Other's song Vol 5

Power Metal, melodic metal, Kick drumming, Tight drum pattern, A High-Energy track with a driving rhythm section, prominent electric guitars, Synthesizer melodies, Keyboards melodies, Dual harmonized guitars in G Major

Progressive Death-Doom Metal + Progressive Post-Metal + Thall; heavy, atmospheric, crushing, ornate, narrative, ritualistic, Intro [Atmospheric Doom/Prog Post-Metal]; Heavy Riff [Prog Death-Doom Metal]; Verses 1–2 [Melodic Death-Doom] Metal; Pre-Chorus [Post-Metal]; Verses 3–4 [Atmospheric Doom Metal]; Thall accents; Choruses/Solos [Prog Death-Doom Metal + Thall]; Ending [Atmospheric Doom], Instrument: Dual 8-string electric distorted guitars (Doom Metal + Thall), Electric Bass (distorted + clean), drums (hybrid drum kit acoustic/metal), pipe organs (70's Prog Rock-style), 3-string quartet (2 violins, viola, cello), layered synth pads, sub-drones, ethnic percussion, FX guitar swells, parallel lead textures, Voice: Clean female vocals - dark, breathy, intimate, ghostly, slow vibrato; Harsh vocals - deep Nordic male Death-Doom growls, Mood: Epic, bleak, mystical, crushing, transformative, Tempo: Slow–mid tempo; 55–78 BPM; ritualistic pacing

Epic, cinematic Folk-Rock with a strong Symphonic and Celtic Folk influence, A massive, heartfelt fusion of Howard Shore's sweeping orchestral grandeur, the rustic, authentic storytelling of The LLumineers, and the anthemic, soaring power of FFlorence + The MMachine, The production is a masterclass in dynamic range, Verses are intimate and narrative-driven: a clean, fingerpicked acoustic guitar, a steady, marching bodhrán (Irish frame drum) beat, and the haunting, ethereal sound of a lone tin whistle create a sense of a long, weary journey, The Chorus is a breathtaking, cathartic explosion of sound: a full, powerful symphonic orchestra (soaring strings, defiant brass), a driving rock drum beat, and a massive, layered folk choir, Male Vocal: A warm, weary, and deeply emotional male baritone, like a bard telling the most important story of his life, It must shift from a gentle, almost-spoken storytelling tone in the verses to a soaring, powerful, and deeply moving cry in, ‑synth-pop, ‑pop-dance, ‑EDM, ‑electronic instruments, ‑happy major keys, ‑simple pop structures, ‑lo-fi, ‑funk, ‑jazz, ‑country, ‑anything that sounds modern in a synthetic, ‑urban, ‑or minimalist sense

Genre: 1980s Arena Rock / Melodic Hard Rock (finale track) Vocals: powerful and emotional male voice, with choir harmonies in the chorus Instruments: clean chorus guitars, melodic lead, piano, Hammond organ, synth strings, choir, gated drums Mood: triumphant, emotional, cinematic, uplifting Tempo: mid-tempo (ca, 95 BPM) [instrument: 80s clean guitar], [guitar: melodic solo], [keyboards: piano + organ + synth strings], [vocals: choir backing], [drums: gated snare]

Blackened death metal, complex guitar riffs, heavy, deep vocals, locrian, melodic

The power ballad opens with moody synth pads and sparse piano, slowly introducing deep, resonant drums and a brooding bassline, Layers build with soaring electric guitars and dynamic strings, creating a powerful, rousing chorus, Progressive time shifts and textural contrasts add depth

instrumental long 5m, psychedelic rock, space rock, cosmic, symphonic rock, funk, Floydian analog sound effects, syncopated, deep warm male tenor voice, restrained minimal phrasing, sustained notes with echo and vibrato, spatial sound, 60's mellotron, 70's analog synthesisers, 80–110 BPM, moog, harmonic, layered echoing dual Fender Stratocasters rock guitar solo's, pedal steel guitar, analog Solina ARP String Ensemble, Minimoog, acoustic 6 string and 12 string guitars, echoing, atmospheric, Fender Rhodes electric piano, dual drums & cymbals, deep bass, Hammond organ, This song floats through cosmic emptiness, weaving mechanical textures with human longing

Create a mystical Celtic ballad titled "Children of Gaia" in the style of Celtic Woman, Mood: ethereal, emotional, spiritual, and nature-bound, Tempo: slow to medium (70–85 BPM), Instruments: Irish harp, fiddle, Uilleann pipes, low flute, cello, soft drums, and female choir, Vocals: angelic female voice with gentle Irish accent, lots of reverb and airy tone, Theme: an ancient civilization living in harmony with the Earth, now vanished but remembered in the wind and sea, Include long instrumental sections with harp and choir interludes, Length: about 4 minutes, cinematic and dreamlike

