Off The Wall

80 BPM trap-boom bap hybrid, Dark, gritty bassline with live-picked bass guitar loop, Dusty vinyl crackle under drums, Kick deep and rounded, snare sharp and dry, Subtle hi-hat rolls and ghost notes for tension, Low synth pads for paranoia, occasional reverse piano swells before verses, Hook section drops heavier sub bass and layered kicks for impact, Bridge section opens space with filtered drums and faint choir pad before full beat return, Reference: {Necro_like “Gory Days” x suicideboy$_like} minimalism, cinematic tension like a crime drama score, Verses: Low, controlled delivery with slight grit, hitting consonants hard for percussive feel, Hooks: Chant-style, double-tracked for fullness, back layer with slight reverb, Bridge: Slight melodic tone, almost sing-rap, with emphasis on the counting cadence, Ad-libs: Whispered repeats of key words (“math, ” “count, ” “truth”) tucked low in mix, Overall: Maintain steady pocket, no rushing — let the paranoia breathe in the pauses

Delivery confident and precise, clipped consonants, slight smirk in tone, Hooks shouted/stacked (double + gang vocals panned L/R), Pre-hook call/response uses a second voice pitched slightly lower, Ad-libs minimal (“clean, ” “sign that, ” “new lane”) tucked into sides, Keep tempo locked; pause briefly before key punchlines to let them land, 86 BPM modern trap with a bouncing, head-nod feel, Eerie, chopped piano motif paired with soft, filtered bell plucks, Tight 808 bass with short decay; punchy snare; crisp closed hats with occasional stutter rolls, Rising reverse cymbal effects into hook drops, Hooks have fuller low-end and layered pianos for lift, Minimal but tense arrangement in verses; more layers in hooks to drive impact, Slightly dark, nocturnal mood with a confident swagger

74 BPM soulful trap with warm electric piano chords and airy pad layers, Soft but deep kick, crisp snare, light shaker pattern, Rounded sub bass that supports without overpowering, Hook adds stacked harmonies (oohs) and gentle guitar slides, Verse 2 introduces filtered piano arpeggios for lift, Short reverb tails keep the mix spacious, Overall mood: warm, reflective, unhurried, Laid-back, conversational delivery, Hooks are lightly sung with a double-tracked main and soft harmony a third above, Verses begin breathy and intimate, building power mid-way, Ad-libs minimal (“calm, ” “free”) tucked subtly, Leave natural pauses after key lines to let emotion land

82 BPM boom-bap/modern hybrid with cinematic undertones, Eerie string ostinato paired with upright bass plucks, Dusty kick and snare with subtle vinyl crackle, Hooks begin with strings and bass only for two bars, then drop full drums, Bridge swaps strings for low piano chords with long reverb tails, Occasional faint gallery SFX (footsteps, murmurs) in intro/outro to reinforce theme, Overall mood: noir, poetic, deliberate, Spoken-word weight in intro and bridge; verses delivered with deliberate, articulate cadence, Hooks bold and ceremonious, with a soft whisper layer underneath repeating key phrases, Enunciate clearly to make metaphors cut, Use controlled pauses to let imagery breathe

92 BPM dusty boom-bap with soulful, slightly haunting female vocal chops in the background, Warm, thick bassline; muted kick drum with a deep thump; crisp snare with a tight reverb tail, Occasional vinyl crackle layered under the beat for texture, Verses stay minimal with just bass, drums, and chops; hooks open up with layered chords from a Rhodes piano and subtle horn stabs, Smooth but grounded—urban grit meets business pride, Tone confident but measured, with moments of grit on key phrases (“my ink on the line, ” “own my year”), Hooks sung-rap hybrid for a memorable lift, Ad-libs minimal but pointed (“mine, ” “sign that, ” “stamp it”), Bridge should have slightly more breath in the delivery to contrast with tight verses

Gritty street rap, rapid-fire rap, chopper rap, intricate wordplay aggressive 808s, rapid-fire vocals, rap/drill, trap, rapid-fire, rapid fire

rap, glitch-core, bass-heavy, experimental, aggressive; warped calliope riffs meet trap-step punch, blending demented fairground textures with heavy low-end swagger, male vocals with wild ad-libs and an irreverent tone, edm, low, glitch