new songs

pop, Lush full classical orchestra with sweeping strings, woodwind flourishes, and warm brass swells; waltz-tinged 60s musical feel that glides between tender verses and a soaring, showstopper chorus, Young female vocals, light and graceful, with soft backing choir entering in the final chorus; tempo lilts like a ballroom dance under a Mediterranean moon, ending on a shimmering held note and gentle orchestral cadence, broadway, musical, smooth, classic, theme, classical

90s Shibuya-kei pop, with French pop elegance, A little Shibuya-kei, acid jazz, Swedish pop, orchestral pop, brass rock, lounge pop, and Italian comedy film music, female vocal, stylish and sweet springtime mood, sophisticated and playful tone, Japanese verses and English chorus, soft brass section in unison lines, gentle string arrangements, electric piano, upright bass, light jazzy drums, breezy and polished arrangement, Parisian pop sensibility mixed with Tokyo 90s city pop, fashionable, romantic, vinyl-era warmth, daytime spring atmosphere

Minimal dreamy French pop, A little bit of Shibuya-kei, acid jazz, French pop, Swedish pop, surf music, R&B, swamp rock, and breakbeat, female solo vocal, innocent and fragile teenage mood, whispery and intimate singing style, Japanese verses and very short repetitive English chorus, hypnotic and addictive hook, sparse arrangement with simple drum machine, light bass, soft synth pads, subtle toy-like or music-box sounds, mid-tempo with gentle bounce, airy and intimate mix, nostalgic late-80s French pop atmosphere, poetic, youthful, slightly mysterious tone

60s retro girl group pop song, A little bit of Shibuya-kei, acid jazz, French pop, Swedish pop, surf music, R&B and swamp rock, upbeat and playful, female vocal trio, clear lead vocal with tight three-part harmonies, lots of “yeah yeah”, “sha-la-la”, “doo-doo” backing vocals, handclaps on beats 2 and 4, simple drum kit, light electric guitar, upright bass, bright piano, mono-style mix, short and catchy phrases, teenage weekend party vibe, innocent and joyful mood, tempo around 125 BPM, major key, classic 1960s American pop sound

rock, Uptempo retro 8-beat jazz blues with punchy brass rock hits, spy-movie surf snare, walking bass locked to crisp ride cymbal; piano comps in tight stabs and hip voicings, Horns trade terse riffs with call-and-response shouts, then stack into sharp, suspenseful harmonies, Energy prowls and coils, then bursts into a swaggering, memorable theme, saxophone, funky, theme, jazz, uptempo, jazz blues, punk, light

Style: Aggressive experimental progressive rock, Elements of 70's hard rock, psychedelic rock, punk rock, dark gothic, shoegaze, and free jazz, Reference: “21st Century Schizoid Man” (Earthbound live era) Recording feel: Cassette tape live bootleg quality Narrow stereo image, slightly collapsing to mono Heavy midrange emphasis, low-end distorted Audible tape saturation, wow & flutter Occasional overload clipping on drums and sax Performance: drums: violent, unstable, almost falling apart Bass: grinding, overdriven, slightly out of time Guitar: harsh fuzz, chaotic phrasing, long atonal solo Saxophone: screaming, free-jazz style, mic overload encouraged Vocals: female, A rough and husky voice, Scream to the limit, scream with all your might, shouted, Atmosphere: Claustrophobic Feels like exploding inside a small concrete room No polish, No cleanup, distortion is part of the emotion Tempo: Uptempo, ８ beats

pop, 60s-style Broadway showpiece with female vocals; lush full orchestra, woodwinds fluttering and harp glissandi under graceful verses, Chorus blooms with soaring strings, warm brass swells, and subtle choir doubles on the hook, Tempo lilting but energetic, like a waltz-leaning classic pop ballad; final key change and big held note to close the curtain, broadway, dainty, musical, theme, classic, classical, world, soul