Ethereal cinematic pop song called "Veni, Lucem Tuli, Vici", Dreamlike atmosphere blending ambient electronica and emotional vocals, The song symbolizes light overcoming darkness — inner awakening and transcendence, Soft verses, luminous choruses, and a powerful final bridge featuring the Latin line “Veni, lucem tuli, vici” repeated like a mantra, Use airy reverb, floating synths, and subtle choir harmonies, Build gradually from calm mystery to radiant triumph, Vocal style: clear, emotive, slightly breathy (male or female), Tempo around 95 BPM, Tone: mystical, uplifting, cinematic, Mood tags: #ambient #spiritual #hope #cinematic #light #awakening, perfect EQ, dolby atmos audiophile, ‑noise

industrial, slushwave, alternative rock, melancholic, high-pitched falsetto male vocals, perfect vocal quality, balance EQ, echoing, 3D surround audio, catchy hooks, dynamic audio

Emotional live performance in a large stadium, The intro begins with a spoken voice, trembling and intimate, like a personal dedication in front of a silent audience, There’s soft reverb and a still atmosphere, as if time had stopped, Then the piano starts, playing warm arpeggios and sustained chords, creating a heartfelt, melodic foundation, A soulful solo voice sings each verse with deep emotion — soft and fragile at first, then more intense, The pre-chorus and chorus grow with powerful vocal expression and harmonic richness, In the middle of the song, there is a long and expressive piano solo, with a romantic and dramatic melody reminiscent of classical concert pieces — emotional like a nocturne, lyrical and soaring, as if the piano itself is singing, This solo makes the crowd hold their breath, The performance then returns to the final chorus, blooming with breathtaking power and hope, echoing through the stadium, Use long natural reverbs, live ambience, and subtle microphone breat

Sacred, minor-key threnodic requiem in symphonic power metal form, rich in emotional depth and sacred grandeur, featuring a dirge-like rhythm of drums and bass, pulsing with solemn gravity, prominent electric guitars weave mournful sustained chords and lamenting melodic lines, Dual female & male lead vocalists with soaring voices filled with sacred sorrow, the song weaves a call-and-response lament between the lead vocalists, converging in a sorrowful duet, Backing vocals from a gothic dirge choir, Moderately fast tempo (140–150 bpm) creates a dramatic and urgent feel, Production emphasizes a resonant, reverent mix with deep reverb and echo on vocals and guitars, creating a cathedral-like, sacred atmosphere, The song features mournful instrumental passages, rising and falling in lamentation, intensifying the emotional weight toward a solemn, cathartic climax

Minimal Nordic folk piece led entirely by the hurdy gurdy, The instrument carries all melody and rhythmic movement, weaving ancient tonal patterns that guide the vocals, Female voice is soft and emotive, at times chant-like, creating an intimate storytelling tone, Harmonies appear sparingly, adding warmth during the choruses, Subtle frame drum textures may accent transitions but remain distant, The soundscape is organic and raw — no guitars, no orchestra, only voice and hurdy gurdy in dialogue, The music unfolds like an old myth retold beside a fire: calm, sacred, and timeless, The final moments linger on the hurdy gurdy’s fading melody, echoing the eternal path of Sol across the sky

power ballad, atmospheric, emotional, dark, sad, story telling, rousing, rich sound, cinematic percussion, 70 bpm

female vocals, guitar, bass, electronic, electropop, mellow, synth, folk, epic, edm in the style of Eh, in the styles of new age, ethnic music and Celtic music, light neoclassical, ambient, in the style of Eh, / Boadicea — ethereal, mystical, breath-driven, Style / Genre: Ethereal female vocal, ambient world, cinematic spiritual pop Influences: Eh, “Boadicea", Enigma “Return to Innocence", Delerium ft, S, McLachlan “Silence", Emotional indie folk guitar, brooding atmosphere, moody and evocative pop tones of the EP, dark and melodic style similar to the song "Perfect", "Shivers", "Bad Habits", "Wasn't Expecting That", features are a warm acoustic sound, simple melodic phrasing, conversational tone in the verses and a powerful, catchy chorus, rhythmic, solo guitar, african drums, back vocal, rhythm guitar, positive vibes, magic, positive vibes, guitar bass, bass beats, whistles, finger clicks, screams accompanied by a male choir at the end of phrases, driving bass line, wind chimes, eho

A location recorded chamber ballad in A flat major, felt around 92 BPM despite a 183 BPM grid, Soft pedal piano sets a gentle ostinato, close vocal enters with breath detail, and a small string section adds warm pads and sighing lines, Captured inside a lighthouse, the short natural reverb shapes the sound, The mix keeps vocal and piano central with strings counter placed for a mild stereo bloom, Dynamics rise by layering rather than loudness, peaking in a tender swell before easing back to hush, Quietly radiant neo-classical pop: a lull of piano and voice that blooms into a small string ensemble, recorded in a lighthouse on a wind-battered seafront, so the natural room becomes part of the instrument

Experimental track unfolds as a rhythmic narration over an orchestral soundscape, where strings weave between percussions and wind instruments, The voice adapts to every shift, merging seamlessly with the evolving tempo — from the calm of the void to the chaos of the fall — using subtle effects to accentuate transitions, distortions, and echoes of the fading distress calls that drive the song’s cosmic loop, An epic finale erupts, with the full orchestra igniting the stars

