Rotten-musical

Male vocal: humorous poetic sung-ballad, Warm baritone voice with elegant, theatrical delivery, Gentle, expressive storytelling style, like a romantic vampire poet serenading someone he adores, Light ironic charm and affectionate humor in the performance, Slow tempo with piano, soft strings and subtle cabaret atmosphere, Voice should sound refined and dramatic, but slightly playful and self-aware, Avoid deep opera tone and avoid rough rock vocals, Atmosphere: gothic romance mixed with dark cabaret humor

horror-like, spooky, mysterious with operetic voices and rock solos, many different voices singing

Female lead vocal: gritty, slightly raspy, sweet-but-burnt voice, sarcastic undead cabaret tone, Vintage 90s pop mixed with Eastern European party music and dark cabaret, Instrumentation: synthesizer, bass guitar, bouncy drum machine, playful brass, Mood: ironic chaotic tavern energy, spooky but comedic, like a cursed pub hit

Use a deep, mature contralto female voice (NOT alto, NOT soprano), Range must stay LOW — chest register only (no head voice, no high notes), Timbre: smoky, gritty, harsh edges, tired, dangerous, villainess-like, No breathy innocence, No lightness, No sweetness, VOICE MUST SOUND 30–50 years old, with vocal fry, rasp and weight, Tone references: Marlene Dietrich, Nico, Zillah Minx, dark cabaret villain, femme fatale, Performance must feel heavy, slow, ominous, seductive, psychotic, Add distant unsettling laughter — ADULT, raspy, broken, NOT playful, NOT high-pitched, ‑soprano, ‑high register

“High-energy spooky duet of TWO DISTINCT Black women, Voice A inspired by the low, smoky tone of Tracy Chapman (NOT imitation, just vocal weight and depth), Voice B inspired by Toni Braxton’s low contralto register (NOT imitation), Voices must sound clearly different, Urban gothic witch energy, lively, theatrical, playful tension, ”, ‑white disney princess voices

“High-energy spooky duet of TWO DISTINCT Black women, Voice A inspired by the low, smoky tone of Tracy Chapman (NOT imitation, just vocal weight and depth), Voice B inspired by Toni Braxton’s low contralto register (NOT imitation), Voices must sound clearly different, Urban gothic witch energy, lively, theatrical, playful tension, ”

“Energetic jazz musical duet with strong theatrical rhythm, Clear male–female duet performance, Female voice: mature contralto, deep and elegant, confident stage presence, Male voice: smooth baritone, charismatic and slightly theatrical, Both voices alternate lines and occasionally sing together in harmony, Playful storytelling tone, like characters performing on a musical stage, Instrumentation: lively jazz ensemble with piano, upright bass, swing drums and brass accents, Upbeat theatrical groove, witty and dramatic, not a slow ballad, ” Make sure to tell difference from male and female vocals and spoken parts, Ofelia is the female part, Kasjusz is the male part

Melodic jazz musical style with strong rhythm and theatrical energy, Mature female contralto voice, deep and warm, Elegant and expressive, confident stage presence, Voice is rich and low rather than high soprano, Playful musical theatre energy but sophisticated and dignified, Instrumentation: piano, upright bass, brass accents, light swing drums, Lively jazz groove with theatrical flair, not slow or sentimental, ”

orchestral, dramatic, anthemic, unsettling, dark musical, gothic choral, epic dark fantasy, haunting choir, Polish legion march style, ominous and rebellious, angry mixed choir, male and female furious voices, low register harmonies, revolutionary fury, mob chant atmosphere

Female-female duet, They both sing the verses and chorus in harmonies, orchestral, dramatic, anthemic, unsettling, dark musical, contralto female harmonies, gothic choral, epic dark fantasy, eerie whispers, haunting choir, whispered vocals, ethereal unison, low register female voices, mystical quiet atmosphere

smooth jazz, musical theater, humorous mystical, big band swing, teeange high-pitched tenor male vocals, delicate and airy tone, smooth clear tenor, velvety soft timbre, no rasp or gravel, airy and light delivery, effortless charming vocals, high tenor croon, teen-like playful vocals, boyish charming delivery, mischievous giggling throughout, playful and high-spirited, on-a-high whimsical charm, sarcastic undertones with constant chuckles, cute and endearing delivery, light-hearted drugged vibe, no bass or baritone, ethereal laughter interludes, teasing and ironic inflection, whimsical eerie atmosphere, comedic dark fantasy, saxophone solos, piano lounge vibe, theatrical spoken parts, upbeat yet haunting, scat singing outro, chaotic yet smooth transitions

Addams Family theme inspired, orchestral whimsical, dark comedy musical, snapping fingers rhythm throughout, creepy harpsichord and vibraphone, gothic family anthem, humorous dark fantasy, theatrical spoken parts MAIN VOCAL: ethereal sweet low timbre female vocals (Vendetta Addams) – mystical alto, velvety contralto, haunting yet playful, soft and enchanting delivery SPOKEN DIALOGUE IN PARENTHESES: alternating spoken lines – first voice ethereal sweet Vendetta, second voice deadpan dry monotone Wednesday Addams, sarcastic and emotionless, classic deadpan delivery, no singing in parentheses, clear character distinction smooth transitions with ta-ta-ta vocalizing, upbeat eerie atmosphere, chaotic family banter

country influenced folk rock, upbeat rowdy bar atmosphere, solo female lead for Greta with theatrical spoken interruptions in verses, mega low raspy rough contralto female vocals, gruff and mean tone, no high pitch, deep gravelly delivery, szorstki wredny voice bar wolves group chants for "auuuu" howls and "nanana" vocalizing, crowd cheers sound effects, acoustic guitar and banjo riffs, fast rhythmic clapping, dark fantasy chaotic vibe, theatrical spoken parts, upbeat country transitions, humorous dark comedy country

MALE LEAD (Filemon): delicate tenor male vocals, tender healing tone, soothing gentle delivery, warm emotional timbre FEMALE LEAD (Maryna): pleasant mezzo-soprano female vocals, ear-pleasing smooth tone, melodic warm delivery, no rasp duet harmonious blend in chorus music soft but lively and rhytmic with musical swing

jazz-operatic musical theatre, whimsical upbeat melody, solo female lead for Margaret with theatrical spoken interruptions in verses, black woman soprano vocals, powerful operatic soprano tone, no low pitch, high soaring delivery, choir backups in choruses for "tutaj każdy ma miejsce" and "stylizacje z sercem" clap sound effects, snapping fingers bridge, operatic singing spoken line, piano and brass jazz accents, theatrical fun atmosphere, dark fantasy humorous vibe, smooth musical transitions