Covers of Covers

Funk, disco-funk, neo-soul, 108 BPM, swung 16ths, deep pocket groove, slap/pop electric bass, clavinet lead motifs, wah-wah rhythm guitar, tight dry drums with ghost notes, handclaps on 2 & 4, punchy horn section stabs, Rhodes comping, subtle talkbox ad-libs, analog tape warmth, call-and-response group hooks, stop-time bridge hits, tasteful conga/tambourine layering, final chorus lift with added strings/horns, clean modern mix with vintage color

Punk, hardcore punk, skate punk, 180 BPM, straight 4 4, d beat energy, downstroke power chords, overdriven bass with pick attack, dry snare crack, aggressive room mics, gang vocals on hooks, quick drum fills, feedback squeals, pick slides, tight stops, raw mix with live feel, minimal reverb, cassette grit

Barbershop quartet, a cappella close harmony, TTBB, just intonation, ringing chords, dominant seventh focus, bell chords, swipes, tags, posts, lead with tenor sparkle, bass pedal tones, baritone glue lines, light rubato at tags, brisk 4 4, 116 bpm, clean rehearsal room reverb, no instruments, natural blend, tight cutoffs

EDM, dubstep, 140 bpm, halftime, reese and growl bass, LFO wobbles, punchy kick and snare, wide pads, big risers, snare rolls, formant bass switches, synth leads and stabs, minimal trumpet accents, light brass stabs, occasional muted trumpet fills, clean loud master, festival energy, sub-heavy low end

Ska, two tone, 148 bpm, offbeat upstroke guitar, walking bass, tight rimshot snare, bright horn section trumpet trombone sax, percussive organ bubble, gang shouts, sunny tempo, crisp room reverb, energetic clean mix, final chorus key lift, live band feel

Trap hip hop, modern trap, southern trap, 144 bpm, halftime, heavy 808 sub, long decay, pitch glides, snare on 3, crisp clap, fast hi hat rolls, triplets, open hat bounces, sparse minor key plucks, dark pads, rap vocal lead, low mid smoky tone, behind the beat phrasing, melodic rap inflection, medium autotune, sparse ad libs panned, subtle gang hook layer, quarter note delay throws, short plate reverb, tape stop fills, loud clean master, sub forward mix, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑breakbeat, ‑pop, ‑pop rap, ‑boom bap, ‑drill, ‑rock, ‑metal, ‑punk, ‑ska, ‑barbershop, ‑jazz, ‑swing, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑hyperpop, ‑orchestral, ‑classical, ‑cinematic, ‑country, ‑bluegrass, ‑salsa, ‑bossa nova, ‑polka, ‑zydeco, ‑funk, ‑disco, ‑indie, ‑folk, ‑shoegaze, ‑lofi

lo fi, glitch hop, 86 bpm, swung 16ths, vinyl crackle, tape hiss, dusty samples, chopped loops, bitcrush clicks, granular artifacts, soft kick, snappy snare, brushed hats, warm sub bass, mellow rhodes, cozy keys, gentle sidechain, wow and flutter, short room reverb, close mic vocal, soft breathy delivery, relaxed pocket, minimal ad libs, light doubles, warm analog color, rounded transients, subtle saturation, clean but low loudness master

klezmer, reed forward, 132 bpm, 2 4 freylekh bounce, clarinet lead, bass clarinet doubles, alto sax support, violin harmony, accordion chords, tsimbl plucks, upright bass two beat, snare with brushes, hand claps on 2, freygish mode, expressive ornamentation, krekhts trills slides, doina intro rubato, bright room reverb, lively ensemble, final chorus tempo lift, live band feel, warm analog color, tight cutoffs

afrobeats, afropop, 104 bpm, 4 4, swung feel, syncopated kicks, offbeat rim, airy shakers, conga texture, soft clap on 2 and 4, warm sub bass, highlife guitar plucks, mellow keys, light marimba synth, call and response hooks, relaxed confident vocal, minimal ad libs, short plate reverb, subtle delay throws, clean bright mix, summer vibe

death metal, 200 bpm, 4 4, blast beats, double kick, tremolo picking, drop b guitars, palm mute chugs, dissonant intervals, tight gate guitars, brick snare, bass locked to kick, guttural growls, false cord lows, mid fry screams accents, no clean vocals, minimal reverb, dark aggressive tone, raw but modern mix, loud master, transient headroom

bossa nova, samba jazz, 120 bpm, 4 4 bossa pattern, nylon string guitar, jazz extensions, upright bass, cross stick snare, soft ride cymbal, brushes, light shaker, subtle conga, warm rhodes, airy flute, intimate lead vocal, soft breathy tone, close mic, relaxed phrasing, gentle swing, warm plate reverb, tasteful room ambience, clean dynamic master, summer evening vibe

polka, 2 4, 134 bpm, oom pah bass, tuba or sousaphone, accordion lead, clarinet and trumpet lines, bright snare, splash cymbal lifts, offbeat chord stabs, lively countermelodies, brisk dance tempo, cheerful major with modal turns, clean room reverb, live band feel, key lift final chorus, tight stops, playful energy, ‑trap, ‑hip hop, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑drill, ‑rock, ‑metal, ‑punk, ‑ska, ‑barbershop, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑hyperpop, ‑shoegaze, ‑lofi, ‑orchestral, ‑opera, ‑country, ‑bluegrass, ‑salsa, ‑bossa nova, ‑zydeco, ‑funk, ‑disco, ‑jazz fusion

