2026 - Extreme AI METAL

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

Futuristic AMBIENT SOUNDSCAPE, SLOW lowfii electronic 1999 solfeggio vibe, [40-60 BPM], AI-generated volcanic slow ambient buttery smooth Ambient, echoing string orchestrations, glitchy vocal manipulations, retro-futurist synth pulses, slow proto-AMBIENT drops, gothic funk undercurrents, DOWNTEMPO acid-AMBIENT DRONE fusions, AMBIENT DOWNTEMPO, ambient AI choirs, elemental sound samples, digital-nature clash, resilient post-human moods, echolalia repetition motifs, Stockhausen structures, craft work influences, Eno textures, Arca collaborations feel, climate urgency tones, virtual reality immersions, algorithmic heartbeat bass, organic-synthetic hybrids, bold fragility anthems, slow seismic AI sub-bass, deep echoing rumbles, speaker-rattling glitches, subwoofer-test throbs, drawn-out virtual drops, dub-influenced wobbles, extended ambient sustains, fading into glitchy whispers( and orchestral swells), WITH LOVE, LIGHT and PURPOSE!, ‑upbeat commercial pop, ‑heavy rock distortions, ‑minimalist silence, ‑auto-tuned hooks, ‑chaotic unstructured noise, ‑tropical dance rhythms, ‑polished mainstream production, ‑crowd-pleasing choruses, ‑summer vibes, ‑retro without futurism

Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

Futuristic AMBIENT SOUNDSCAPE, SLOW lowfii electronic 1999 solfeggio vibe, [40-60 BPM], AI-generated volcanic slow ambient buttery smooth Ambient, echoing string orchestrations, glitchy vocal manipulations, retro-futurist synth pulses, slow proto-AMBIENT drops, gothic funk undercurrents, DOWNTEMPO acid-AMBIENT DRONE fusions, AMBIENT DOWNTEMPO, ambient AI choirs, elemental sound samples, digital-nature clash, resilient post-human moods, echolalia repetition motifs, Stockhausen structures, craft work influences, Eno textures, Arca collaborations feel, climate urgency tones, virtual reality immersions, algorithmic heartbeat bass, organic-synthetic hybrids, bold fragility anthems, slow seismic AI sub-bass, deep echoing rumbles, speaker-rattling glitches, subwoofer-test throbs, drawn-out virtual drops, dub-influenced wobbles, extended ambient sustains, fading into glitchy whispers( and orchestral swells), WITH LOVE, LIGHT and PURPOSE!, ‑upbeat commercial pop, ‑heavy rock distortions, ‑minimalist silence, ‑auto-tuned hooks, ‑chaotic unstructured noise, ‑tropical dance rhythms, ‑polished mainstream production, ‑crowd-pleasing choruses, ‑summer vibes, ‑retro without futurism

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

PITCH BLACK PHONK SMYPHONY, Dark ACID TECHNO, Requiem of a DREAM, Memphis Gangsta, realistic period and location specific instruments of old world Classical, sorrowful, 1100's dark DANE Europan symphony, heavy atmosphere accentuating story elements, Cinematic Classical Soundscape, massive production for esteemed dignitaries, master level of quality instruments, perfect mic placement to convey the energy resonance and ambience, recorded and mastered by the most esteemed and legendary production studio in partnership with histories best conductor, Helreið Óðins, national symphony, THE CROWS SHALL FEAST! the greatest story never told, all immersion! Under the Banner of the Serpents Sun, through the darkest pits of classical hellscape, SLOW BUILD to DARK ELATION, Feel it in your bones resonance, keep drums to a minimum and slow the note progressions, Expert Mastering, ducking on frequencies for individual track prominence, vocal prominence, expert post processing, exciter, SINSTER, Choir, ‑guitars, ‑light, ‑hope -lyrics

Locrian mode, Phrygian mode, post-metal, metal, dark technology, dark alien technology worship, Djent Breakdowns, 90's style zombie heavy metal grooves, Bass Trap, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

