1:42

2:31

3:15

1:56

2:25

2:48

male vocals, 90s skate punk sound, fast, skate punk, raw guitars, punk, punchy drums, driving bass
1:50

Chasing Emma
v3.5
driving drums, skate punk, melodic skate punk, energetic guitars, raw male vocals
2:18

under-2-minute anthem, male vocals, punk, skate punk, fast-paced, aggressive guitar riffs and tight drum fills driving a high-energy, melodic male vocals
2:30

soft and introspective, clear male vocals, melancholic, male vocals, piano-driven
3:59

skate punk, fast and melodical, with male vocals full of raw energy and urgency, driven by distorted guitars and punchy drums
1:30

2:05

1:49

2:28

2:21

Falling Out Of Frame
v4.5-all
skate punk, and punchy basslines, rapid drums, fast, raw energy, male vocals, driven by distorted guitars, melodic
1:53

Skate Or Die
v4.5-all
fast-paced, melodic guitars with pounding drums; male vocals, pop punk, skate punk, melodic hardcore, punk
3:03

Smiling In A Crash
v4.5-all
rock, Ultra-fast melodic skate punk, 220 BPM, male vocals, Palm-muted power chords sprint into open, anthemic choruses; bass is busy and melodic, locked tight with relentless drums and gang shouts on key phrases, Verses stay lean and breathless, choruses open wider with octave leads and bright harmonies, Brief halftime bridge for a gut-punch emotional drop, then final chorus explodes with stacked vocals and double-time energy, sad, skate punk
2:50

Not A Copy
v4.5-all
rock, Fast, bright skate punk with driving guitars, tight bass, and relentless uptempo drums; male vocals pushing in the upper midrange, Verses spit quick, melodic lines with gang shouts on key phrases; chorus explodes with stacked harmonies and a soaring top line, Brief shout-along bridge drops the guitars slightly for a vocal focus, then everything slams back in at full speed for the final hook, skate punk
2:47

Static Between The Stars
v4.5-all
rock, Fast, bright skate punk at 200 BPM, male vocals; drums lean on relentless downbeat kicks with tight hi-hat chatter and snappy snares, bass locked into root-note eighths that occasionally climb for tension; verses punchy and shouted with gang “hey”s on line endings, chorus opens wider with melodic octave leads and stacked harmonies on the hook; guitars drenched in overdriven palm mutes for the verses then explode into open-chord power in the chorus, brief instrumental tag after second chorus for a frantic drum fill and stop-time hit before the final shout, skate punk








