3:54
4:02
Hard post punk with strained, powerful lead vocals over jagged downstroke guitars, gritty bass guitar, and driving crash-heavy drums, Tight, dry verses explode into shouted gang harmonies, distorted power chords, occasional feedback, snare cracks, and a raw mid-tempo push, ending in a strained, cathartic final chorus
3:32
A Lesson in Love
v5.5
Detached new wave indie‑dance synthpop with a pulsing sequenced bassline, crisp electronic drums, moody arpeggiated keys, and a cool detached vocal delivery; upbeat tempo with a bittersweet emotional undercurrent; tight rhythmic phrasing, clean melodic hooks, minimal reverb, and a driving four‑on‑the‑floor feel; jangly chorus‑guitars tucked behind the synths; energetic but not glossy;
3:59
Energetic alt‑rock with a new‑wave edge, Tight, punchy drums and a driving bassline pushing the song forward, Angular, slightly wiry electric guitars with rhythmic stabs and clean overdrive, A dry, sardonic vocal delivery with quick phrasing, exasperated tone, and a hint of theatrical frustration, Modern production with crisp transients, no retro synthwave elements, Keep the groove tense and propulsive, with a slightly manic undercurrent, Emphasize clarity in the vocal so the humor lands, Overall vibe: frustrated, fast‑moving, clever, and sharply rhythmic
5:01
Jangly alternative rock with indie pop brightness and post-punk tension: chiming Rickenbacker-style guitars, tight picked arpeggios, springy basslines, and sharp snare/kick drive at brisk tempo, Clean verse vocals with dry intimacy, wide harmonized choruses, angular guitar accents, and a slightly wiry, open-room mix, Baritone male vocals
4:29
Upbeat pop rock song with dance groove, emotional soaring vocals
4:49
2:44
rock, Jangly 80s New Wave punk energy: bright chorus‑soaked guitars, bouncy bass up front, brisk live drums with splashy cymbals, Male vocals, slightly snotty but tender, doubled on the hook, Gang shouts and “whoa-oh”s in the chorus, brief guitar stabs between lines, Mix is raw and immediate, like a sweaty club set that still feels catchy on the radio, punk, new wave
3:52
Your Man
v5.5
Upbeat pop rock at bright midtempo with jangly electric guitars, punchy live drums, and bouncy electric bass, Baroque pop touches from harpsichord, chamber strings, and piccolo counterlines, Male lead vocals with stacked harmonies, crisp handclaps, tape delay, and glossy mix
4:12
Depressed rock with intimate, close-mic verses on clean arpeggiated electric guitar, fingerpicked acoustic layers, and a subdued bassline, Sparse toms and brushed snare rise into distorted wall-of-guitars choruses, driving kick, strained high vocals, delay-drenched lead guitar, and wide reverb, Spoken syllables hit like hi-hats, consonants like snare taps, straight-ahead hurt
3:28
I Just Want You
v5.5
High-speed 164 BPM alt rock/indie rock/surf rock/noise pop: razor-bright chorus guitar arpeggios, frantic downstroke strumming, spring-reverb surf leads, jagged fuzz power chords, trebly bass driving eighth notes, and a punchy drum kit with snare crack, open hats, and tom fills, Dense, lo-fi vocal doubles, feedback bursts, and clipped tape saturation keep it urgent and breathless
3:57
Mess
v5.5
176 bpm, High‑energy rock with bright overdriven guitars, flashy harmonized leads, and tight palm‑muted riffs, Big anthemic choruses with soaring clean vocals and gritty confident phrasing, Punchy drums with a sharp snare crack, driving tom fills, and a bold stadium‑ready mix, Add melodic lead‑guitar hooks, dramatic vocal lifts, and a swaggering, larger‑than‑life attitude, Powerful vocals, hook driven chorus
4:24
I Swear I'll Try
v5.5
156 bpm, Choppy new wave with clean chorus guitar riffs, punchy fretless bass, bright synth stabs, and a tight snare-driven drum machine groove, Talk-sung lead vocal stays dry and upfront, stacked harmonies hit the hook, glossy reverb on fills, sleek 80s pop-rock polish, crisp gated toms, and punchy compressed mix, male vocals
3:29
4:51
Soft folk with fingerpicked acoustic guitar, felt piano, and brushed snare tucked low in the mix, Add upright bass, close-mic harmonica, subtle mandolin tremolo, and airy backing vocals, Light tape saturation, natural room reverb, gentle tempo, intimate lo-fi texture, with a warm dynamic build into a wider chorus
3:57
Run
v5.5
This song merges ornate baroque pop textures—harpsichord, strings, and woodwinds—with a waltzing 3/4 rock pulse driven by drums and bass, Electric guitar adds grit to lush orchestration in the chorus, while dynamic shifts and dramatic harmonies amplify the grandeur, male voice