PITCH BLACK PHONK SMYPHONY, Dark ACID TECHNO, Requiem of a DREAM, Memphis Gangsta, realistic period and location specific instruments of old world Classical, sorrowful, 1100's dark DANE Europan symphony, heavy atmosphere accentuating story elements, Cinematic Classical Soundscape, massive production for esteemed dignitaries, master level of quality instruments, perfect mic placement to convey the energy resonance and ambience, recorded and mastered by the most esteemed and legendary production studio in partnership with histories best conductor, Helreið Óðins, national symphony, THE CROWS SHALL FEAST! the greatest story never told, all immersion! Under the Banner of the Serpents Sun, through the darkest pits of classical hellscape, SLOW BUILD to DARK ELATION, Feel it in your bones resonance, keep drums to a minimum and slow the note progressions, Expert Mastering, ducking on frequencies for individual track prominence, vocal prominence, expert post processing, exciter, SINSTER, Choir

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

Red FUTURE, Synth, Cinematic, CyberCRUNK, CRUNK Dark Exploration, FPS liminal, intense Dark Alien post-Industrial, Chaos, trauma, Dark Drum and Bass trap, Instrumental intro, Instrumental outro, Dark Technology, Dark Worship, HAUNTING, ABSOLUTE DESTRUCTION, Deep Techno, DARK HYPE, 2077, Synthwave, Mechanized HYPER-CRUNK, Electro-Crunk, Ratchet, Glitch, DARK CLUBBING, Cyberpunk-Phonk, FINAL BOSS, Bass Trap, 2077, Dark Clubbing, BLOCKBUSTER CINEMA, ACTION MOVIE CLIMAX FINAL BOSS, Dark And energetic, HYPER-CRUNK, DARK CLUBBING, Cyberpunk-Phonk, Bass Trap Instrumental intro and outro, DO NOT DROP THE BEAT!, Groovy Baby! Last Beat Standing, mechanized, neon and smoke filled denizen club, build, climax, perfect loop ending

Futuristic AMBIENT SOUNDSCAPE, SLOW lowfii electronic 1999 solfeggio vibe, [40-60 BPM], AI-generated volcanic slow ambient buttery smooth Ambient, echoing string orchestrations, glitchy vocal manipulations, retro-futurist synth pulses, slow proto-AMBIENT drops, gothic funk undercurrents, DOWNTEMPO acid-AMBIENT DRONE fusions, AMBIENT DOWNTEMPO, ambient AI choirs, elemental sound samples, digital-nature clash, resilient post-human moods, echolalia repetition motifs, Stockhausen structures, craft work influences, Eno textures, Arca collaborations feel, climate urgency tones, virtual reality immersions, algorithmic heartbeat bass, organic-synthetic hybrids, bold fragility anthems, slow seismic AI sub-bass, deep echoing rumbles, speaker-rattling glitches, subwoofer-test throbs, drawn-out virtual drops, dub-influenced wobbles, extended ambient sustains, fading into glitchy whispers( and orchestral swells), WITH LOVE, LIGHT and PURPOSE!, ‑upbeat commercial pop, ‑heavy rock distortions, ‑minimalist silence, ‑auto-tuned hooks, ‑chaotic unstructured noise, ‑tropical dance rhythms, ‑polished mainstream production, ‑crowd-pleasing choruses, ‑summer vibes, ‑retro without futurism

Locrian mode, Phrygian mode, post-metal, metal, dark technology, dark alien technology worship, Djent Breakdowns, 90's style zombie heavy metal grooves, Bass Trap, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios, ‑upbeat commercial pop, ‑heavy rock distortions, ‑minimalist silence, ‑auto-tuned hooks, ‑chaotic unstructured noise, ‑tropical dance rhythms, ‑polished mainstream production, ‑crowd-pleasing choruses, ‑summer vibes, ‑retro without futurism

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

Locrian mode, Phrygian mode, post-metal, metal, dark technology, dark alien technology worship, Djent Breakdowns, 90's style zombie heavy metal grooves, Bass Trap, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios, ‑no clean pop, ‑no excessive auto-tune, ‑no overly cheerful tones, ‑avoid heavy metal distortion, ‑no orchestral bombast, ‑no trap beats, ‑no clean pop, ‑no auto-tune excess, ‑no overly cheerful tones, ‑avoid heavy distortion, ‑no orchestral swells, ‑no trap hi-hats

Locrian mode, Phrygian mode, post-metal, metal, dark technology, dark alien technology worship, Djent Breakdowns, 90's style zombie heavy metal grooves, Bass Trap, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios, ‑no clean pop, ‑no excessive auto-tune, ‑no overly cheerful tones, ‑avoid heavy metal distortion, ‑no orchestral bombast, ‑no trap beats, ‑no clean pop, ‑no auto-tune excess, ‑no overly cheerful tones, ‑avoid heavy distortion, ‑no orchestral swells, ‑no trap hi-hats

