Won't You Find Me?

Industrial rock + alt metal + cowboy songs + pop, aggressive riffs, thick bass, punchy drums, syncopated groove, dark synths, edgy noise, digital processing, sound collage, machine‑like feel, mid‑tempo drive, experimental FX, split‑amp guitars, cool/urban coldness, dynamic arrangement, whisper/raspy leads, loudspeaker vox, layered vocals, playful yet gloomy, melodic hooks, cybernetic vibe, chorus → breakdown → distorted bridge, electronic samples, punchy mix, sharp transitions, heavy sound, looped beats, multi‑vox, club influence, robotic slam, tension/release, unconventional form, heavy×catchy fusion, mixed language (JP/EN), bold sound design, Recording: Intro “Dmm…” chest hum, close‑mic, light sat, low‑cut ~75 Hz, slow‑attack comp, tape warble; “sinking/fading”: formant down + LPF; “ghost”: micro‑double ±10 ms + short slap; Bridge “I think I am… fuck off!” 500 ms silence → one‑shot, gate cut, telephone EQ; Final chorus: degraded (8–12 bit, 11–22 kHz) + parallel clean

Industrial rock, alt metal, melodiccore, aggressive riffs, thick bass, punchy drums, syncopated groove, dark synths, edgy noise, digital processing, sound collage, machine‑like feel, mid‑tempo drive, experimental FX, split‑amp guitars, cool/urban coldness, dynamic arrangement, whisper/raspy leads, loudspeaker vox, layered vocals, playful yet gloomy, melodic hooks, cybernetic vibe, chorus → breakdown → distorted bridge, electronic samples, punchy mix, sharp transitions, heavy sound, looped beats, multi‑vox, club influence, robotic slam, tension/release, unconventional form, heavy×catchy fusion, mixed language (JP/EN), bold sound design, Recording: Intro “Dmm…” chest hum, close‑mic, light sat, low‑cut ~75 Hz, slow‑attack comp, tape warble; “sinking/fading”: formant down + LPF; “ghost”: micro‑double ±10 ms + short slap; Bridge “I think I am… fuck off!” 500 ms silence → one‑shot, gate cut, telephone EQ; Final chorus: degraded (8–12 bit, 11–22 kHz) + parallel clean, ‑scream

Industrial rock with a late‑90s Japanese alt/industrial vibe, Keep the vocal as the focal point: aggressive male timbre with compressed, saturated midrange and gritty overtones; metallic, forward presence that cuts through dense industrial drums, distorted guitars, and digital samples, Delivery is spat and percussive with pronounced consonant attacks, short phrases and cut‑off endings, Maintain close, dry proximity with minimal ambience (tight room or very short slap); avoid long reverb tails, Use fast compression and tape/console‑style saturation; add tasteful distortion in hype sections, Employ occasional megaphone‑style band‑pass filtering and lo‑fi inserts for sectional contrast, then snap back to a clear but hard‑edged lead, Balance roughness and intelligibility: strong upper‑mid edge without harsh sibilance buildup; preserve transient clarity so the voice drives rhythm, Suggested flow: Intro with filtered ad‑libs (band‑pass, lo‑fi), Verse with dry close lead and spat consonants, ‑no scream

Industrial rock with alt/industrial and cowboy song vibe, Keep the vocal as the focal point: aggressive male timbre with compressed, saturated midrange and gritty overtones; metallic, forward presence that cuts through dense industrial drums, distorted guitars, and digital samples, Delivery is spat and percussive with pronounced consonant attacks, short phrases and cut‑off endings, Maintain close, dry proximity with minimal ambience (tight room or very short slap); avoid long reverb tails, Use fast compression and tape/console‑style saturation; add tasteful distortion in hype sections, Employ occasional megaphone‑style band‑pass filtering and lo‑fi inserts for sectional contrast, then snap back to a clear but hard‑edged lead, Balance roughness and intelligibility: strong upper‑mid edge without harsh sibilance buildup; preserve transient clarity so the voice drives rhythm, Suggested flow: Intro with filtered ad‑libs (band‑pass, lo‑fi), Verse with dry close lead and spat consonants, ‑no scream

Industrial rock with a late‑90s Japanese alt/industrial vibe, Keep the vocal as the focal point: aggressive male timbre with compressed, saturated midrange and gritty overtones; metallic, forward presence that cuts through dense industrial drums, distorted guitars, and digital samples, Delivery is spat and percussive with pronounced consonant attacks, short phrases and cut‑off endings, Maintain close, dry proximity with minimal ambience (tight room or very short slap); avoid long reverb tails, Use fast compression and tape/console‑style saturation; add tasteful distortion in hype sections, Employ occasional megaphone‑style band‑pass filtering and lo‑fi inserts for sectional contrast, then snap back to a clear but hard‑edged lead, Balance roughness and intelligibility: strong upper‑mid edge without harsh sibilance buildup; preserve transient clarity so the voice drives rhythm, Suggested flow: Intro with filtered ad‑libs (band‑pass, lo‑fi), Verse with dry close lead and spat consonants, ‑no scream

Industrial rock, alt metal, melodiccore, aggressive riffs, thick bass, punchy drums, syncopated groove, dark synths, edgy noise, digital processing, sound collage, machine‑like feel, mid‑tempo drive, experimental FX, split‑amp guitars, cool/urban coldness, dynamic arrangement, whisper/raspy leads, loudspeaker vox, layered vocals, playful yet gloomy, melodic hooks, cybernetic vibe, chorus → breakdown → distorted bridge, electronic samples, punchy mix, sharp transitions, heavy sound, looped beats, multi‑vox, club influence, robotic slam, tension/release, unconventional form, heavy×catchy fusion, mixed language (JP/EN), bold sound design, Recording: Intro “Dmm…” chest hum, close‑mic, light sat, low‑cut ~75 Hz, slow‑attack comp, tape warble; “sinking/fading”: formant down + LPF; “ghost”: micro‑double ±10 ms + short slap; Bridge “I think I am… fuck off!” 500 ms silence → one‑shot, gate cut, telephone EQ; Final chorus: degraded (8–12 bit, 11–22 kHz) + parallel clean, ‑scream

Industrial rock with a late‑90s Japanese alt/industrial vibe, Keep the vocal as the focal point: aggressive male timbre with compressed, saturated midrange and gritty overtones; metallic, forward presence that cuts through dense industrial drums, distorted guitars, and digital samples, Delivery is spat and percussive with pronounced consonant attacks, short phrases and cut‑off endings, Maintain close, dry proximity with minimal ambience (tight room or very short slap); avoid long reverb tails, Use fast compression and tape/console‑style saturation; add tasteful distortion in hype sections, Employ occasional megaphone‑style band‑pass filtering and lo‑fi inserts for sectional contrast, then snap back to a clear but hard‑edged lead, Balance roughness and intelligibility: strong upper‑mid edge without harsh sibilance buildup; preserve transient clarity so the voice drives rhythm, Suggested flow: Intro with filtered ad‑libs (band‑pass, lo‑fi), Verse with dry close lead and spat consonants, ‑no scream