STYLE / GENRE: 80s Japanese City Pop, late-80s vibe, Japanese fashionable TV commercial music, Japanese Niagara music, Shibuya-kei, a little surf music and house music, upbeat but smooth, female vocal VOCAL: Female singer with clear, transparent tone, smooth and expressive mid-range, bright but gentle delivery, no belting, soft smile in the voice, relaxed and joyful INSTRUMENTATION: Clean electric guitar with light chorus Warm analog synth pads (Juno-style) Bright synth brass stabs Funky muted bass Tight 80s drum kit with gated reverb snare Open hi-hats in choruses Layered female backing vocals Soft synth riser before key change ARRANGEMENT NOTES: Keep verses light and groovy choruses should feel Open and joyful Final chorus adds extra backing vocals and brighter synth layers Overall mood: weekend happiness, city lights, romance, optimism

GENRE / STYLE: Romantic cinematic pop, European love film theme, Henry Mancini-inspired orchestral pop VOCAL: Female vocalist, warm, elegant, expressive, clear pronunciation, gentle vibrato, romantic and storytelling delivery MOOD: Romantic, nostalgic, hopeful, European elegance with cinematic warmth, emotional but restrained, classy and timeless TEMPO / FEEL: Medium tempo, light swing influence, smooth forward motion, film soundtrack pacing INSTRUMENTATION: Lush string orchestra (romantic, flowing) Vibraphone for sparkle and travel imagery Muted trumpet for noir elegance Soft piano arpeggios Upright bass Brushed jazz drums Occasional flute/oboe for European color ARRANGEMENT: Intro: instrumental strings & Vibraphone Verses: light orchestration, intimate Choruses: strings open wide, cinematic Bridge: instrumental swell with emotional peak Final chorus: fullest orchestration, romantic climax Outro: gentle orchestral resolution

jazz, 60s modal jazz palette with modern edge; soprano sax sings the top line over restless ride cymbal and walking bass, piano vamps on open voicings that bloom into dense clusters, dynamics swing from whisper to full-throttle attack, solos stretch the harmony to the body’s edge then snap back to a stark, hypnotic motif, simple, saxophone

rock, Upbeat anime-style classical march meets bright J‑pop and brassy rock; wind band carries the main melodic theme in piccolo, clarinets, and trumpets, with crisp snare-driven march groove, Male vocals on top with stacked gang shouts in the hook; trombones and saxes answer vocal phrases, Chorus lifts with soaring trumpets, bells, and big rock guitar chords doubling the melody; middle section adds a brief key change and modulated brass fanfare before a triumphant final refrain, classic, light, pop, anime, classical

STYLE: 1960s American guitar pop, warm melodic songwriting, A bit of Japanese Niagara music and surf music, nostalgic Liverpool-influenced sunshine pop with slight cloudy mood MOOD: Youthful hope, gentle melancholy, romantic devotion, nostalgic, slightly overcast sky but optimistic ending INSTRUMENTS: 12-string electric guitar (bright arpeggios in verses) Clean rhythm guitar (wide stereo in chorus) Vintage organ pad (warm, subtle, sustained chords) Electric bass (melodic 60s style, moving lines) Tambourine on 2 and 4 in chorus Tight vintage drum kit (light compression, soft snare crack) ARRANGEMENT NOTES: Intro with clean guitar arpeggio + organ swell Verse minimal and intimate Pre-chorus slight lift with added harmony Chorus wide stereo guitars + full harmonies Bridge slightly reduced drums, emotional lift Final chorus bigger harmonies, optional half-step modulation Gentle fade out with guitar arpeggio and organ VOCAL: Female lead vocal, warm and intimate tone, TEMPO:BPM

