Early-2000s New York dance-punk / indie dance-rock, LCD Soundsystem-adjacent but not a copy, dry deadpan adult male talk-sung vocal, wry conversational delivery, slightly exasperated dad energy, live drums with cowbell, pulsing bassline, jagged clean guitars, analog synth stabs, handclaps, repetitive dance groove, tired but funny final-day Epcot energy, obsessive chant hook, loose human performance, no Britpop vocals, no melodic British indie singing, no glossy 80s pop, no glam rock, no long instrumental jam, ‑British accent, ‑Britpop vocals, ‑melodic British indie singing, ‑smooth crooner vocal, ‑boyish vocals, ‑polished pop vocal, ‑big emotional chorus, ‑Bowie glam rock, ‑space opera, ‑glossy 80s synth pop, ‑Tears for Fears soundalike, ‑Everybody Wants to Rule the World melody, ‑EDM drop, ‑trap drums, ‑Broadway vocals, ‑Disney musical ballad, ‑yacht rock, ‑ukulele folk, ‑metal guitars, ‑robotic autotune, ‑long guitar solo, ‑extended outro