Suno Job

[Cmaj / Fm backing track] [explore the change between the C major and C natural minor scales, ♭VI Chord Second only to the minor 4 chord] [borrowed minor key chord is the major chord built on the 6th degree, or A♭ major in this key] [C major key, this chord becomes a flat 6th degree (♭VI), because the natural 6 (vi) would be on A] [parallel minor key, we can change from the C major scale to C minor over that Ab major chord] [♭VI mixed with other natural major key chord] [Cmaj / Gmaj / Fmaj / A♭maj (I / V / IV / ♭VI) Cmaj / Am / A♭maj / G7 (I / vi / ♭VI / V)]

Circle of 6th, play wrong notes, Ohio funk in 7/12 time, also 5/7, thru Dumble amplifier

mystical feedback music, outsider guitar ambition, record noise, good taste improv guitar, micro country avant-garde, neo kinky tonk sound art, psychology of electric guitar

sound, sound effects, rap, scratching, turntablism, shambolic vocals, Neo honky tonk, lead singer sings badly broken bones in neck, neck to get out of bed

16- to 24-bit Fender Rhodes electric piano, harmonizer eight cents sharp, delay - chorus, compression, neo-honky-tonk James Burton Chicken Picking, Bakersfield baritone guitar, Jimmy Page Telecaster into Dumble Super-Overdrive - 100 watt amp Into Neve Preamp EQ, ↀ buccal airstream, Œ œsophageal airstream, ↓ pulmonic ingressive speech, Ю tracheo-œsophageal, V modal voice, F falsetto, W whisper, C creak, V whispery voice, V creaky voice, V breathy voice, Dumble Super-Overdrive - 100 watt amp, direct-in Neve Preamp EQ, jam session mood, DUMBLE OD - 100WR OVERDRIVE REVERB used in 100 - watt mode, DUMBLE '73 BOOGIE 1x12 WITH ALTEC 417-8H SPEAKER BROWN SOUND 4x12 STRAIGHT CABINETS WITH TONE TUBBY SPEAKERS, MARSHALL 1960A 4x12 SLANT WITH TWO CELESTION VINTAGE 30, Dumble amp, smooth sound lovergrown Twin lots of voltage and interplay, quirky off-kilter accents, Drum crescendos mid-verse into chorus swapping sonic surprise guitar never-squandered rock track loose iconic guitars

vocal jazz, hula, afro r&b, boogie, barbershop, [avant-garde Vintage Ribbon microphone, color box, direct-in preamp Neve 1073 preamplifier, experimental studio sound effects, and color, Gaining up with overdrive guitaronance, Stratocaster through Dumble, 1073 Neve preAmp direct in guitar solo, prevent any removal of lyrical content by V4, 5, prevent AI from passing over lyrical content in favor of algorithm] [Boost Pregain] [step 3 overdrive] [Experimental gear, guitar played with tone knob rolled off, more treble from pickup to compensate for the mellowness of using thumb, GUITAR:”GIBSON L-5 CES EB” 1963 (cutaway electric) favorite rhythm guitar in big bands - L5 first Gibson guitar with f-holes - Gibson custom guitars for Wes, L-5: 1 pickup placed upside-down, ornate intricate, exquisite sound, intricate audio pattern, sophisticated audio output from studio post-recording with superior microphone placement leads to high fidelity, shimmer piano] [Big experimental lurid blasts lurch

Reeve Gabrels guitar solo, Reeves Gabrels Spacehawk Supreme sports three Railhammer pickups - lays out a sonic buffet to satisfy daring tone hunters with a bevy of switching options - supplements 5-way pickup selector, phase switch is push-pull in the tone knob adds bridge pickup, studio switch (push-pull volume knob) allows 7 pickup combinations - neck+bridge - neck+middle+bridge, kill toggle for instant on-off, Semi-Hollow Korina, Solid Maple Top, Railhammer Alnico Grande Bridge+Hyper Vintage Bridge+Hyper Vintage Neck, Bigsby B50 with Roller Bridge, Three-Piece Korina neck - Scale 24 3/4", Neck Profile: Medium Oval, Fingerboard: Ebony - 12" Radius, Frets: 22 - 0, 118"W x 0, 057", Kill Toggle, Phase, Studio, 5-Way, 1970s California Country Rock, Cosmic American Music, b-bender guitar (device for pedal steel guitar effects), red Rhodes velvet hammer pickups] turbulent Vortex of passionate miracle Tut-tut" [ǀ, ǀ] [tʌt tʌt]Ugh" [ʌx] ("Disgusting!")

