2:48

ダメになってる
v5.5
Groovy nu-Shibuya pop vibe, Ennui, ultra wide soundscape, clear mix, high resolution sound format, professional production mix, Aggressive arrangement, experimental, playful, Syncopated groovy bass line, stong sound effects, Bass virtuoso focus with slap, Female Vocals, Sophisticated Jazz Chords, Warm Electric Piano, Soft Fretless Bass, High-Quality Production, Techno, Grunge, Raregroove, Electropop, Electric, Jazz, Warm, Pop, Sophisticated, Soft, crystal clear production, Wide and 3D Mix: Orbiting Fx, Ping-Pong Percussion, Clear Mix, High Resolution Sound Format, Professional Production Mix
2:39

早く終わればいいのに
v5.5
Modern next level Shibuya alternative rock, challenging, effective noise effects, gripping, groovy bass, soulful, high quality sound format, loud-mix, syncopated, fashionable, stylish, emo, dramatic, experimental, with a raw, distorted guitar riff, pulsating bassline, driving drums with intricate hi-hat work, a melancholic yet powerful female vocal, layered with atmospheric synthesizers creating a sense of unease and hope, laud-mixoccasional unexpected time signature shifts, dynamic shifts from quiet introspection to explosive, cathartic bursts, echoing reverbs on vocals and guitars, a soundscape conveying a world on the brink, resilience, and the weight of a 'curse'
3:13

幻になった僕
v5.5
Aggressive electro nu-house, Modern J-Pop aesthetics, High-pitched soulful female vocals, unexpected glitch effects, Tight syncopated drumming, Stewart Copeland style percussion, Groovy fretless bassline, Clean electric guitar with lush chorus effect, Bright grand piano melodies, Delicate acoustic guitar strumming, Dreamy synthesizers, Shaker and tambourine, Nostalgic and atmospheric, Spring-like airy texture, Emotional and melodic, Upbeat yet melancholic, High-fidelity, Studio recording, Wide 3D Mix: Orbiting Fx, Ping-Pong Percussion, Swirling Delays, Vocals Clean Upfront; Doubled And Rhythm-Chopped In Hooks, Uplifting, ultra wide soundscape, clear mix, high resolution sound format, professional production mix
3:25

ムダループ
v5.5
21S Aggressive Groovy House, Fast Tempo, cool Glitch effects, tempo change, 98bpm to 170bpm, Driving Four-On-The-Floor Beat, Heavy Digital Sound Design, Female Whispered And Processed Vocals, A Feeling Of Escalating System Overload, Culminating In A Rhythmic, Abrupt, And Powerful Stop Or Breakdown In The Final Repeated Phrase, Sophisticated, Rich, Soaring, Orchestral, Japanese, Playful, Ambient, Experimental, Complex, Dynamic, Innovative, Electronic, Uplifting, Jazz, Bass Fronted Mix, Jazz Fusion, Ultra Wide Soundscape, Clear Mix, High Resolution Sound Format, Professional Production Mix, Aggressive Arrangement, Syncopated Groovy Bass Line, Stong Sound Effects, Bass Virtuoso Focus With Slap
4:04

バカは私だけ
v5.5
Nu-Shibuya stylish rock with quantum-inspired rhythmic shifts, challenging song structures, and an upbeat anime theme melodic line, Raw, distorted guitar riffs cut through a gripping, groovy bass and driving drums with intricate hi-hat work, A melancholic yet powerful female vocal soars above layered atmospheric synthesizers, creating a tense blend of unease and fragile hope, Experimental glitch effects, syncopated grooves, and occasional unexpected time signature changes fuel dramatic dynamic swings from quiet introspection to explosive, cathartic bursts, Echoing reverbs on vocals and guitars expand into 3D sound dimensions with wide, loud, polished mixing, building a high-fidelity soundscape of a world on the brink, heavy with resilience and the weight of a lingering curse
3:34

会いに行く、今
v5.5
uptempo electronic rock, disco-influenced, funky bass, digital flavor female vocal fronted, bright synth lead, danceable groove, energetic build-up, call-and-response vocal, shimmering hi-hat, euphoric drop, festival-ready, J-pop crossover, 128BPM, Wide 3D Mix: Orbiting Fx, Ping-Pong Percussion, Doubled And Rhythm-Chopped In Hooks, Aggressive arrangement, Syncopated groovy bass line, stong sound effects


