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Swing/Jazz Elegante | Jazz Piano, Upright Bass, Drums (Brushes), Trumpet (Muted Solos), Strings Section, Vibraphone, Tape Saturation Effect

Soul/Jazz | Electric Guitar (Virtuosic Solos), Tenor Saxophone (Expressive Leads), Hammond Organ (Deep Chords), Xylophone (Light Accents), Upright Bass (Melodic Lines), Drums (Swing Rhythm), Brass Section (Trumpets, Trombones), Gospel Choir, Tape Saturation Effect

Soul, Jazz, Torch-Lounge, female vocals

latin jazz, nueva trova, cumbia, gypsy jazz

Female, Postmodern Jazz, Noir Blues 1954, Kay Upright Bass, 1962 Martin Committee Trumpet, Deagan Vibraharp

Madrid, male, Baritone, Ballad, Folk, R&B, emotional, Violin, cello, oboe, piano, Hammond organ, brushed drums, upright bass

Soul, Jazz, Torch-Lounge, female vocals

Madrid, Male, Torch Song, Cool Jazz | Muted trumpet, contrabass pizzicato, celesta, brushed snare, tape hiss

Vintage Cool Jazz, Spanish Torch Song, Muted trumpet, brushed double bass, vibraphone, upright piano, tape saturation

1940s big band, Lounge Singer, male vocals

power female, Torch Salon, Smooth Jazz Ballad, clarinet (solo in bridge), saxophone (soft background phrases), trumpets with a sordina, piano (virtuoso elements), upright bass, drums with brushes

Post-Bop Jazz, Modal Jazz, Tenor saxophone, Polyrhythmic drumkit, Orchestral xylophone, Distorted Hammond organ, Vintage Ludwig drumkit (20" ride cymbal), Hammond B3 organ (percussion setting), Selm

Vintage jazz lounge, classic standards, smooth trumpet solos, upright bass, and sultry female vocals

jazz, French Big band, oboe, clarinet, acordion, sultry female vocals

Jazz Ballad with Big Band Orchestration, Piano, upright bass, soft drums with brushes, saxophone solo, strings

jazz, Big band, swing, trumpet melody, piano arpeggios, saxophone harmony, double bass syncopated, drums with brushes, Hammond organ solo, trumpet solo, piano solo, dynamic interplay, crescendo end

jazz, gospel, soul, saxophone, blues, sax, brass, oboe, Hammond B3, double bass

xylophone, Jazz Big Band, Female vocals, Torch-Lounge, trumpet, clarinet, Drums solo, Big Band, full ensamble

[Vocal Style: ABSOLUTE PRIORITY: A virtuosic 4-part mixed vocal group (Soprano, Alto, Tenor, Bass) in the precise, polyphonic, and intricate tight harmony style of The Manhattan Transfer, Heavy use of scat singing and complex jazz voicings, ] [Instrumentation: Sophisticated Parisian Swing ensemble, A swinging, virtuosic clarinet is the lead solo instrument, supported by a subtle, melodic oboe providing harmonic texture, Rhythm provided by a "La Pompe" style acoustic guitar (Django Reinhardt style), a walking upright bass, and a vintage drum kit played with brushes, ] [BPM: 135 (brisk, upbeat swing tempo), ] [Key: C Major, ] [Production: Clean, crisp, and polished 1970s/80s analog studio sound, The absolute focus is on the perfect clarity and balance of the four voices and the lead instruments, The mix must be technically precise, ] [Mood: Infectious optimism / Sophisticated joy, ] [Additional: The complex polyphonic vocal arrangement is the star, The oboe should act as a subtle orchestral pa

[A tranquil and sophisticated 1950s Big Band Vocal Jazz ballad, with a live Manhattan jazz club atmosphere, The song should be concise and under 5 minutes, It is led by a legendary female jazz vocalist with a crystal-clear, soulful delivery, effortless swing, and masterful scat singing ability, The exquisite instrumentation features a cool jazz piano with rhythmic complexity, a virtuosic bebop alto sax playing lightning-fast runs, a cool and melancholic muted trumpet, and a joyful, swinging vibraphone, The rhythm section is a potent and agile upright bass and a powerful, technically brilliant drummer, The song includes an epic instrumental bridge with an explosive drum solo, a vibraphone solo, and a breathtaking scat vocal performance, The mood is a bittersweet mix of romantic joy and deep, soulful melancholy, ]

Sophisticated Jazz-Blues, recorded live in a grand concert hall with pristine Abbey Road-quality sound, The song is built around a virtuosic, Dave Brubeck-style jazz piano, The vocalist is a powerful, clear female jazz singer (Ella Fitz style), CRITICAL STRUCTURE: - [Instrumental]: Features a gritty, soulful slide Telecaster, - [Bridge]: Features a virtuosic, instrumental scat vocal solo, - [Solo]: A masterful, soulful B, B, King-style Gibson ES-335 guitar solo, - Horn section (Tenor Sax & Trumpet) plays lush, cool jazz arrangements in the background, The mood is classy, soulful, and deeply melancholic

[Vocal Style: Energetic male lead vocals with a soulful, funky delivery, reminiscent of George Duke's occasional vocalizations, including shouts, enthusiastic ad-libs, and spoken phrases, Backing vocals are tight, harmonized, and equally energetic, adding punch to choruses, ] [Instrumentation: Electric Piano (Rhodes Mark I or Wurlitzer 200A-style with phaser), Lead Synthesizer (Minimoog Model D-style for expressive, fluid solos and melodies), Funk Synthesizer/Keyboard (Hohner Clavinet D6-style with wah-wah pedal for rhythmic comping and percussive textures), 5-String Electric Bass (active, melodic, and percussive with slap, pops, and warm fingerstyle, e, g, Music Man StingRay 5 or similar), Dynamic Acoustic Drum Kit (complex grooves, intricate fills, crisp hi-hat work, punchy kick and snare, e, g, Yamaha Recording Custom), Cowbell, Tambourine, ] [BPM: 122] [Key: Eb minor] [Production: Live jazz festival recording aesthetic; clean, wide stereo image with excellent instrument separation, D

Jazz, late-night club, SOLO FEMALE LEAD VOCAL (sensual, powerful yet restrained, smoky, intimate – NO MALE VOCALS, NO DUET, ONLY ONE FEMALE SINGER), Brubeck/Parker/Baker influences

Classic Female Blues, Soul-Jazz Fusion | Steinway B Grand Piano, 1959 Les Paul Custom, Hammond B3, Buffet C12 Oboe, Ludwig Jazzette Brushed Kit

Big Band Jazz, Soul-Jazz, slow | Sección completa de metales, Steinway B, Hammond B3, Upright Bass, Batería Swing