare, Light kick, Tight moving hi-hat, Minimal fills, Bass subtle and secondary, Vocals enter later:
low restrained male fade voice, stoic, detached, half-spoken, slightly rough, flat delivery, limited range, almost monotone!
same vocal energy throughout, equal steady humming, low repetitive mumbling, lazy pronunciation, never shout, no emotional singing, no vocal climax, Mood:
cold, dry, urban night motion, emotionally frozen but moving forward, Arrangement:
steady swinging movement, fast but restrained, raw, dry
no buildup, no explosive chorus, no cinematic ending, hard rock, slow
3:13

1:30

weißt du was
v5.5
fast fade phrases overdriven pulse 2/8 blues vintage tube amplifier psychedelic guitar rock’n’roll, grunge, boogie rock 82 BPM, 3/4
E#b minor
[Electric Guitar Intro]
Intro: only Rhythmic e -guitar
Simple repeating figure
No drums, warm bass, No humming, No mmmhh
Low fade phrases male voice
Dry
Natural, Relaxed, Limited vocal range, Almost monotone, No belting, No opera, No dramatic singing, No vocal acrobatics, No yodeling, No shouting, No emotional outbursts, [Verse 1]
Guitar and voice only, [Kick Drum Enters]
Soft kick, Minimal groove, [Pre-Chorus]
Quiet bass enters, [Chorus]
Full band, Dry snare, Steady rhythm, Same calm vocal delivery, [Short Instrumental]
[Verse 2]
Reduced drums, Quiet bass, [Bridge]
Drums stop, Guitar and bass only, Spoken-like delivery, [Final Chorus]
Full band returns, Same vocal style, No climax, No build-up, [Outro]
Guitar and voice only, [Hard Stop]
Dry
Restrained
No synth pads
No choir
No female vocals
No humming
No solo, psychedelic, hard rock
3:54

Unendlichkeit
v5.5
Fast tense driving mystic hypnotic guitar indie rock, 162 BPM, 3/4
intro without drums, like an unmetered guitar recording, bass: low-tuned, repetitive eighth-note ostinato, constant and unchanging
drums: soft kick + dry snare, minimal pulse, no fills, no cymbals, no variation
guitar: 12-string acoustic, steady low-energy strumming, dark tone, no brightness, no lead
vocals: low baritone male, deadpan, monotone, narrow range, almost spoken, same-pitch double tracking on repeated lines
texture: psychedelic tone, static, no evolution
effects: very low, constant, no buildup
arrangement: immediate loop feel, trance-like repetition, no progression, no added layers
STRICT:
no humming, no choir, no backing vocals
no build-up, no climax, no tonal lift, no harmonic change
ending: natural fade-out
2:34

RAW fast German psychedelic mystic hard indie-rock with a relaxed groove, A fad, naturel psychedelic male vocal half-spoken word performance, The arrangement features electric guitar playing staccato, palm-muted eighth-note patterns and a simple, steady drum kit with a prominent snare, A warm bass guitar follows the vocal cadence, The track is in the key of C major with a tempo of 85 BPM in 3/4 time, Grunge
2:34

fast vintage tube amplifier overdriven guitar indie post rock with a relaxed, walking-pace groove, A dry, close-mic'd baritone male vocal delivers a rhythmic, almost spoken-word performance, The arrangement features a clean electric guitar playing staccato, palm-muted eighth-note patterns and a simple, steady drum kit with a prominent snare, A warm bass guitar follows the vocal cadence, The track is in the key of C#b major with a tempo of 132 BPM in 3/4 time, The production is minimalist and dry, with very little reverb or spatial processing on the instruments
5:00

2:07

Zittern im Takt
v5.5
STYLE:
Minimal bass-driven blues rock, very dry and controlled, Tempo: 85 BPM, straight 4/4, Bass:
Dominant, repetitive eighth-note bass line, Drums:
Minimal kick and snare, light hi-hat, No fills, no cymbals, Guitar:
Very subtle, low in mix, Vocals:
Low baritone male, deadpan, almost spoken, STRICT:
No humming, No vocal intro, No choir, No background vocals, Arrangement:
Immediate start (max 1–2 sec intro), Constant energy, NO build-up, STRUCTURE (IMPORTANT):
Verse 1
Verse 2
Pre
Chorus
Verse 3
Chorus
Outro
Length:
1:45–1:55 MAX
Soft ending (no long fade)
3:53

Style: Minimal rhythmic acoustic rock, functional tone
Tempo: 112 BPM, straight 4/4 (no shuffle, no swing)
Mood: Neutral, dry, matter-of-fact, mechanical
Instrumentation: Tight percussive acoustic guitar with steady downstroke rhythm, Simple repetitive bass line driving the pulse, Minimal drum groove (kick and snare only), no fills, no dynamics, No blues feel, No warmth, No ambience, No keys, Vocals: Two male voices in tight unison, Delivery like reading instructions, precise and rhythm-locked, No emotional expression, No sustained notes, No humming, No “mmm”, No adlibs, Strictly lyrical content only, Arrangement: Immediate groove, no intro, Constant energy throughout, Chorus not bigger, just same intensity, No instrumental breaks, 2:30–2:50, Hard stop ending, Production: Very dry, close-mic vocals, No reverb wash, Bass and rhythm tight and centered, Clean, controlled mix
4:16

