
Plague Doctor Era Songs
My Creations following my "rebrand" at the end of April.
Beggining of the Plague Doctor Era.
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17 songs
4:23

Without you
v5.5
Alternative Rock, Gothic Metal, Female Clear Singer, Male Growling Singer
3:44

Haunted House
v5.5
Alternative rock, Horror, Atmospheric, Pressing, Distress, Ethereal airy soprano with ghostlike softness, delicate yet emotionally piercing, floating above the instrumental like a memory, Reverse effects and tape-stop transitions, making sections feel unnatural and dreamlike, like reality slipping for a second, A final explosive wall of sound in the last chorus - layered guitars, choir textures, huge drums - after a restrained buildup for maximum emotional release
4:28

epic power metal, heavy power metal, war anthem, marching rhythm, heroic male vocals, commanding baritone lead, gang choir chants, massive battle choruses, military snare drums, thunderous double kick drums, galloping riffs, soaring lead guitars, powerful palm-muted rhythm guitars, orchestral strings, cinematic brass, dramatic choir layers, battlefield atmosphere, triumphant melodies, historical epic feeling, patriotic intensity, anthemic hooks, rallying call vocals, shouted slogans, spoken radio transmission, distorted battlefield radio effect, emotional pre-chorus build, explosive chorus impact, victorious yet tragic tone, relentless momentum, steel, honor, sacrifice, glory, brotherhood, cinematic war storytelling, grand finale, stadium-sized chorus, unforgettable singalong refrain
4:32

industrial techno, power metal, cinematic orchestral ballad, 128 BPM, distorted kick, metallic percussion, tremolo guitar harmonies, palm-muted chugs, synth brass stabs, analog sequencer bass, gated snare, sidechain pumping, tape saturation, wide stereo guitars, cathedral reverb, anthemic, brutal lift, machine groove
4:33

symphonic metal, gothic rock, 92 BPM, solo clear tenor, stacked choir hooks, melodic lead guitar, banjo picking, electric violin lines, concert harp arpeggios, analog synth pads, gated snare, chorus delay guitars, tape saturation, minor-key march, haunted resolve
2:44

comedy pop, jazzy piano comping, upright bass walking, brushed snare swing, tenor sax riffs, acoustic guitar chops, muted trumpet stabs, slapback vocal delay, room mic bounce, cassette warmth, 180 BPM, shuffle groove, playful bounce, vaudeville flair, call and response, rising bridge buildup
5:04

The Quiet One
v5.5
dark folk, gothic folk ballad, 84 BPM, fingerpicked acoustic guitar, legato cello, viola drones, low bass melody, male baritone vocal, whispered chorus doubling, tape saturation, room reverb, sparse intro, chorus lift, funeral march rhythm, bittersweet grief
5:53

Munich Betrayal
v5.5
Power Metal, Heavy Metal, traditional European war metal influence, 164 BPM, Aggressive palm-muted rhythm guitars with fast galloping riffs and heavy double-kick drums, Darker and heavier guitar tone with thick low-end distortion and tight chugging verses, Marching snare cadence drives the song forward like military boots on concrete, Deep gritty male baritone lead with forceful shouted refrains and massive gang vocals in the chorus, Minor key melodies with harmonized lead guitars and dramatic melodic hooks, Low orchestral brass and choir only as reinforcement behind the band, guitars remain dominant at all times, Half-time breakdown before the final chorus with crushing toms and sustained choir underneath, Emotional but aggressive guitar solo with sustained bends and harmonized leads, Huge punchy mix, sharp snare crack, wide stereo guitars, heavy bass presence, modern metal production with old-school power metal spirit
4:13

Peekaboo, Polly!
v5.5
Jazz, Jump Blues with Synthwave influences, late 90s swing revival fused with 80s analog synth production, Fast tempo around 168 BPM, swaggering dancefloor energy, upbeat and stylish, Punchy brass section with staccato trumpet hits and bari sax riffs drives the groove while vintage analog synth arpeggios shimmer underneath, Walking upright bass locks tightly with snappy swing drums and four-on-the-floor kick accents, Female soprano lead vocal, playful and confident delivery, flirtatious phrasing, sharp articulation, big-band charisma, Call-and-response backing shouts, syncopated horn breaks, short scat phrases between lines, Bright neon club atmosphere, chrome-coated swing rhythm, retro-futuristic nightclub feel, Tight room ambience on drums, saturated tape warmth, wide stereo synth pads, crisp transient brass mix, energetic breakdown before the final chorus, ‑slow ballad, ‑trap beats, ‑lo-fi, ‑ambient wash, ‑orchestral cinematic, ‑male vocal, ‑acoustic guitar, ‑indie folk, ‑dreamy reverb haze, ‑dark techno, ‑heavy autotune, ‑minimal drums
3:56

Slavic Life
v5.5
hardbass, 170 BPM, accordion lead, detuned brass stabs, balalaika tremolo, distorted electric bass, kickdrum overdrive, crowd chant shouts, male shouted vocals, halftime breakdown, sidechain pumping, gated snare, tape saturation, industrial techno, riot energy
3:48

