
A Mix Of Songs
You will find a mix of all styles of my songs and some cover songs here... Adding more songs soon!!!
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46 songs
3:47

3:27

Rain Or Shine
v5.5
country, country soul, acoustic guitar fingerpicking, steel guitar swells, brushed snare, upright bass, gospel piano chords, male lead vocal, group harmony hook, call and response, tape saturation, room reverb, sparse intro, full band lift, midtempo 84 BPM, reflective resilience
3:08

Days Of Healing
v5.5
glitchstep, epic ballad, electric violin, toy piano, hand drum, bass driven beat, hip hop drums, vocal chops, chopped vocal sample, echo delay, layered builds, halftime breakdown, sub drop, lo fi tape warmth, minor key, reflective longing, 128 BPM, call and response, dynamic lift
2:52

Passing Through
v5.5
dark dubstep, underground hip-hop, gospel-tinged traptrap, male vocal, 808 basslines, bass slap, steady drums, chopped piano riffs, distorted sub-bass, plate reverb, cathartic release, emotional trap, strong guitars, screaming vocals, spooky soundtrack, male vocals country, live, haunting strings, pulsing beat, glitch hop
3:18

Country, nashville sound, mellow beats, acoustic ballad, infectious beat, orchestral trance, sharp beats, experimental ambient
3:01

Locked Up Blues
v5.5
blues, country, acoustic, melodic, electronic trap, vintage jazz lounge, classic country
2:10

Big City Streets
v5.5
southern rap, old school hip-hop, bass-driven beat, half-volume chorus, projected male vocals, chant hook, 808 sub-bass, snapped snare, crisp hi-hats, live bass guitar, electric piano stabs, wah guitar licks, chrome rim synths, plate reverb, tape saturation, club ready, nocturnal swagger, 92 BPM, swung backbeat
3:14

That Feeling
v5.5
trapsoul, minimal house, fingerstyle guitar, breakbeat drums, harmonized vocals, clean lead vocal, sub bass groove, chopped guitar loop, sidechained pads, tape saturation, spring reverb, rimshot backbeat, halftime switch, four-on-the-floor pulse, infectious melodies, calm resolve, epic drops, late-night drive, 92 BPM, call-and-response hooks
4:47

rap, Dark, cinematic trap beat around 140 bpm, swaggering male vocals, Sparse, detuned bell loop and airy pad in the verse, 808s hitting in short bursts, Hook explodes with layered chants and a wider stereo field, hi-hats skittering in triplets, Occasional stuttered vocal chops and tape-stop moments to sell the warped-simulation vibe
3:39

rap, Boom-bap drums with modern trap textures, warm piano loop and subtle strings, male vocals, Verses ride a laid-back but urgent pocket; hook lifts with stacked chant-style doubles and gentle gospel-style harmonies, Sub-bass steady and deep, light vinyl grit, roomy snare, Final chorus adds ad-libs and a slight choir pad swell to feel like a street-corner prayer for peace, world
3:33

Forgotten Man
v4.5+
emotional vocal, mournful melodies layered with sharp guitar licks for tension and release, vocal, atmospheric with gritty undertones, emotional, rap, electric, heavy 808s, electric guitar riffs, trap
3:59

Finding My Way
v5.5
R&B, world, country blues, metal, bass guitar, acoustic guitar and electric guitar, southern jazz, violin, electric piano
1:24

3:46

country, gospel-tinged rap, 72 BPM, male baritone vocals, walking bass melody, upright bass, steel-string fingerpicking, church choir pads, slide guitar licks, brushed snare, tape saturation, spring reverb, mono kick drum, dusty room ambience, reflective grit, prayerful resolve
2:24

3:36

Hard knocks
v5.5
country blues, alt-country storytelling, southern rap, 98 BPM, slide guitar licks, dobro fills, bass guitar ostinato, upright bass pulse, tom-heavy drum kit, double bass pedal, harmony vocals, raspy male lead, room mic grit, tape saturation, spring reverb, punchy low end, half-time groove, swung backbeat, bittersweet resolve
2:14

Low Rider Vibes
v5.5
drill rap, rap, bass-driven beats, male vocals, drill, old school hip-hop with dark, punchy beats; layered 808s and sharp hi-hats, bounce, beats, double bass
3:14

country rock, western ballad, country blues storytelling, male vocal harmonies, bass baritone lead, raspy tenor ad-libs, fingerpicked acoustic guitar, steel guitar swells, brushed snare, upright bass pulse, warm room reverb, tape saturation, slapback delay, slow 68 BPM, half-time groove, bittersweet departure, open-road yearning, dusk atmosphere
3:53

Cool Breeze
v5.5
country blues, southern rap, 72 BPM, male conversational vocal, acoustic guitar strumming, dobro fills, brushed snare, upright bass, Hammond organ, porch harmony chorus, tape saturation, room reverb, call and response, reflective warmth, working class nostalgia
3:02

Spinning Out
v5.5
southern rap, gospel tinged rap, 68 BPM, violin lead, Rhodes piano chords, female choir pads, 808 sub-bass, crisp snare snaps, swung hi-hats, half-time groove, tape saturation, plate reverb, minor key, reflective resilience, call response chants, dub delay, brushed kick layer, upright bass ghost notes, dusty breakup tone
4:24

Blues and hip-hop merge at 100bpm as a bold electric guitar riff, violin layers, and tight 808 kicks set a powerful intro, Verses feature lively southern rap over syncopated deep bass, crisp snares, and sharp organ stabs, The chorus explodes with gritty, melodic male vocals, soaring lead guitar, and groove-driven rhythm, while dynamic drum breaks and fills keep the energy high from start to finish, bass guitar solo, background choir
5:08

