3:10

かすめる指先
v4.5-all
expressive female vocal with powerful delivery and vibrato, breakbeat, experimental, dominant piano layers, vocal, j-pop, jazz, electronic, dramatic, vibrant and urgent mood, pop, loose and improvisational structure, breakbeat and swung jazz rhythms, jazz fusion, experimental electronic touches, odd time signature, j-pop and jazz fusion, piano solos in intro and interlude
3:03

かすめる指先 mellow ver.
v4.5-all
expressive female vocal with powerful delivery and vibrato, breakbeat, mellow and adult-like mood, experimental, dominant piano layers, vocal, j-pop, jazz, electronic, dramatic, vibrant and urgent mood, pop, loose and improvisational structure, breakbeat and swung jazz rhythms, jazz fusion, experimental electronic touches, odd time signature
4:00

また明日、知らない顔で
v4.5-all
experimental, experimental electronic touches, dominant piano layers, piano solos in intro and interlude, pop, expressive female vocal with powerful delivery and vibrato, odd time signature, breakbeat and swung jazz rhythms, loose and improvisational structure, j-pop and jazz fusion, jazz, j-pop, jazz fusion, breakbeat, vibrant and urgent mood, electronic, vocal, dramatic
3:41

月をひとまたぎ
v4.5-all
breakbeat and swung jazz rhythms, dramatic, experimental, vocal, piano solos in intro and interlude, breakbeat, happy and lovely mood, j-pop and jazz fusion, loose and improvisational structure, jazz fusion, pop, happy, jazz, expressive female vocal with vibrato, odd time signature, j-pop, dominant piano layers, electronic, experimental electronic touches
4:39

そういうところ
v4.5-all
J-pop and jazz fusion, loose and improvisational structure, expressive female vocal with powerful delivery and vibrato, breakbeat and swung jazz rhythms, odd time signature, dramatic, alt saxophone solos in intro and interlude, urban and stylish mood, experimental electronic touches
4:14

Fades to Blue
v4.5-all
jazz fusion, breakbeat, vocal, j-pop and jazz fusion, experimental electronic touches, dominant brass layers, expressive female vocal with powerful delivery and vibrato, experimental, mellow and urban mood, loose and improvisational structure, pop, breakbeat and swung jazz rhythms, jazz, dramatic, electronic, saxophone, mellow, odd time signature, j-pop, saxophone solos in intro and interlude
3:11

Fades to Blue ~more beat~
v4.5-all
jazz fusion, breakbeat, vocal, j-pop and jazz fusion, experimental electronic touches, dominant brass layers, expressive female vocal with powerful delivery and vibrato, experimental, mellow and urban mood, loose and improvisational structure, pop, breakbeat and swung jazz rhythms, jazz, dramatic, electronic, saxophone, mellow, odd time signature, j-pop, saxophone solos in intro and interlude
4:58

月を追いかけて
v4.5-all
pop, odd time signature, experimental, dramatic, breakbeat and swung jazz rhythms, breakbeat, j-pop and jazz fusion, experimental electronic touches, loose and improvisational structure, dominant piano layers, ballad, piano solos in intro and interlude, electronic, mellow and melancholic mood, expressive female vocal with vibrato, jazz fusion, j-pop, jazz, mellow, vocal
3:02

Leap over the moon
v4.5-all
happy, expressive female vocal, breakbeat, pop, vocal, experimental electronic touches, dramatic, odd time signature, loose and improvisational structure, breakbeat and swung jazz rhythms, j-pop, jazz, happy and sparkling mood, piano solos in intro and interlude, j-pop acid break, electronic, experimental
3:32

It's my fault
v4.5-all
dramatic, tango, vocal, electronic, violin, jazz fusion, pop, jazz, ballad, experimental, dark pop and jazz fusion ballad with dominant string ensemble layers loose tango inspired odd meter groove whispery expressive female vocals experimental electronic textures subtle piano and upright bass sparse drums that swell into dramatic hits extended violin solo intro and interlude fluid form that feels improvised and unstable
2:43

悪いけど~tango ver.~
v4.5-all
pop, dramatic, vocal, dominant piano layers, expressive female vocal with powerful delivery and vibrato, breakbeat and tango rhythms, pop and jazz fusion, piano solos in intro and interlude, ennui and quiet mood, loose and improvisational structure, experimental, odd time signature, experimental electronic touches, breakbeat, electronic, jazz fusion
2:54