Rock, Industrial Hard Rock, slow-to-mid tempo around 78 BPM, Heavy distorted rhythm guitars with palm-muted chugs and sustained power chords, Grinding bassline locks tightly with punchy drums and metallic percussion accents, Gritty female lead vocal with restrained tension in the verses that erupts into a belted, emotional chorus, Bleak factory-floor atmosphere, exhausted anger, rebellious working-class energy, Sparse verses gradually build pressure into massive choruses with stacked harmonies and aggressive gang shouts, Industrial textures, mechanical ambience, dark analog grit, saturated low end, dynamic contrast, Bridge strips down into cold mechanical ambience before rebuilding with crushing guitars and explosive drums, Huge final chorus, wide stereo mix, powerful ending, ‑acoustic ballad, ‑folk, ‑country twang, ‑synthpop, ‑edm, ‑trap hats, ‑tropical house, ‑cheerful pop, ‑orchestral soundtrack, ‑jazz fusion, ‑reggae, ‑ukulele, ‑autotune, ‑dreamy ambience, ‑soft vocals
7:24

Symphonic Metal, Power Metal transforming into Extreme Symphonic Blackened Death Metal, Dominant double-tracked electric guitars drive the entire song with galloping riffs, aggressive palm-muted chugs, neoclassical shred solos, layered harmonized leads, and massive stereo guitar walls, Electric violins duel constantly with the lead guitars while hurdy-gurdy drones, cathedral organ, harpsichord accents, taiko drums, dulcimer strikes, low brass, tubular bells, and cinematic choir expand the orchestration, Starts at 148 BPM with heroic harmonic minor melodies, punchy double-kick drums, and orchestral counterpoint between guitars and strings, Mid-song violently transforms into brutal intensity at 188 BPM with crushing downpicked riffs, tremolo-picked black metal passages, blast beats, distorted electric violin screams, dark synth drones, chaotic orchestral swells, abyssal sub-bass, and apocalyptic climaxes, Multiple evolving riff sections, dramatic silence hits, massive cinematic finale
4:17

Come back
v5.5
pop rap, 92 BPM, spoken intro, half sung chorus, trap drum programming, 808 sub-bass, staccato synth piano, warped electric guitar, airy vocal doubles, gated snare, plate reverb, tape saturation, sidechain compression, kitchen-sink ambience, bittersweet remorse, late-night pulse
3:43

Heavy horror metal with dark theatrical energy, mixing power metal, industrial metal, and creepy nursery rhyme vibes, Fast aggressive guitars, pounding double kick drums, heavy bass, sinister orchestral layers, creepy music box intro, dramatic breakdowns, and chant-like gang vocals, Main singer is a little girl with an innocent sweet voice, high-pitched and childlike, but emotionally intense and eerie, She sounds playful at first, then increasingly terrified and unhinged as the song becomes darker, Chorus should be huge, catchy, and dramatic with strong heavy riffs, Bridge should feel haunting and emotional, followed by a brutal breakdown with shouted “NOM NOM NOM” chants, Atmosphere should feel like a children’s nightmare mixed with horror metal chaos
6:09

Metal, Melodic Metal, Groove Metal, 132 BPM, Down-tuned guitars, palm-muted chugs, driving bass, punchy double-kick drums, Dark urban atmosphere, bleak yet determined, Gritty low clean vocals in verses, controlled harsh vocals for emphasis, Rising guitar harmonies in pre-choruses, Huge melodic choruses with soaring clean male vocals, stacked harmonies, memorable hooks, Sparse reflective bridge, Final chorus with bigger drums, layered vocals, wider harmonies, emotional climax, Modern production, wide stereo guitars, tight low end, natural drum attack, dynamic tension and release, clear vocal intelligibility, ‑pop punk, ‑screaming, ‑growling, ‑metalcore breakdown spam, ‑trap hats, ‑edm drops, ‑synthwave, ‑folk, ‑country, ‑orchestral soundtrack, ‑jazz fusion, ‑reggae, ‑lo-fi, ‑autotune, ‑whisper vocals, ‑comedy, ‑upbeat party energy
4:13

Rock, Symphonic Metal, Folk Metal, 140 BPM, Instrumental, Dramatic duel between electric violin and singing lead guitar, Focus on anticipation, space, and response rather than constant speed, Long call-and-response phrases, musical challenges, deliberate pauses, escalating answers, and recurring rival themes, Electric violin introduces ideas with expressive folk melodies, confident phrasing, and virtuosic flourishes, Singing lead guitar responds with melodic leads, bends, arpeggios, and technical variations of the violin themes, Frequent spotlight changes between both instruments, Heavy rhythm guitars, bass, punchy drums, orchestral strings, brass accents, and timpani support the duel without dominating it, Growing tension, brief standoffs, competitive exchanges, final reconciliation, cinematic modern metal production, ‑vocals, ‑singing voices, ‑choir, ‑choir pads, ‑chants, ‑backing vocals, ‑harmonies, ‑ad-libs, ‑spoken word, ‑narration, ‑whispers, ‑shouts, ‑dialogue, ‑crowd, ‑audience, ‑applause, ‑cheering, ‑live sound, ‑arena sound, ‑stadium sound, ‑voiceovers, ‑vocal samples, ‑breathing, ‑background chatter, ‑sound effects, ‑nature sounds
2:27

GLUTENMAN
v5.5
Rock, Cartoon Rock, 90s Saturday Morning Theme, Fast tempo around 165 BPM, Bright electric guitars, punchy drums, funky bass, brass stabs, cartoon sound-design accents, Heroic energy, playful comic-book action, catchy singalong hook, Male lead vocal with animated attitude, call-and-response gang vocals in the chorus, Big TV-theme arrangement, punchy mix, wide stereo, memorable opening theme-song feel, ‑ballad, ‑orchestral score, ‑cinematic trailer, ‑trap, ‑drill, ‑lo-fi, ‑ambient, ‑folk, ‑country, ‑jazz fusion, ‑autotune, ‑slow tempo, ‑dark atmosphere, ‑melancholy, ‑synthwave, ‑EDM drop