Opening with rainfall and a soft crowd murmur, the track introduces an ambient acoustic guitar laying down a Southern blues motif at 100bpm, Deep male vocals enter over live drums and melodic bass, joined by subtle blues rock touches, Soulful duet choruses with male/female harmonies swell alongside tasteful backup singers, Slow, grooving rap beats add rhythmic contrast, interwoven with expressive blues guitar licks, Mastering is warm and pristine, preserving dynamic clarity in every detail
4:13

Live Show, duet, male and female vocals, crowd noise, southern soulful, soul male vocals, ambient, 2000 rap, sad beat, rainfall, heavy bass beats, emotional, mastering, blue jazz, blues, strong bass line, personal, piano, catchy melodic, heartwarming vocals, high quality sound, live drums, acoustic guitar
2:17

old school rap, rap, r&b/soul, soul, reflective, male vocals, r&b
4:18

Found My Place
v5.5
country blues, spoken storytelling hip-hop, 92 BPM, male baritone vocals, raw live band, acoustic guitar fingerpicking, steel-string slide guitar, fretless bass, brushed snare, stomp clap groove, harmonica fills, gospel choir responses, tube amp breakup, room mic ambience, tape saturation, road-weary defiance, homecoming relief
2:08

One and Done In
v5.5
rap, Laid-back boom-bap meets modern trap bounce, steady mid-tempo with deep bass and crisp hats, Male vocals, close and conversational in the verses; chorus gets a wider stereo field with stacked ad-libs and subtle pitch effects, Beat switches to a sparser pattern on the bridge, then snaps back in for a final, confident hook, drama
3:16

Songs In My Head
v5.5
energetic guitar riffs, e-bass, psychedelic trap, club vibes, gritty male vocals, acoustic instruments, harmonized voices, melodic edm, pulsing electronic beats, bass drum, backup vocals, bouncy beat, shimmering synths, hard dubstep, powerful bassline, house
2:56

Take It Easy
v5.5
dynamic build-ups, intense breakdowns, haunting echoes, layered vocal harmonies, bass beat, smooth rhythm, glitchy effects, smooth male vocals, trap bass drops, steady drum beat, deep house, storytelling rap
2:57

2:02

2:17

3:44

Red Clay Road
v5.5
country, 76 BPM, baritone lead vocal, stacked harmonies, acoustic strumming, twangy electric fills, fiddle call and response, steel guitar hook, upright bass, brushed snare, handclap accents, warm plate reverb, tape saturation, stereo width, pickup truck scene, prayerful storytelling, anthemic chorus
1:42

2:25

Lights Go Dim
v5.5
raw and gritty with a blend of heavy guitar riffs and soulful beats, male vocals alternate between aggressive rap delivery and melodic croons, alternative rap, male vocals, alternative rock, with a focus on creating a raw, raw, r&b, rap, rock, unpolished texture, sparse drums and distorted bass underline the intensity
5:04

Just Listen
v5.5
southern soul, violin, piano, southern blues, drums, acoustic guitar, melodic, lo-fi, backup singers
3:23

What Up
v5.5
glitch hop, airy synths, emo hip hop, downtempo, nostalgic melodies, deep atmosphere, bass drop, echoes, powerful brass, driving beat, heavy percussion, deep drum, energetic drops, boom-bap drums, club house, hazy
5:11

Wild Times
v5.5
dark dubstep, underground hip-hop, gospel-tinged traptrap, male vocal, 808 basslines, bass slap, steady drums, chopped piano riffs, distorted sub-bass, plate reverb, cathartic release, emotional trap, strong guitars, screaming vocals, spooky soundtrack, male vocals country, live, haunting strings, pulsing beat, glitch hop
4:07

Time Won't Wait
v5.5
country blues, boom-bap, acoustic guitar fingerpicking, resonator slide guitar, upright bass, brushed snare, piano ballad chords, warm string pads, tape saturation, plate reverb, mono drum room, dusty vinyl crackle, half-time swing, 92 BPM, reflective longing, small-town grit
4:42

An intense track opens with a driving bass line, distorted guitar riffs, and punchy drums, The emotional male vocals soar above, breaking into powerful, raw choruses, Layers build throughout, adding percussive accents in the bridge, closing with a climactic, high-energy instrumental burst
3:03

multiple male vocals, drill, rap, boo-bap bass-driven beats, southern rap with aggressive male vocals, drill, old school hip-hop with dark bass kines, chopped punchy beats; layered 808s and sharp hi-hats, beats, double bass, sad rap, bay area, male and female vocal
3:27

2:53

2:49

Always You
v5.5
country soul, blues rap, 84 BPM, male female duet, fingerpicked acoustic guitar, brushed snare, upright bass countermelody, open strummed chorus, call and response vocals, tape saturation, close mic room sound, natural room mix, warm low end, swing sway, chorus lift, homebound longing, intimate verse, harmonic bridge
4:38

Heavy metal, electric guitar, southern soul, acoustic guitar fingerpicking, resonator slide guitar, upright bass pulse, kick drum thump, brushed snare backbeat, gospel organ swells, road-trip anthem, midtempo groove, call-and-response chorus, dry vocal close, live room bleed, tape saturation, sparse verses, wide chorus lift, breakdown outro, double beat
1:52

r&b/soul, soul, reflective, old school rap, male vocals, r&b, rap
4:31

R&B, male vocals, female choir, southern soulful, soul male vocals, ambient, 2000 rap, sad beat, rainfall, heavy bass beats, emotional, mastering, blue jazz, blues, strong bass line, personal, piano, catchy melodic, heartwarming vocals, high quality sound, live drums, acoustic guitar