悪いけど~power vocal~
v4.5-all
pop, dramatic, vocal, dominant piano layers, expressive female vocal with powerful delivery and vibrato, breakbeat and tango rhythms, pop and jazz fusion, piano solos in intro and interlude, ennui and quiet mood, loose and improvisational structure, experimental, odd time signature, experimental electronic touches, breakbeat, electronic, jazz fusion
4:12

いいじゃないの~grand ver.~
v4.5-all
provocative mood, expressive female vocal with powerful delivery and vibrato, pop, pop and jazz fusion, jazz, impressive drums, experimental electronic touches, experimental, breakbeat and afro jazz rhythms, vocal, breakbeat, odd time signature, improvisational structure, jazz fusion, afro cuban jazz, electronic, dominant brass layers
2:57

いいじゃないの~mellow ver.~
v4.5-all
provocative mood, expressive female vocal with powerful delivery and vibrato, pop, pop and jazz fusion, jazz, experimental electronic touches, breakbeat and afro jazz rhythms, vocal, breakbeat, odd time signature, loose and improvisational structure, jazz fusion, afro jazz, electronic, dominant brass layers
4:12

秘密の鍵~piano mix~
v4.5-all
breakbeat, brack contemporary and jazz fusion, dramatic, improvisational structure, piano solos in intro and interlude, expressive female vocal with husky voice, odd time signature, dominant piano layers, jazz, breakbeat and swung jazz rhythms, mysterious and provocative mood
5:24

秘密の鍵~avant-garde ver.~
v4.5-all
breakbeat, brack contemporary and jazz fusion, dramatic, improvisational structure, piano solos in intro and interlude, expressive female vocal with vibrato, impressive bass range, odd time signature, experimental electronic touches, jazz fusion, vocal, dominant piano layers, jazz, breakbeat and swung jazz rhythms, languid and provocative mood, japanese, electronic, experimental
4:17

If You Find the Key
v4.5-all
dominant piano layers, afro jazz, jazz blues, mysterious and provocative mood, piano solos in intro and interlude, breakbeat, jazz, blues, expressive female vocal with husky voice, vocal
2:59

If You Find the Key ~brass beat~
v4.5-all
jazz fusion, breakbeat, vocal, j-pop and jazz fusion, experimental electronic touches, dominant brass layers, expressive female vocal with powerful delivery and vibrato, experimental, mellow and urban mood, loose and improvisational structure, pop, breakbeat and swung jazz rhythms, jazz, dramatic, electronic, saxophone, mellow, odd time signature, j-pop, saxophone solos in intro and interlude
4:14

What Do You Want?
v4.5-all
provocative mood, bluesy jazz guitar riffs, groovy, jazz, husky and soulful female vocals, catchy hooks, retro-inspired, funky, jazz and rock hybrid, breakbeat, minor and tension chords, funky bass line, rock, vocal, blues, soulful, female vocals, groovy mid-tempo rhythm
3:59

Just a mask
v4.5-all
rock, provocative, bluesy jazz guitar riffs with groovy, retro-inspired funk; husky and soulful female vocals, featuring tension-heavy minor chords, a funky bass line, and breakbeat grooves, a hybrid of jazz and rock with a mid-tempo rhythm, vocal, breakbeat, funky, jazz, soulful, female vocals, groovy, blues
4:28

Just a mask -another mask-
v4.5-all
rock, provocative, bluesy jazz guitar riffs with groovy, retro-inspired funk; husky and soulful female vocals, featuring tension-heavy minor chords, a funky bass line, and breakbeat grooves, a hybrid of jazz and rock with a mid-tempo rhythm, vocal, breakbeat, funky, jazz, soulful, female vocals, groovy, blues
2:38

ハッピーメリークリーンナップ
v4.5-all
rock, Crunchy J-pop/rock band with tight breakbeat groove, gritty funky bass, and a distorted blues guitar riff cutting through, Verses stay rhythmically edgy with clipped female vocals and syncopated bass pops; chorus explodes into huge, soulful belts over stacked harmonies and extra crash hits, Odd-time turnarounds at the end of phrases keep it off-kilter while the minor-key progression and snarling ad-libs push the angry, provocative energy, j-pop, breakbeat, vocal, funky
3:28

