3:06

これは私です
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:28

私じゃない誰か
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:14

これも私です
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:59

私の真実
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:19

私の嘘
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
2:59

君も私です
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:53

これは君です
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:16

これも君です
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:00

君じゃない誰か
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:21

君の嘘
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:44

君の真実
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:24

これは私ではない
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space
3:34

これ君はではない
v5
This is a Japanese rock song with a driving tempo of 140 BPM, The song is in the key of E minor, The instrumentation includes a distorted electric guitar playing power chords and melodic lines, a bass guitar providing a strong rhythmic foundation, and a drum kit with a prominent kick and snare, The vocals are female, ranging from a soft, almost spoken delivery in the verses to a powerful, belted style in the choruses, There are also layered backing vocals in the choruses, adding to the intensity, The song features a clear verse-chorus structure with a bridge and an instrumental guitar solo section, Production-wise, the mix is full and dynamic, with the vocals sitting prominently over the instrumental backing, Reverb is used on the vocals and some guitar parts to create a sense of space





