... But Home Is Nowhere - All the Notes that You'd Forgotten Now EP
Ep from Raven Sear, Lune Valencia, Cass Bright, and Marlowe Quin
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7 songs
4:29
early 2000s emo/post-hardcore with analog warmth, live-room ambiance, and ambient delayed guitars layered over raw, dynamic drumming and melodic, overdriven bass, Emotional female vocal—confessional, mid-range, indie-style, breathy and strained in chorus, intimate, cracked edges—cuts through the uncompressed, unpolished mix, highlighting raw energy and dynamic swings, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:34
Fast tempo with a danceable punk groove, clean guitars featuring light distortion, and an energetic, melodic bassline drive the live-band sound, Tight drums anchor the upbeat, cathartic vibe, while emotional female vocals soar above catchy, emo-influenced chord progressions and dynamic, post-hardcore textures, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
2:59
Explosive female-fronted hardcore with jagged, overdriven riffs and roaring bass, Aggressive double-time snare and toms tear through fast verses, while raw melodic breakdowns punctuate angst-fueled choruses, Dynamic shifts, noisy gang vocals, and distorted textures drive relentless intensity, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:49
Five Exit Wounds
v4.5
Starting with minimal, analog-acoustic textures and an intimate room sound, the song gradually layers electric guitars and warm bass, Push-and-pull dynamics drive a tension-filled build into soaring, emotional post-hardcore choruses, balancing sadcore restraint and confessional urgency, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:28
Upbeat tempo with driving drums and punchy bass form the core, overlaid by clean electric guitars drenched in chorus for a lush, bittersweet texture, Verses are melodic and tightly arranged, exploding into emotional, catchy choruses, Dynamic stops and layered harmonies highlight complexity, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production", ‑acoustic, ‑metalcore, ‑EDM, ‑trap, ‑scream vocals, ‑overly soft indie"
3:55
Slow tempo anchors the track with warm, analog drums and deep, rounded bass, Ambient, reverb-laden electric guitars weave subtle, haunting melodies, punctuated by restrained post-hardcore dynamic shifts, Gentle keys and minimal synth layers add texture, Bittersweet indie rock tones throughout, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production", ‑acoustic, ‑metalcore, ‑EDM, ‑trap, ‑scream vocals, ‑overly soft indie"
3:19
riot grrrl energy, early 2000s emo, fast punk tempo, sarcastic edge, screamo-tinged humor, garage band distortion, lo-fi chaos, tongue-in-cheek, The Gits meets Green Day hidden track energy, ‑clean pop punk, ‑overpolished emo, ‑acoustic, ‑soft indie, ‑serious tone