Fast Relaxed dual overdriven psychedelic undertones guitar vintage tube amplifier indie post-punk minimal blues boogie rock, low dry deadpan male voice, clean Bass, 32 BPM, 3/4 trance-like, C#b minor
INTRO:
solo electric guitar only
same figure repeated
no bass
no drums
no percussion
After intro vocals enter
Band joins later
VOCALS:
low phrases male voice
deadpan
half-spoken
slightly tired
almost monotone
storytelling, clear words, no vibrato, no choir, no backing vocals, no female vocals, no emotional belting, BASS:
simple steady root notes, Clean
repetitive, rolling movement, DRUMS:
dry kick, dry snare, closed hi-hat, minimal groove, no fills, no crashes, GUITARS:
dry, slightly rough, repetitive rhythm playing, dual guitars, interlocking guitars, no solo, no lead guitar, CHORUS:
quieter than verses, reduced dynamics, reduced instrumentation, vocals in front, no chorus lift, Relaxed
easygoing feeling, natural flow, no build-up, no cinematic sounds, no strings, no synths, hard
3:48

too late ...
v5.5
Austrian dialect rock with elements of alternative rock and pop-punk, The arrangement features overdriven electric guitars playing power chords and palm-muted rhythmic patterns, a clean acoustic guitar providing percussive strumming, and a driving drum kit with prominent crash cymbals and a steady backbeat, A melodic bass guitar follows the root notes of the chord progression, The vocals are male, sung in a regional Austrian dialect with a gritty, energetic delivery that transitions into melodic shouting during the chorus, The track is in the key of G Major at 135 BPM in 4/4 time, The production is polished with modern compression and a wide stereo field for the layered guitars
4:13

Faster, faster
v5.5
Fast guitar rock post-punk, blues rock, hard rock, 132 BPM, low two naturel male spoken vox, deadpan German English, repetitive bass ostinato, dry tube amp guitar, palm-muted eighths, minimal acoustic percussion, dry snare backbeat, driving 3/4 pulse, vintage 70s live room, analog tape saturation, mono room ambience, darkly reflective, relentless fatigue, Jazz-rock
3:27

fast deep dry acoustic guitar driven rock 98 BPM 4/4
5s solo acoustic guitar
one acoustic guitar only
one male singer only
mid male
quiet
natural
close microphone
spoken-sung
human
imperfect
NO female vocals
NO choir
NO backing vocals
NO harmonies
NO doubles
NO vocal layers
NO bass
NO drums
NO percussion
NO electric guitar
NO piano
NO strings
NO synths
dry vocal
dry guitar
NO reverb
NO echo
NO delay
NO effects
NO polish
home demo
voice memo feeling
living room recording
small room
intimate
personal
unproduced
unpolished
quiet performance
NO band
NO arrangement
NO wall of sound
NO big chorus
NO anthem
NO cinematic sound
NO build-up
NO climax
NO crowd
NO audience
just one man with one guitar, melodic, grunge
4:29

zu spät
v5.5
Dry blues rock, fast dual guitar-driven rock, 92 BPM, 3/4 meter, lead guitar strumming, mid-tuned guitare ostinato, dry snare, soft kick, dry dirty naturel monoton vocals 82 BPM, same-pitch double tracking, dry ambient bed, plate reverb, sparse drum pulse, trance-like repetition, natural fade-out, dark steady rock, electric guitar, grunge, Hard Rock, jazz-rock, experimental
3:02

fast Dry dark hard minimal grunge dual overdriven guitar rock, 3/4, 102 BPM, Clean and slightly dual overdriven electric guitars playing angular rhythmic patterns, Melodic bass with independent movement, Tight dry drums, minimal fills, no flashy playing, Thoughtful and slightly quirky atmosphere, Constant groove, no arena-rock dynamics, Male vocal in medium register, calm and conversational, Clear pronunciation, detached delivery, slightly ironic tone, No shouting, no blues-rock rasp, no vocal acrobatics, Focus on lyrics and rhythm, Complex but memorable harmony, intelligent arrangement, subtle tension, understated chorus, authentic band performance, Dry mix, minimal reverb, warm analog sound, STYLE: progressive art rock, rhythmic guitar interplay, melodic bass, thoughtful mood, sophisticated songwriting, slightly eccentric, NO CHOIR, NO CROWD, NO LIVE FEELING, NO FEMALE VOCALS, NO YELLING, NO HOWLING, NO SCREAMING, NO METAL, NO PUNK, Jazz-rock, experimental
2:55

Psychedelic only overdriven 12-string e-guitar hard progressiv grunge rock, very dry and controlled, 132 BPM straight 3/4, dominated by a soft round low bass and sparse understated guitar phrases, minimal kick and snare with light hi-hat, constant level energy, clean gentle ending, Two soft male voices singing together in close harmony throughout the entire song, Continuous intimate whisper-like vocal delivery, Gentle, breathy, mysterious, No solo vocals, no female voice, no choir, no shouting, trance-like, whispered extremely calm and deadpan, almost spoken storytelling with close-mic intimacy, clear diction and steady phrasing, no vibrato, no vocal intro sounds, no humming, no crowd or background voices, Jazz-rock, experimental
2:44

Whispered spoken words male voices, Fast dry only overdriven 12-string percussive guitar hard progressive grunge rock, very dry and controlled, 92 BPM straight 5/6, dominated by a soft round low bass and sparse understated guitar phrases, minimal kick and snare with light hi-hat, constant level energy, clean gentle ending, Two dry male voices Spoken-word together in close harmony throughout the entire song, Continuous intimate whisper-like vocal delivery, Gentle, breathy, mysterious, No solo vocals, no female voice, no choir, no shouting, trance-like, whispered extremely calm and deadpan, almost spoken storytelling with close-mic intimacy, clear diction and steady phrasing, no vibrato, no vocal intro sounds, no humming, no crowd or background voices, Jazz-rock, experimental