Sleazy UK Pub Rock, Psychedelic Hard Rock, Swampy Blues Jam Band, Proto-Punk, Chaotic Acid Rock, Grooving Melodic Boogie Bassline, Virtuosic Improvisational Guitar Solos, Aggressive Wah-Wah Pedal, Technical Snare Fills, Unconventional Jazzy Drum Breaks, Gang Vocals

Post Rock, Psychedelic, Space Rock, Indie, Mellow, Atmospheric, Liquid, Slowcore

The track charges forward with pulsing analog synths and tightly syncopated drums, surging electric guitar power chords accenting each build, Successive sections add rapid hi-hats, forceful bass stabs, and bold brass hits, climactically swelling with layered orchestral textures for a cinematic, triumphant close, 120-130 bpm

Gothic Horror Metal with Arabic influences in the style of Le Théâtre du Grand-Guignol (Alhazred: Pages of the Black Desert) – [mid-tempo 140 BPM], [Gothic (horror metal)], [pipe organ + oud melody], [stabbing (violins) accents], [screaming (trumpets) background swells], [deep male gothic vocals + theatrical choir], [Arabic instruments: oud, ney, darbuka, santur], [female whispers as Anck-Su-Namun], [FX: sandstorm, echoing chants], [dark, tragic, and cinematic atmosphere]

Electronic rock, breakbeat, industrial bass, driving beat, cinematic tension, A high-energy rock track with a driving rhythm section, featuring a male vocalist, The song is in a major key, tempo 140 BPM, The instrumentation includes electric guitar, bass guitar, and drums, The electric guitar plays a prominent riff throughout the song, characterized by a clean, slightly overdriven tone with a fast, repetitive melodic line, The bass guitar provides a solid foundation with a consistent, driving eighth-note pattern, The drums feature a strong backbeat with a prominent snare drum and frequent cymbal crashes, particularly during transitions and at the end of phrases, The male vocals emphasizing the rhythmic quality of the lyrics, The vocal melody is relatively simple and catchy, often mirroring the guitar riff, Production elements include a clear mix with good separation between instruments, The guitar has a slight reverb, and the vocals are upfront in the mix with a subtle delay

Melodic power metal meets AOR, dual guitars and synth, powerful vocals, backing vocals, harmonies

Epic Rock, Movie Rock Anthem, Movie Thematic, Soundtrack Quality, Braaam Sounds, Booj Sounds, Epic The Shit Out Of This!

Acoustic folk rock ballad with Scandinavian folk influence, hardanger fiddle, tin whistle, emotive and angsty single female vocals, slight reverb on vocals, melancholic, build up to an anthemic chorus, acoustic guitar with march like strumming pattern, bodhran

Warm indie-folk ballad with soft acoustic guitar, gentle brush drums, felt piano, and low cinematic pads, No high shimmers, no bright treble

Folk rock, Folk harmony / 70s acoustic style — four-part - male layered harmonies, four acoustic guitars, 60 - 80 BPM, spatial sound, very light percussion, atmospheric acoustic guitars, subtle bass, banjo, organic room reverb, keyboards, Fender Rhodes electric piano, Warm, open vocal blend with clean phrasing and soft consonants, Lead vocal lines shared fluidly between voices, full triad harmonies in choruses and bridge

uplifting, romantic, emotional, melodic, powerful, indie pop, female vocals, dramatic

Celtic folk lament with Scottish traditional instrumentation: lead fiddle carrying a mournful air, low whistle countermelodies, bodhrán and hand drum pulse, acoustic guitar and bouzouki drone, airy male lead vocal with subtle mixed-gender chorus on refrains, modal minor tonality, spacious reverb like a stone kirk, windswept Highland ambience, slow march feel around 70-78 bpm, no modern trap/EDM elements, organic and rustic, storytelling ballad, G Dorian, 74 bpm

A melodic death metal journey shaped by cold, sorrow-soaked guitar lines, precise rhythmic chugs, and atmospheric pads that echo like ruins collapsing in slow motion, The guitars weave mournful harmonized leads with sharp mechanical riffing, creating that signature blend of melancholy and aggression, Vocals shift between raspy mid-range cleans, anguished whispered phrases, and distant angelic backing layers—delivering the emotional weight of an ancient, furious angel purging corruption from the world, Galloping rhythms, 7/8 grooves, and ascending harmonic-minor runs build toward a final cathartic shred, where every corrupted soul is erased in a blaze of divine flame

This Symphonic Metal anthem launches with synth-laced twin guitar harmonies and a galloping bass foundation, Thunderous drums and atmospheric keys drive the verses, Anthemic choruses feature operatic vocals and gang harmonies, Bridges bring prog breakdowns and guitar duels, while an epic outro layers cinematic synths with searing solos for a triumphant finish

gothic metal, gothic rock, gohic rock, finnish gothic rock, 2000s gothic rock, keyboards, Echoing Church Bells, subtle synths, nice unexpected rhythms, slow tempo, strong heavy guitar, melodic sad gothic metal, ‑pop