ハッピーメリークリーンナップ-funky-
v4.5-all
j-pop/rock, provocative and angry mood, bluesy jazz guitar riffs, groovy bass line, retro-funky hybrid, powerful and soulful female vocals, breakbeat, tension-filled minor chords, vocal, soulful
3:28

Falling -Lazy Rock-
v4.5-all
retro-inspired rock with a blend of 60s and 70s American rock and folk influences, bluesy electric guitar riffs, clean arpeggios, groovy mid-tempo rhythm, husky and soulful female vocal, catchy hooks, breakbeat, lazy and melancholic mood
2:59

五月の丘-Fado-
v4.5-all
Fado, ballad, dominant guitar layers, Portuguese guitar and Classic guitar, female whisper vocal, improvised structure, lonely and melancholic mood, haunting melody, catchy hooks
3:32

The Hill is Our Home
v4.5-all
retro-inspired rock, R&B, vocal, bluesy electric guitar riffs, funky bass line, catchy hooks, groovy, groovy mid-tempo rhythm, [chorus chord progression: F#m7, B7, Emaj7, Amaj7], breakbeat, lonely and melancholic mood, husky and soulful female vocals, rock, soulful, electric
4:10

通りすがりのGhost-brass-
v4.5-all
jazz, Explosive J-pop x jazz-fusion with female vocals: skittering breakbeats in an odd-meter loop, bright but dissonant brass stabs on top of warped synths and elastic bass, Verses ride swung, conversational lines over sparse piano hits; choruses bloom with stacked harmonies, urgent brass unisons, and side-chained pads, Experimental electronic glitches punctuate fills, with dynamic push-pull between half-time drops and frantic drum flurries, leaving room for ad-libbed, vibrato-heavy top lines, j-pop, electronic, experimental, breakbeat, jazz fusion, vocal, dramatic, pop
4:30

いつかの虹-power rainbow-
v4.5-all
jazz, Urgent modern jazz ballad with breakbeat-driven drums in an odd meter, piano leading restless harmonic shifts while brass swells in bright, clustered voicings, Female vocals soar with wide vibrato and dynamic phrasing, slipping between Japanese and English, Verses feel loose and conversational; chorus hits with a strong unison brass punch and call‑and‑response backing, Occasional half‑time drops and improvised ad‑libs keep the structure fluid and alive, vocal, breakbeat
4:00

Cops and Robbers Love-cops side-
v4.5-all
jazz, Angular pop‑jazz fusion over overdriven piano stabs and restless breakbeat drums in an odd-meter pocket, Female vocals, sharp and urgent, cut through a crunchy piano-led mix with glitchy electronic flickers, Intro and mid‑song interlude feature aggressive, harmonically tense piano solos before drums slam back in, Choruses explode with stacked harmonies and octave doubles, verses stay rhythmically jagged and syncopated, Final chorus rides a rising key feel and filtered drum flourishes, ending on a clipped, unresolved chord, breakbeat, female vocals, jazz fusion, pop, electronic, experimental, romantic
3:29

jazz, Angular pop‑jazz fusion over overdriven piano stabs and restless breakbeat drums in an odd-meter pocket, Female vocals, sharp and urgent, cut through a crunchy piano-led mix with glitchy electronic flickers, Intro and mid‑song interlude feature aggressive, harmonically tense piano solos before drums slam back in, Choruses explode with stacked harmonies and octave doubles, verses stay rhythmically jagged and syncopated, Final chorus rides a rising key feel and filtered drum flourishes, ending on a clipped, unresolved chord, breakbeat, female vocals, jazz fusion, pop, electronic, experimental, romantic
3:55

I'll Catch You Tonight -groovy-
v4.5-all
expressive female vocal, breakbeat, pop, vocal, 80s electronic touches, dramatic, odd time signature, loose and improvisational structure, breakbeat and swung jazz rhythms, pop, vibrant and amused mood, piano and brass hits in intro and interlude, j-pop acid break, electronic
3:56