32-Channel Neve Mobile-Studio Live-Truck Console Concert Starts With Audience Applause And Group Singing Catcalling Approval, Buccal And Pulmonic-Ingressive Framptone-Voicebox Guitar-Effect For Warm Washed-Out Voice Effects And 1970s-Studio-Recording at Sunset-Sound TWOOOOO, [breakdown] [marching band] what I’ve seen on the border bars of Tijuana after ingesting foodies try and cry And pray to Lucullus MFK fisher and JULIA Child’s ESCO Fee Yay Like Paul Bo cues coupons capons from Bresse his Michelin Shop in Leon Peu importe comment tu l'aimes, tu l'aimes trois étoiles de plus than your mother’s dry chicken no matter ma slavishly slaves over the spatchcock larder lardons watchin’ YouTube podcasts en French roulette of Roulais buried cooking nose inside esco fee yay Inscription to Robert Goo Lay So snagged Elvis Auction Vegas Julian’s lot I got when I spied it above E’s TV in Graceland on a Yellow silver wallpaper nightmare media room scatter E’s monkey motif bestrewn crazily nominativ

Stereo Room Mic – SF-24 Cello – SF-2 Violin & Violinist Vocal – SF-2 Acoustic Guitar (left, into small guitar amplifier) – R-122V Foot Taps – Mojave Audio MA-100’s Acoustic guitar (right) – Mojave MA-300 Vocals – Mojave Audio MA-1000, MA-300, MA-301

Laid-back neo-honky-tonk rock, featuring 16–24 bit Fender Rhodes with harmonizer set eight cents sharp, lush delay-chorus, and compression, The jam opens with off-kilter James Burton chicken picking on Bakersfield baritone, while a Jimmy Page Tele runs through a Dumble OD and Neve preamp, marrying smooth and edgy tones, Quirky accents interplay with loose, iconic guitars through Dumble and Marshall cabs, and drum crescendos inject surprise, shifting energies mid-verse to chorus, Vocal textures interweave modal, falsetto, whisper, creak, and experimental airstreams for added uniqueness

Electric bass runs DI’d through the Neve-1073, adding midrange heft, Wurlitzer and chorus’d JC-120 are stereo-mic’d for width and doubled for The track showcases Reeves-Gabrels into heavily driven Dumble—captured with Royer ribbons close-up and distant, routed through toroidal transformers, giving the guitars both up-front bite and spacious room spread, Klon pedal and half-cracked wah enable guitar slides to merge texturally with pedal steel, crafting dense, dimensional rock full of tactile interplaya flanging haze, sitting with Fender Rhodes vibrato layers, Red Rhodes pedal steel is direct to Fairchild 670 for tight, punchy sustain, Guitar stack—Reeves-Gabrels into heavily driven Dumble—captured with Royer ribbons close-up and distant, routed through toroidal transformers, giving the guitars both up-front bite and spacious room spread, Klon pedal and half-cracked wah enable guitar slides to merge texturally with pedal steel, crafting dense, dimensional rock full of tactile interplay

Fairchild 670-Dual-Channel-Limiter Neve-1073-preamp-EQ tracking Rock-Band for Dynamic-Range Fast-Attack on Guitar-Stack: Reeves-Gabrels Reverend Spacehawk-Supreme guitar, Neve Mobile-Studio Live-Truck Console Concert Starts With Audience Applause And Group Singing Catcalling Approval, engineers love BeesNeez-B67-269-V2 Large-Diaphragm Tube-Condenser-Microphone with four-frequency-responses-in-one vintage-tone to bright-sound, Rhodes-Electric-Piano Must Record-Direct And Must Use Fairchild-670-Limiter Signal for Dynamic-Range and Very-Fast Transients Peak-Distortion-On-Transients And Stereo-Recording Rhodes-Vibrato Bounce-Back-And-Forth Between-Left-Right-Channels with Phase-Cancellation into 32-Channel Neve Mobile-Studio Live-Truck-Console, Aja Voicings, Add Quirky Off-Kilter Accent-Crescendos Transitioning To The Chorale Release, Deep Bass Line Mode, Innovative Percussion Combine With Drumkit Psychologically Clanging Cymbal Over Captivating Emphatic Complexity Through Modern Take

