All public songs 2026

C MINOR mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

C MINOR mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

A dark ambient soundscape featuring sustained, low-frequency synth pads creating a drone-like atmosphere, The piece is characterized by a slow tempo and a minor key tonality, evoking a sense of mystery and unease, There are no percussive elements or distinct melodies, The production emphasizes a wide stereo field with subtle panning of the synth textures, Reverb and delay effects are heavily applied to create a vast, ethereal space, The overall dynamic range is narrow, maintaining a consistent, subdued volume throughout, There are no vocals present

A dark ambient soundscape featuring sustained, low-frequency synth pads creating a drone-like atmosphere, The piece is characterized by a slow tempo and a minor key tonality, evoking a sense of mystery and unease, There are no percussive elements or distinct melodies, The production emphasizes a wide stereo field with subtle panning of the synth textures, Reverb and delay effects are heavily applied to create a vast, ethereal space, The overall dynamic range is narrow, maintaining a consistent, subdued volume throughout, There are no vocals present

A dark ambient soundscape featuring sustained, low-frequency synth pads creating a drone-like atmosphere, The piece is characterized by a slow tempo and a minor key tonality, evoking a sense of mystery and unease, There are no percussive elements or distinct melodies, The production emphasizes a wide stereo field with subtle panning of the synth textures, Reverb and delay effects are heavily applied to create a vast, ethereal space, The overall dynamic range is narrow, maintaining a consistent, subdued volume throughout, There are no vocals present

C MINOR mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

C MINOR mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

A cinematic, ethereal vocal-driven soundscape anchored in Na’vi language phonetics, with breathy female vocals flowing in elongated vowel shapes and glottal articulations, supported by slow-evolving harmonic pads, deep atmospheric resonance, and organic pulse movement, evoking the spiritual awe, bioluminescent wonder, and emotional gravity of the Avatar film world, where the voice feels ritualistic, intimate, and otherworldly, suspended between nature, memory, and quiet power

An ethereal cinematic fantasy piece inspired by Elvish traditions, featuring a solitary, reverberant vocal chant performed in the Sindarin Elvish language, drifting freely over soft ambient textures and organic acoustic tones, with a timeless, reverent atmosphere and no modern rhythmic elements

Language: Klingon (tlhIngan Hol), Aggressive tribal war chant driven by massive tom-heavy drums and pounding ritual percussion, featuring raw commanding male vocals delivered in guttural Klingon cadence, call-and-response shouts, unison chants, and forceful rhythmic phrasing, primitive yet precise, battle-ready and ceremonial, with relentless forward momentum, minimal melody, maximum intimidation, and an atmosphere of honor, conquest, and blood-earned resolve

An unstable, looping construction using Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, and ARP 2600 at a fluctuating 64–70 BPM, where bass pulses appear and vanish without meter, melodic fragments drift across incompatible subdivisions, percussion behaves erratically and avoids repetition, analog warmth frays against brittle digital edges, and atmospheric female vocals fracture between spoken, half-sung, and displaced phrases with irregular dual-voice doubling and long reverb tails, forming a non-linear dream-logic space that feels intentionally wrong

F Phrygian mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona, ‑pop

A restrained, slow-breathing blend of Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, and ARP 2600 at 68 BPM where a steady 4/4 bass foundation anchors a drifting 3/8 melodic layer, analog warmth softly frayed by a subtle digital edge as polyrhythmic textures and uneven percussive accents shift unpredictably, built to loop without arrival beneath atmospheric female vocals that alternate between intimate spoken phrases and fragile melodic lines with selective dual-voice doubling and long reverb-held endings, forming an introspective, quietly unstable dream-logic environment that continuously reorders itself

Dreamlike ARP 2600 and MOS 6581 hybrid, D minor, 95 BPM, soft unaccented pulse, warm low-end drift, faintly detuned upper textures, slow filter bloom with subtle resonance motion, intimate stereo that gradually widens, hypnagogic, liminal, instrumental-forward with breath-based vocal layers, seamless loop, ‑pop, ‑happy

Dreamlike ARP 2600 and MOS 6581 hybrid, D minor, 95 BPM, soft unaccented pulse, warm low-end drift, faintly detuned upper textures, slow filter bloom with subtle resonance motion, intimate stereo that gradually widens, hypnagogic, liminal, instrumental-forward with breath-based vocal layers, seamless loop, ‑pop, ‑happy

Dreamlike ARP 2600 and MOS 6581 hybrid, D minor, 96 BPM, warm evolving bass, soft clockless pulse, floating lead fragments, slow filter bloom with mild resonance drift, intimate stereo field widening over time, liminal, hypnagogic, instrumental-forward with sparse breathy vocals, seamless loop