Count Ammo -jazzy-
v4.5-all
rock, Retro 80s synthpop/rock at 140 BPM, urban noir mood; jazzy, extended chords over a driving yet off-kilter drum pattern in an odd meter, Female vocals, soulful and powerful, riding a tricky, syncopated topline with Japanese/English switches for drama, Gritty chorus with bright chorus-guitar stabs and glassy synth leads; verses keep it tense with pulsing bass and gated pads, Bridge strips to toms, distant bells, and reverb-soaked keys before a final explosive chorus with stacked harmonies and ad-lib runs, jazzy, drama, synthpop, female vocals
3:49

BORN TO BE HAPPY
v4.5-all
jazz, Up-tempo ska-jazz big band with sharp horns and walking bass, female vocals out front and fearless, Verses bounce on offbeat guitar chops and tight horn riffs; chorus explodes with layered brass stabs and gang shouts, Middle break leans into syncopated hits and call-and-response, building to a stylish, sudden cut-out ending on the final shout, big band, inciting, female vocals, happy, ska, stylish
3:53

BORN TO BE HAPPY -another ver.-
v4.5-all
jazz, Up-tempo ska-jazz big band with sharp horns and walking bass, female vocals out front and fearless, Verses bounce on offbeat guitar chops and tight horn riffs; chorus explodes with layered brass stabs and gang shouts, Middle break leans into syncopated hits and call-and-response, building to a stylish, sudden cut-out ending on the final shout, big band, inciting, female vocals, happy, ska, stylish
4:24

The World Is So Ugly -Lady ver.-
v4.5-all
jazz/soul, rap, female vocals, BPM 135, Punchy brass stabs over a heavy drum groove, jazzy electric piano filling the space between hits, dark and angry mood, Female rap slices through the middle eight with sharp rhythmic phrasing, gritty climax, soul, world, female vocals, jazz
4:26

The World Is So Ugly -嘘と涙とアングラ-
v4.5-all
jazz/soul rap, female lead and male rap, BPM 135, Punchy brass stabs over a heavy drum groove, jazzy electric piano filling the space between hits, dark and angry mood, Male rap slices through the middle eight with sharp rhythmic phrasing, then both voices collide in the final hook for a cathartic, gritty climax, soul, world, male vocals, female vocals, jazz
3:24

It Always Comes-soul-
v4.5-all
pop/soul, 2020's sound, avant-garde, soulful female vocals and male vocals, low range, breakbeat, odd meter, BPM110, dark piano, heavy bass, catchy hooks, dark and heavy mood, Destructive and self-destructive emotion, complex harmony, soul, pop
3:32

It Always Comes
v4.5-all
rap, Hybrid J-pop / modern soul / gangsta pop-rap; clear female vocals front and center over glossy synth pads and bright arps, clipped broken dance beat with gritty low-end, verses half-rapped half-sung in a tight, syncopated flow, hook blooms into soulful, soaring melody with stacked harmonies and subtle vocoder doubles, bridge strips to pads and vocal before final beat-drop outro, pop, bright, soul, female vocals, avant-garde, j-pop
4:39

Don't do it -jazz pop-
v4.5-all
pop/jazz, Smoky modern jazz in 5/4 at 110 BPM, glossy synth, close female vocals like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, muted trumpet trades phrases with the singer, Choruses bloom into cinematic string swells, then fall back into an intimate trio for a sly, late-night fade, female vocals, vocal, romantic, stylish, impressive cut out
3:32

Don't do it -night vibe-
v4.5-all
pop/jazz, Smoky modern jazz in 5/4 at 110 BPM, glossy synth, close female vocals like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, muted trumpet trades phrases with the singer, Choruses bloom into cinematic string swells, then fall back into an intimate trio for a sly, late-night fade, female vocals, vocal, romantic, stylish
3:44

Don't do it -bounce-
v4.5-all
pop/jazz, Smoky modern jazz in 5/4 at 100 BPM, glossy synth, close female vocals like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, muted trumpet trades phrases with the singer, Choruses bloom into cinematic string swells, then fall back into an intimate trio for a sly, late-night fade, The song structure follows a repetitive, catchy hook pattern, female vocals, vocal, romantic, stylish, impressive cut out
4:06

pop/jazz, Smoky and smooth modern jazz in odd meter at 100 BPM, dominant brass layers, glossy synth, close female vocals like a ribbon of silk over clustered synth pad voicings and a sly walking bass, Brushed drums lean into the odd meter, cinematic brass swell, late-night mood, female vocals, vocal, romantic, stylish


