RETROWAVE CHINA

Upbeat Mandopop / dance-pop / club track with Yamaha Custom Drums and explosive 80s bass drops: — Core Vibe: Aggressive synthwave meets 80s action movie, — Drums (CRITICAL!): → Yamaha Custom Kit: Punchy toms, snappy snare (EQ-boosted at 200Hz), explosive kicks with sustain, → Drum Arrangement: Use dramatic pauses (0, 5-1 sec silence) before bass drops → then unleash double-kick rolls + cymbal crashes, — Bass Drops: → Distorted FM Bass (Yamaha DX7-style) entering LOUDER (+3dB) after pauses, → Add slapback echo (200ms delay + 30% feedback) and sub-bass layer (80Hz) for impact, → Glitch effect (0, 2s stutter) right before drops, — 80s Arrangement Touches: → Gated reverb on snare, → Orchestral hits (brass stabs) in choruses, → Analog synth solos with pitch bends (emulating guitar whammy bar), → Funky basslines in verses (slap-style, compressed), — Sound Design: → Master chain: VHS hum + tape saturation, → Drums slightly overdriven, ‑"Exclude ALL modern production: - NO autotune (keep raw vocal imperfections) - NO compression (dynamic breaths intact) - NO synthetic effects (reverb/delay only if analog-style) - NO digital instruments (only: acoustic guitar, ‑double bass, ‑organic percussion) - NO layered vocals (max 2 voices, ‑no harmony stacks) - NO EDM/trap/hip-hop elements Recording aesthetic: '1985 live studio session with Shure SM58 mics → cassette tape hiss allowed'"

Upbeat mandopop / dance-pop / club track with Yamaha Custom Drums and explosive 80s bass drops: — Core Vibe: Aggressive synthwave meets 80s action movie, — Drums (CRITICAL!): → Yamaha Custom Kit: Punchy toms, snappy snare (EQ-boosted at 200Hz), explosive kicks with sustain, → Drum Arrangement: Use dramatic pauses (0, 5-1 sec silence) before bass drops → then unleash double-kick rolls + cymbal crashes, — Bass Drops: → Distorted FM Bass (Yamaha DX7-style) entering LOUDER (+3dB) after pauses, → Add slapback echo (200ms delay + 30% feedback) and sub-bass layer (80Hz) for impact, → Glitch effect (0, 2s stutter) right before drops, — 80s Arrangement Touches: → Gated reverb on snare, → Orchestral hits (brass stabs) in choruses, → Analog synth solos with pitch bends (emulating guitar whammy bar), → Funky basslines in verses (slap-style, compressed), — Sound Design: → Master chain: VHS hum + tape saturation, → Drums slightly overdriven, ‑"Exclude ALL modern production: - NO autotune (keep raw vocal imperfections) - NO compression (dynamic breaths intact) - NO synthetic effects (reverb/delay only if analog-style) - NO digital instruments (only: acoustic guitar, ‑double bass, ‑organic percussion) - NO layered vocals (max 2 voices, ‑no harmony stacks) - NO EDM/trap/hip-hop elements Recording aesthetic: '1985 live studio session with Shure SM58 mics → cassette tape hiss allowed'"

Upbeat mandopop / dance-pop / club track with Yamaha Custom Drums and explosive 80s bass drops: — Core Vibe: Aggressive synthwave meets 80s action movie, — Drums (CRITICAL!): → Yamaha Custom Kit: Punchy toms, snappy snare (EQ-boosted at 200Hz), explosive kicks with sustain, → Drum Arrangement: Use dramatic pauses (0, 5-1 sec silence) before bass drops → then unleash double-kick rolls + cymbal crashes, — Bass Drops: → Distorted FM Bass (Yamaha DX7-style) entering LOUDER (+3dB) after pauses, → Add slapback echo (200ms delay + 30% feedback) and sub-bass layer (80Hz) for impact, → Glitch effect (0, 2s stutter) right before drops, — 80s Arrangement Touches: → Gated reverb on snare, → Orchestral hits (brass stabs) in choruses, → Analog synth solos with pitch bends (emulating guitar whammy bar), → Funky basslines in verses (slap-style, compressed), — Sound Design: → Master chain: VHS hum + tape saturation, → Drums slightly overdriven, ‑"Exclude ALL modern production: - NO autotune (keep raw vocal imperfections) - NO compression (dynamic breaths intact) - NO synthetic effects (reverb/delay only if analog-style) - NO digital instruments (only: acoustic guitar, ‑double bass, ‑organic percussion) - NO layered vocals (max 2 voices, ‑no harmony stacks) - NO EDM/trap/hip-hop elements Recording aesthetic: '1985 live studio session with Shure SM58 mics → cassette tape hiss allowed'"

Upbeat Asian pop / dance-pop / club track with Yamaha Custom Drums and explosive 80s bass drops: — Core Vibe: Aggressive synthwave meets 80s action movie, — Drums (CRITICAL!): → Yamaha Custom Kit: Punchy toms, snappy snare (EQ-boosted at 200Hz), explosive kicks with sustain, → Drum Arrangement: Use dramatic pauses (0, 5-1 sec silence) before bass drops → then unleash double-kick rolls + cymbal crashes, — Bass Drops: → Distorted FM Bass (Yamaha DX7-style) entering LOUDER (+3dB) after pauses, → Add slapback echo (200ms delay + 30% feedback) and sub-bass layer (80Hz) for impact, → Glitch effect (0, 2s stutter) right before drops, — 80s Arrangement Touches: → Gated reverb on snare, → Orchestral hits (brass stabs) in choruses, → Analog synth solos with pitch bends (emulating guitar whammy bar), → Funky basslines in verses (slap-style, compressed), — Sound Design: → Master chain: VHS hum + tape saturation, → Drums slightly overdriven, ‑"Exclude ALL modern production: - NO autotune (keep raw vocal imperfections) - NO compression (dynamic breaths intact) - NO synthetic effects (reverb/delay only if analog-style) - NO digital instruments (only: acoustic guitar, ‑double bass, ‑organic percussion) - NO layered vocals (max 2 voices, ‑no harmony stacks) - NO EDM/trap/hip-hop elements Recording aesthetic: '1985 live studio session with Shure SM58 mics → cassette tape hiss allowed'"