Dreamlike ARP 2600 and MOS 6581 hybrid, C minor, 94 BPM, soft unhurried pulse, warm drifting bass, gently detuned lead fragments, filter opens slowly with slight resonance wobble, narrow-to-wide stereo bloom, liminal, hypnagogic, instrumental-forward with intimate breathy vocal layers, seamless loop, low contrast dynamics

A claustrophobic liminal ambient track built on slow analog drones and constrained stereo movement, featuring breathy female vocals with soft humming and intimate whispered delivery in a detached, introspective persona, heavy use of long reverb tails and subtle electrical ambience, minimal rhythm, pressure-filled atmosphere, narrowing spatial effects, and a psychological sense of being guided without release, unfolding patiently with restrained dynamics and quiet unease

ARP 2600 and MOS 6581 synthesizers in C minor, 105 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

ARP 2600 and MOS 6581 synthesizers in F Phrygian, 105 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

A slow 68 BPM introspective liminal composition in F Phrygian mode, led primarily by an ARP-2600 whose drifting arpeggiations and pitch-shifted modulation form a haunting central melody, supported by warm vintage analog textures inspired by 80s synthesizers where subtle polyrhythms emerge as the bass remains locked in 4/4 while the melody gently floats in 3/8, creating dreamy, ethereal motion with analog warmth and a faint digital edge, evolving gradually with looping intent, nostalgic restraint, and soft harmonic instability, featuring atmospheric female vocals delivered as a blend of spoken word and fragile melodic phrasing, with every second repeated word double-tracked for a hypnotic dual-voice effect, phrase endings sustained into long reverb tails, and an overall tone that feels introspective, vulnerable, and suspended between memory and awareness rather than progressing toward resolution

F Phrygian mode, Roland JUNO-6, Oberheim Two Voice, Prophet-5, Roland SH-2, ARP 2600, 80's vintage synthesizers, 68 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

ARP 2600 and MOS 6581 synthesizers in F Phrygian, 105 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona

ARP 2600 and MOS 6581 synthesizers in C minor, 105 BPM, Bassline locked in 4/4, melody floats in 3/8 time, Dreamy, ethereal, analog warmth with digital edge, Haunting, central melody, Polyrhythmic, evolving textures, Designed to loop, Female vocals: atmospheric and expressive, mix of spoken word and melodic singing, Every second repeated word is double-tracked for a dual-voice hypnotic effect, endings of phrases are sustained with heavy reverb, introspective and vulnerable persona, ‑jazzy instrumentation, ‑emotional build-ups, ‑vocal layering for impact, ‑lush reverb tails, ‑organic drum kits, ‑harmonic climax, ‑gospel influence, ‑happy tones, ‑predictable pacing, ‑major key progressions, ‑EDM drops, ‑theatrical phrasing, ‑vibrant energy, ‑funk elements, ‑clean production, ‑melodic hooks, ‑lyrical closure, ‑classic structure, ‑strong backbeat, ‑polished mix, ‑genre familiarity, ‑symmetrical arrangement, ‑lyrical hope, ‑vocal belting, ‑instrumental crescendos, ‑satisfying endings, ‑pop structure, ‑singalong moments, ‑overt emotionality

A dark liminal ambient track driven by an ARP-2600–inspired analog voice with unstable arpeggiated patterns that widen and accelerate across the stereo field, featuring aggressive auto-panning, slow detune drift, filter openings tied to psychological tension, and claustrophobic distorted vocals that fracture into ad-libs and internal chatter, creating the sensation of isolation, cognitive hostility, and mental collapse inside a damp, decaying room where no external entities exist and the only threat is the mind turning against itself, ‑Avoid polished pop production, ‑clean vocals, ‑or overused EDM build-ups

Industrial avant-garde dissolving into liminal space — fierce Icelandic female vocals echo from empty corridors, distorted trip-hop breakbeats crack through fogged memory, Gritty synth basslines pulse beneath flickering fluorescents; crunchy mechanical textures grind like distant machines in forgotten halls, Cinematic orchestral stabs surge and vanish like half-remembered dreams, while pulsing subs and syncopated drum loops drift through shifting time, Surreal glitch effects warp the sense of place, layered vocals blur identity, filtered noise bursts hiss like whispers from the walls, Cold ambient pads stretch across decaying skylines; cyberpunk shadows creep under flickering neon, Minimalist verses hover in stillness before exploding into distorted, dramatic chorus voids, Poetic abstractions delivered with defiance, suspended in static, The sound lives between moments — aggressive yet restrained, machine-born but emotionally raw — echoing from somewhere just out of reach, ‑Avoid polished pop production, ‑clean vocals, ‑or overused EDM build-ups