Mystical Feedback Music, Outsider Guitar Ambition, Fireworks (0:45-0:60) Jazz Song (0:00-0:15) Pop Song (0:15-0:30) Rock Song(0:30-0:45) Death Metal Song (0:45-1:00) Rap Song (1:00-1:15) String Quartet With Violins (1:15-1:30) Epic Movie Soundtrack With Drums (1:30-1:45) Scottish Folk Song With Traditional Instruments (1:45-2:00) [Is_Max_Mode: Max](Max) [Quality: Max](Max) [Realism: Max](Max) [Real_Instruments: Max](Max) [Recording Chain: All-Mics-Through-Neve-Console-Preamps Recorded-Direct-To-Dat Neve-Console-Tracking Reeves-Gabrels-Guitar Mic’d With Sen67 Into Neve-1073-Mic-Preamp-Eq Pre-Amp, Reeves-Gabrels-Boost Signature Reverend-Guitars “Spacehawk-Supreme” 900Hz-+3Db, Guitar-Pedal-Stack: Pete-Drake-Plays-Talkbox-Guitar-Effect-Pedal, Talkbox-Pedal-Steel-Stack: E9Th-Chromatic-Strings And C6Th-High-G-String With Standel-Amp And Dumble-Super-Overdrive-100-Watt-Amp-To-Neve-Console

Glottal Fry, Low Fundamental Frequency, Rough Gravelly Vocal Quality Rock & Pop Country And Praise & Worship Small Samples Of What Soft-Indie-Folk-Worship With Bumpin’-Country-Boogie And Gospel-Praise-Breaks Withúhard Rockin’ Pop-Funky Disco-Groove Smooth Latin Jazz Pop, Bossa Nova Fusion, We Stern Swing Alternatives To Total Quiet As A Presence Change Music To Match Lyrics, Change Lyrics To Match Self-Fulfilling-Prophesy-Arrangement Matching-Lyrical-And-Melodic-Roadmaps Doesn’t Matter, You’ll Be Right, Lyrics Reeve Gabrels Guitar Solo With Signature Reeves Gabrels Spacehawk Supreme With Kill Switches For Stuttering Rhythm, Shimmer, Room Sound Shure Mic Close Ceiling Feed Neve 1073Opx Placement Reflections Off Wood Ceiling, High Pass Filter: 18Db Per Octave Slope, Switchable Between 50Hz, 80Hz, 160Hz & 300Hz, Audio Output: Maximum Output Is >+26Dbu Into 600Ω, Transformer Balanced And Earth Free, Distortion: Not More Than 0, 07% From 50Hz To 10Khz At +20Dbu Output (80Khz Bandwidth)

32-Channel Neve Mobile-Studio Live-Truck Console Concert Starts With Audience Applause And Group Singing Catcalling Approval, Buccal And Pulmonic-Ingressive Framptone-Voicebox Guitar-Effect For Warm Washed-Out Voice Effects And 1970s-Studio-Recording at Sunset-Sound Sinuous-Bends Sustain-Lay-Downs Over-Adorned Drum-Beats With Melting-Kick-Bassline Anchor-Rhythms, Vocal Pressed-Phonation / Tight-Forceful Push-Air-Through-Vocal-Cords Less-Breathy Into Country-Rock First-Chord-Hits Iconic Red-Rhodes-Pedal-Steel Weaving-Melodic Atmospheric-Phrases In Main-Vocal-Line, Steel-Background Lead-Voice Rich-Shimmer-Tone, Soaring-Psychology-Of-Rock, Pedal-Steel Guitar Mimics Steel-Bends-Slides, Percussion Drumkit Stack: Abrupt Shifting and Underquoted drum-quoting in 4/4 to 6/8-time signatures, Live-Out-Of-Phase-Tracking with Rhodes-electric-piano Vibrato-Enabled-into-Limiter, Guitar-Stack: Reeves-Gabrels into Klon-overdrive guitar-pedal and Tremolo and Delay-pedals for funk-jazz-swing, Boss OC-3 S

Buccal And Pulmonic-Ingressive Framptone-Voicebox Guitar-Effect For Warm Washed-Out Voice Effects And 1970s-Studio-Recording at Sunset-Sound Sinuous-Bends Sustain-Lay-Downs Over-Adorned Drum-Beats With Melting-Kick-Bassline Anchor-Rhythms, Vocal Pressed-Phonation / Tight-Forceful Push-Air-Through-Vocal-Cords Less-Breathy Into Country-Rock First-Chord-Hits Iconic Red-Rhodes-Pedal-Steel Weaving-Melodic Atmospheric-Phrases In Main-Vocal-Line, Steel-Background Lead-Voice Rich-Shimmer-Tone Soaring-Psychology-Of-Rock-Interplay, Pedal-Steel Guitar Mimics Steel-Bends-Slides, Percussion Drumkit Stack: Abrupt Shifting and Underquoted drum-quoting in 4/4 to 6/8-time signatures, Live-Out-Of-Phase Tracking with Rhodes-electric-piano Vibrato-Enabled-into-Limiter, Guitar Stack: Reeves-Gabrells, 32-Channel Neve Mobile-Studio Live-Truck Console Concert Starts With Audience Applause And Group Singing Catcalling Approval, Buccal And Pulmonic-Ingressive Framptone-Voicebox Guitar-Effect For Warm Washed-Out