Shadows of Amber (Live)
Sinéad Carrigan with Shadows of Amber, World Tour, The Point Theatre, Dublin, Ireland, 3 February 2005.
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14 songs
5:06
2005 stadium live concert recording, darkwave celtic folk rock, Ethereal polyphonic inhumanly overtone female vocals, microtonal mezzo-soprano layered with raw post-punk emotional power, Instrumentation: heavy electric guitar, driving bass, tribal rock drums, hurdy-gurdy, celtic harp, lush 2005 analog synths, Melancholy turning into sublime majesty, pain mixed with soaring hope, Epic crescendo, dynamic tempo shifts, math-rock precision meets ancient acoustic ritual
5:14
2005 stadium live concert recording, darkwave celtic folk rock, Ethereal polyphonic inhumanly overtone female vocals, microtonal mezzo-soprano layered with raw post-punk emotional power, Instrumentation: heavy electric guitar, driving bass, tribal rock drums, hurdy-gurdy, celtic harp, lush 2005 analog synths, Melancholy turning into sublime majesty, pain mixed with soaring hope, Epic crescendo, dynamic tempo shifts, math-rock precision meets ancient acoustic ritual
3:27
dark ambient folktronica, 2005 stadium live recording, stern female vocals, electric guitar swells, distorted guitar bends, frame drum pulse, synth drone bed, field recording crowd, live room bleed, analog saturation, cavernous delay, shifting meter, processional rhythm, sparse verses, dense chorus lift, austere defiance, absurd protest, 132 BPM
4:33
2005 stadium live concert recording, A slow-burning post-rock ballad featuring brushed drums, droning cello, and layers of gritty industrial noise interwoven with subdued analog synths, Intimate, raspy vocals of bitter tone grow urgent in choruses, Subtle soundscapes evoke distant warfare, maintaining a brooding, melancholic atmosphere
4:17
First Bar (Live)
v5.5
2005 stadium live concert recording, Electronic neoclassical synthwave rock'n'roll, Clear alto female vocal, determined tone, Lively pace, Symphonic orchestra with light, intricate strings, Electric guitar, Tribal drums
4:39
2005 stadium live concert recording, Intense darkwave & symphonic metal fusion, Raspy, tired but stubborn female vocals, Growling guitar, orchestral stabs, synth textures, Warzone tension + introspective moments, Tempo 125–135 BPM, Melancholy under fire
4:42
2005 stadium live concert recording, Slow 6/8 artpop/neoclassical fusion with electrosoul and darkwave influences: rich analog synth layers, deep pulsing bass, subtle orchestral strings, minimalistic piano, emotive alto female vocals with spoken word, occasional choral accents, Music evolves from tense coldness to warm resolution, steady beat throughout, Intimate, persuasive, and resilient atmosphere
4:24
2005 stadium live concert recording, Slow post-rock ballad and ambient textures blend with lush analog synth layers, dreamy electric guitar riffs and gentle piano motifs, Distant rhythmic pulses pulse beneath, gradually joined by swelling, expressive strings, The arrangement evolves through restrained crescendos, evoking wonder and grace throughout
5:03
2005 stadium live concert recording, A dark folk arrangement opens with acoustic guitar and dulcimer, layered with droning hurdy-gurdy and sparse, gritty drums, Raspy vocals blend with haunting violin lines, harmonica accents, and ethereal effects that swirl around the mix, creating a chilling, atmospheric soundscape
4:51
darkwave hymn, neofolk, solo operatic, resonating powerhouse mezzo-soprano, operatic high notes, live concert ambience, silent crowd, booming kick drum, rising synth chord, frame drum pulse, hurdy-gurdy drone, violin unison lines, cathedral reverb, analog saturation, wide stereo mix, ecstatic reverence, ultimate homecoming, 2005 live recording, steady marching tempo
4:59
2005 stadium live concert recording, intimate dark celtic folk ballad, Stripped-down acoustic intro building into a melancholic rock crescendo, Ethereal polyphonic female vocals, intimate whisper turning into soaring mourning mezzo-soprano, raw emotional power, Instrumentation: prominent weeping celtic harp, sorrowful hurdy-gurdy, slow driving bass, tribal tom drums, atmospheric 2005 analog synths, crying electric guitar solo, Deep sisterly bond, haunting majesty, sorrow
5:18
2005 stadium live concert recording, bittersweet symphonic rock ballad, celtic darkwave, Slow waltz rhythm, dignified and melancholic, Intertwining musical motifs: a dark, deceptive electric guitar melody dancing with a resolute, elegant celtic harp, Ethereal polyphonic female vocals, sweeping wordless mezzo-soprano vocalizations seamlessly transitioning into an electric guitar solo, Lush 2005 analog synths, soft tribal drums, deep bass, A majestic, intimate dance of two brilliant minds
4:48
Celtic folk rock, atmospheric electronic, 2005 live recording, grounded, classical powerful female vocals with yodling quality, droning mezzo-soprano, acoustic fingerpicking, deep warm bass, Yamaha CS 80, Roland System 100, Korg mini Korg 700s, ARP 2600, analog synth layers, quiet intimacy, orchestral synth finale, dynamic build, melancholic resolve, chamber folk, malevolent love tone
2:56
darkwave elegy, ritualistic rock, 2005 stadium live, CS-80 brass synths, Roland VP-330 choirs, arpeggiated sequences, melodic bassline, live concert ambiance, deep contralto fry, whistle register coloratura, vocal multiphonics, birdlike vocalises, classical greek phrasing, long legato phrases, complex melismata, processional groove, stumbling to steady, immense scale, ‑crowd chant