cursed ARP 2600 and MOS 6581 hybrid in C minor, 100 BPM, Warm, evolving analog-style bass, shimmering digital SID-chip edges, Lead melody is a haunting, gliding Theremin that floats above the baseline with ethereal vibrato, Reverb-washed, filter opens with pitch, resonance increases, Highly morphing, hypnotizing stereo panning, Instrumental only, otherworldly

cursed ARP 2600 and MOS 6581 hybrid in C minor, 100 BPM, Warm, evolving analog-style bass, shimmering digital SID-chip edges, Lead melody is a haunting, gliding Theremin that floats above the baseline with ethereal vibrato, Reverb-washed, filter opens with pitch, resonance increases, Highly morphing, hypnotizing stereo panning, Instrumental only, otherworldly

A slow-burning darkwave and gothic electro track built around ritual tension, featuring syncopated slap bass pulses, deep sub pressure, and warm analog pads that gradually open through filter sweeps, with intimate seductive lead vocals delivered in restrained phrases, heavy use of breathy ad-libs and whispered undertones, evolving sidechain compression to create push-and-pull anticipation, sparse drops into near-silence for control moments, and a final full-bodied return with wide stereo depth and long reverb tails, maintaining a sensual, dominant, club-ready atmosphere in the vein of erotic gothic darkwave

A dark ambient electronic piece featuring a sustained, low-frequency drone as its primary sonic element, The drone is continuous, without a clear chord progression, maintaining a single, deep resonant tone, The tempo is extremely slow, almost static, creating a sense of stasis and tension, There are no discernible melodies or rhythmic elements, The instrumentation consists solely of synthesized drone sounds, characterized by a rich, complex timbre with subtle internal movement and harmonics, Production emphasizes a wide stereo field and a deep, immersive soundstage, with a focus on low-end frequencies, There are no vocals, The piece lacks a traditional song structure, instead presenting a continuous, evolving soundscape, The key is ambiguous due to the lack of melodic or harmonic development, but the central frequency suggests a low, possibly sub-bass, register, The overall mood is contemplative and slightly unsettling

A dark, atmospheric electronic piece with a driving, syncopated rhythm, The primary instrumentation consists of a synthesized bass line providing a low-end pulse, a percussive synth playing a repeating, arpeggiated figure, and a high-pitched, sustained synth pad creating an eerie, almost siren-like melody, The tempo is moderately fast, and the key is ambiguous, leaning towards a minor tonality due to the dark synth textures, There are no discernible chord progressions in a traditional sense; instead, the harmony is built through the layering of the synth lines, The production is clean with a wide stereo image, and the effects include reverb on the sustained synth and a subtle delay on the arpeggiated percussion, The song structure is cyclical, with the main synth motifs repeating throughout, There are no vocals present

A dark, atmospheric electronic piece with a driving, syncopated rhythm, The primary instrumentation consists of a synthesized bass line providing a low-end pulse, a percussive synth playing a repeating, arpeggiated figure, and a high-pitched, sustained synth pad creating an eerie, almost siren-like melody, The tempo is moderately fast, and the key is ambiguous, leaning towards a minor tonality due to the dark synth textures, There are no discernible chord progressions in a traditional sense; instead, the harmony is built through the layering of the synth lines, The production is clean with a wide stereo image, and the effects include reverb on the sustained synth and a subtle delay on the arpeggiated percussion, The song structure is cyclical, with the main synth motifs repeating throughout, There are no vocals present

A slow, oppressive dark ambient composition with minimal harmonic movement, deep sustained ARP2600 pads and low-frequency pressure tones, distant distorted vocal phrases delivered with restrained emotion, heavy use of long-tail reverbs and subtle detuning to create an uncanny sense of sterile space, nostalgic undertones from analog-era hospital electronics, sparse dynamics, and a cinematic apocalyptic mood that feels frozen in time rather than explosive

A slow, hypnotic track with pulsing, breath-heavy textures; layered wet ASMR sounds glide between close-mic’d syllables, Sparse, Dual whispers—one sweet, one twisted—coo, hum, and overlap, creating nurturance laced with unease, Liminal, arp 2600 pads and synths, uneven beats for uncanny atmosphere

ARP 2600 + MOS 6581, F# Phrygian, 105 BPM, Bassline locked in 4/4, melody floats in 3/8, dreamy and ethereal, analog warmth meets digital edge, Melody is haunting and central, evolving over time, loopable, no vocals, ‑Avoid rhythm sections, ‑melodic pop structure, ‑or predictable harmonic progressions