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

Gnossienne, Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, guitar grimmore, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

Gnossienne, Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, guitar grimmore, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

Gnossienne, Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, thrash metal and Djent Breakdowns, guitar grimmore, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios

post-metal, metal, bass trap, Dark Death MetalCore Nue-Djent Breakdowns, Instrumental intro outro, Baritone DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-process, ‑Weak singer, ‑Clear Vocals, ‑Female Singer, ‑weak male singer

Gnossienne, Dark Technology Witchhouse, Locrian mode, Phrygian mode, post-metal, death thrash metal, dark technology, dark alien technology worship, Dark Alien Technology Litchhouse, thrash metal and Djent Breakdowns, heavy metal grooves, dark groove, Instrumental intro outro, Baritone 9 string extended range guitars, guitars must CHUG but not be muddied toned with saturated mids, guitar grimoire, sweeps and dives, artificial harmonics, intervals, Baritone HAUNTING, ABSOLUTE DESTRUCTION, DARK HYPE, deathcore, electrodeath, KUJIRA, slow build to epic climax then dopamine and cool off, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for individual instruments and vocal prominence, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, DW Drums, let the Toms and Snare through, Intense Snare drum, dark sorrowful disembodied etheric choirs, Abyss Studios, ‑Weak emotionless singer, ‑dropped beat

Microtonality, Gnossienne, Dark Litch, Locrian mode, Phrygian mode, post-metal, metal, Dark Death MetalCore Nue-Djent Breakdowns, dark alien technology worship, Dark Alien Technology, Instrumental intro outro, Baritone 10 String extended range guitar, guitar grimoire, artificial harmonics, pinch harmonics, fly picling and sweeps, DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-processing, Abyss Studios, ‑WEAK VOCALIST, ‑clear vocals, ‑GOOD, ‑HOLY

Microtonality, Gnossienne, Locrian mode, Phrygian mode, post-metal, metal, Dark Death MetalCore Nue-Djent Breakdowns, dark alien technology worship, Dark Alien Technology, Instrumental intro outro, Baritone 10 String extended range guitar, guitar grimoire, artificial harmonics, pinch harmonics, fly picling and sweeps, DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-processing, Abyss Studios

Microtonality, Gnossienne, Locrian mode, Phrygian mode, post-metal, metal, Dark Death MetalCore Nue-Djent Breakdowns, dark alien technology worship, Dark Alien Technology, Instrumental intro outro, Baritone 10 String extended range guitar, guitar grimoire, artificial harmonics, pinch harmonics, CHUG, and sweeps, DARK LITCH TECHNOLOGY, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, mastering, melody driven call answer harmonies, horror synths, expert mastering, ducking on all frequencies for prominence of each instrument, aphex exciter with optical big bottom, Krank Amps, Fractal Design Guitar effects, polyrhythms, DW Drums, Abyss Studios, CLARITY in the MIX, Make Drums Punchy and have impact, toms should be heard along with a clean punchy snare, Overdrive and distort the Guitars to DEATH!, Synths should not conflict with vocal frequencies, SCOOP THE MIDS IN FINAL MASTERING post-processing, Abyss Studios

Red liminal COSMIC HORROR, Deathmetal, Crunk-DJENT, deathcore, post-metalcore DEATH-DJENT, 8 Second Cosmic Terror ambient, Dark Ambient Corrupted Technology intro, post-metal, metal, cyberDjent, dark bass, Djent Breakdowns, Thrash Elements, Polyrhythm drums, Instrumental intro outro, 9-String Extended Range Baritone guitar, Harmonic Minor, Melodic Minor, Guitar Pinch Harmonics, Guitar Dives and MASSIVE SWEEPS, HAUNTING Technology, ABSOLUTE DESTRUCTION, DARK HYPE, KUJIRA, Baritone Extended Range Guitar, Bass Sustain Driving Melodic Grooves, deep death metal doom Harsh Growling Grim Vocals, expert mastering, expert production quality, stereo wide image, melody driven call answer harmonies, extremely processed dark analog synth, dark synths, Perfect Loop Ending, ‑Weak SINGER, ‑FEMALE VOCALIST, ‑CLEAN VOCALS, ‑holy