STYLE: 1960s girl group, Japanese Niagara-style 1980s city pop, A little bit of commercial music, French pop, acid jazz, breakbeat, and Swedish pop, TEMPO: BPM KEY: C Major (modulates to Eb Major in final chorus) MOOD: Sweet and catchy 60s pop with slight bittersweet emotion, playful but romantic melancholy VOCAL Female lead vocal, bright youthful tone Clear articulation, slight retro vibrato Double-tracked chorus Layered 3-part girl group harmonies Call-and-response backing vocals “Sha-la-la” harmonies wide stereo INSTRUMENTS Bright piano (rhythmic chord stabs) 12-string electric guitar shimmer Vintage drum kit (snappy snare) Glockenspiel / chime accents Light string section (chorus lift) Handclaps in chorus ARRANGEMENT NOTES Intro with piano + glockenspiel sparkle Verse tight and rhythmic Pre-chorus adds strings Chorus full Wall of Sound layering Dramatic modulation into final chorus (C → Eb)

rock, Female vocals over woozy electric piano chords, lazy swamp-rock guitar licks, and a dusty breakbeat with congas and bongos circling underneath, Verses stay sly and half-whispered, bass pulsing in a mid-tempo pocket; chorus blooms with doubled vocals, call-and-response ad-libs, and bright Latin-pop percussion flourishes, Bridge slips into a hazy, “magical” vamp with ghostly background harmonies before snapping back into the hook, breakbeat, musical, stylish, electric, pop, magical, latin pop, world, classic, jazz fusion

Genre: 70s–80s Japanese Ballad / City Pop Ballad Tempo: 74 BPM Key: F Major → Final chorus modulates up to F# Major Instrumentation: Acoustic piano (main instrument) Warm electric piano (Rhodes layer in chorus) Soft fretless bass Light brushed drums Subtle string ensemble in chorus Very light electric guitar arpeggio (clean tone) Arrangement Structure: Intro – Verse – Pre – Chorus – Verse – Pre – Chorus – Bridge – Break – Final Chorus (key up + half step) – Soft Outro Production Direction: Warm analog texture Slight tape saturation Vocal intimate and centered Reverb plate type (not too large) Bass smooth and melodic No heavy drums Emotional but restrained Final chorus slightly wider stereo image Gentle fade ending Vocal Direction: Female vocal Soft, breath-controlled Emotional but not dramatic Natural vibrato Slight lift in final chorus English keywords pronounced clearly Mood Keywords: nostalgia / gentle healing / mature reflection / autumn light / letting go softly

Genre: Shoegaze / Dream Pop / 90s wall-of-sound Style Reference (sound only, not melody copy): Floating, distorted, wide stereo guitars with heavy glide tremolo and reverse reverb textures, Tempo: 92–96 BPM Structure: Verse – Pre – Chorus – Verse – Pre – Chorus – Bridge – Final Chorus – Long Fade Out Production Instructions: Thick layered distorted guitars (3–4 tracks L/R wide panned) Strong reverse reverb swells before chord changes Soft but deep bass, slightly buried in mix Drums tight but low in mix, kick soft, snare airy Heavy reverb on vocals Slight vocal doubling in chorus Add subtle pitch-warble / tape texture Master bus gentle compression, wide stereo image Long fade out (at least 20 seconds instrumental tail) Vocal Direction: Female vocal Breath-soft tone Slight detachment, emotional restraint Melody repetitive and hypnotic Chorus layered harmonies blurred together Avoid dramatic belting — keep dreamy

folk, Female vocals over layered Afro-jazz groove in a shifting odd-time pulse, Interlocking hand percussion, congas, bongos, kalimba, and marimba lock into bright polyrhythms, Warm fretless bass and airy keys float in a fusion-jazz pocket; horns answer vocal phrases with short, colorful riffs, Choruses bloom with chanted harmonies and call-and-response, bridge opens into an ecstatic, almost spiritual vamp with rising percussion intensity before a tight vocal outro, acid jazz, world, worship, classic, jazz

rock, Smoky AOR-jazz-pop blend with female vocals; electric piano comping in tight, syncopated voicings, synth guitar doing subtle chorus-soaked stabs, congas and bongos interlocking with a dry pocket drum groove and melodic bass, Verses stay low and intimate, pre-chorus leans into gospel-tinged harmonies, chorus lifts with layered call-and-response and Motown-shaped backing vocals, Overall feel is cloudy, mid-tempo 80s groove with tasteful reverb and a late-night, grown-up melancholy, electric, harmony, jazz, pop, gospel, stylish, funk, bright, motown, melancholy