Daughter to Father

• Genre: Ethereal Ballad (blend of acoustic folk + contemporary Chinese poetic pop) • Tempo / BPM: ~68–72 BPM (slow, breathing, reflective pace) • Vocals: Female solo, warm, smoky timbre, expressive vibrato, gentle but powerful in climaxes, Voice should carry intimacy and poetic weight, drifting between whispered softness and emotional resonance, • Moods: Melancholy, timeless, intimate, beautiful, poetic, memorable, • Instrumental Highlights: • Distinctive Chinese lead instrumental solos (2 times): 1, Guqin solo (after Verse 2, before Chorus 1) – sparse, meditative plucked tones, evoking memory and nostalgia, 2, Erhu solo (after Bridge, before Chorus 2) – expressive, sorrowful, voice-like phrasing that flows into the emotional return of the chorus, • Overall texture: Piano + strings foundation, light acoustic guitar, subtle Chinese percussion (woodblock, wind chimes), Allow space and silence to breathe between phrases

cinematic chamber pop, neoclassical ambient, BPM 74, female intimate vocal, spoken–sung hybrid, piano and cello led, minimalist strings, sacred atmosphere, emotional restraint, slow build, wide silence, themes of return, father–daughter love, Klimt gold, healing, transcendence 🎵 Core Parameters Title: From Klimt’s Gold to a Tender Soul Genre: Cinematic chamber pop / neoclassical ambient BPM: 74 (ideal balance of breath + time control) Key: D minor → subtle lift to F major in final chorus Length target: 6:05 – 6:25 Vocals: Female, intimate, breath-forward, sensual, fragile, a bit vulnerable, tender, beautiful Delivery ratio: ~60% spoken / 40% sung Lead instruments: Piano, cello (primary), muted strings Production: Minimalist, wide space, reverent silence III, GOLD (movement of union) Mood: luminous stillness Sound: open harmony, gentle lift Image: Klimt gold becoming human Core line: “He stepped into the gold—becoming whole, ” Not recovery, Completion