salsa, salsa dura, 98 bpm, 4 4, 2 3 son clave, piano montuno, baby bass tumbao, congas open tones and slaps, bongo martillo, campana bell in chorus, timbales fills and cascara, bright brass mambos trumpets trombones, moñas horn riffs, call and response coros, soneo ad libs, stop time breaks, minor key color, warm room reverb, tight punchy mix, dancefloor energy, ‑trap, ‑hip hop, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑drill, ‑rock, ‑metal, ‑punk, ‑ska, ‑barbershop, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑hyperpop, ‑shoegaze, ‑lofi, ‑orchestral, ‑opera, ‑country, ‑bluegrass, ‑bossa nova, ‑polka, ‑zydeco, ‑klezmer, ‑funk, ‑disco

viking battle chant, nordic folk, 96 bpm, 6 8 march, war drums, frame drums, shield stomps, shield clacks, deep male choir, leader call and crew response, throat singing hints, low drone, tagelharpa drones, nyckelharpa lines, bukkehorn blasts, iron clanks, long hall reverb, cold wind ambience, dorian minor color, raw natural timbre, aggressive swells, unison endings, ‑salsa, ‑salsa dura, ‑son cubano, ‑timba, ‑latin jazz, ‑bossa nova, ‑samba, ‑merengue, ‑cumbia, ‑reggaeton, ‑bachata, ‑bolero, ‑cha cha cha, ‑mambo, ‑tropical, ‑afro latin

elephant stomp, megafauna parade, cinematic percussion, 92 bpm, 4 4, halftime, seismic footfalls, heavy floor toms, deep kick thumps, stomp and clap, sub rumbles, tuba lead, bass trombone stabs, baritone sax growl, bass clarinet textures, elephant trumpet calls, herd call and response, jungle ambience light, dust swells, wooden drum ensemble, big room reverb, earthy saturation, dramatic builds, hard stops, wide mono stable low end, ‑pop, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑trap, ‑drill, ‑hip hop, ‑rock, ‑metal, ‑punk, ‑ska, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑salsa, ‑bossa nova, ‑polka, ‑barbershop, ‑orchestral, ‑hyperpop, ‑shoegaze, ‑lofi, ‑country, ‑bluegrass, ‑klezmer

bollywood, indian, filmi pop, hindustani flavor, 124 bpm, keherwa groove, dhol tasha drive, tabla groove, dholak accents, shimmering indian strings, santoor sparkle, sitar flourishes, bansuri flute, shehnai accents, harmonium pad, tanpura drone, celesta twinkles, temple bells, ghungroo bells, hooky call and response, jai ho style crowd chants, lead vocal bright belting with meend and murki, chorus ensemble huge layered, dramatic swells, key change final chorus, button ending, airy reverb, bright wide stereo, shiny master

baile funk, funk carioca, 135 bpm, 4 4, over the top tamborzão, sub heavy kick, clipped snare, distorted 808 toms, agogo, tamborim, cuica squeak, apito whistle barrage, dj shoutouts, air horn stabs, siren fx, reverse snare, fake rewind, stop time drops, brass stabs trumpet trombone sax, short horn riffs, chopped vocal shots, call and response hooks, saturated percussion, bright top end, heavy sidechain, limiter slam, street party energy

zydeco, cajun creole dance, 150 bpm, 4 4 two step, accordion lead, frottoir rubboard, electric guitar chank, upright or electric bass two beat, snare backbeat rimshot, kick on 1 and 3, triangle ticks, light fiddle optional, handclaps, call and response shouts, bright room reverb, lively party vibe, clean punchy mix, key lift final chorus, ‑trap, ‑hip hop, ‑drill, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑metal, ‑rock, ‑punk, ‑ska, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑salsa, ‑bossa nova, ‑cumbia, ‑merengue, ‑klezmer, ‑barbershop, ‑opera, ‑orchestral, ‑hyperpop, ‑shoegaze, ‑lofi, ‑polka

bluegrass, ultra fast, 230 bpm, cut time, double time drive, three finger banjo rolls, flatpicked acoustic guitar, mandolin chop backbeat, twin fiddles, upright bass two beat slap, high lonesome lead, tight trio harmonies, call and response whoops, hot breaks trading fours, key lift final chorus, bright condenser mic tone, no drum kit, dry room, crisp transient pick attack, barnburner energy, ‑drums, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑trap, ‑drill, ‑hip hop, ‑rock, ‑metal, ‑punk, ‑ska, ‑reggae, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑salsa, ‑bossa nova, ‑cumbia, ‑merengue, ‑polka, ‑klezmer, ‑barbershop, ‑opera, ‑orchestral, ‑funk, ‑disco, ‑hyperpop, ‑shoegaze, ‑lofi, ‑phonk

amapiano, south african house, 112 bpm, 4 4, swung feel, log drum bass glides, shaker groove, ghost clap, conga textures, percussive piano chords, marimba plucks, airy pads, subtle synth leads, long tension builds, drop and return arrangement, call and response hooks, minimal ad libs, warm reverb, clean bright mix, deep sub low end, ‑bluegrass, ‑newgrass, ‑americana, ‑country, ‑folk, ‑string band, ‑banjo, ‑mandolin, ‑fiddle, ‑dobro, ‑trap, ‑drill, ‑dubstep, ‑big room edm, ‑drum and bass, ‑techno, ‑trance, ‑hardstyle, ‑rock, ‑metal, ‑punk, ‑ska, ‑reggae, ‑reggaeton, ‑salsa, ‑bossa nova, ‑cumbia, ‑merengue, ‑polka, ‑klezmer, ‑barbershop, ‑opera, ‑orchestral, ‑hyperpop, ‑shoegaze, ‑lofi

gamelan balinese, gamelan javanese, fusion, 108 bpm, 4 4, pelog and slendro, metallophones saron bonang gender gangsa, reyong patterns, kenong kempul gong ageng, kendang hand drums, ceng ceng cymbals, interlocking kotekan, colotomic cycles, temple hall reverb, wooden mallets, honky tonk piano accents low, felt upright, lead vocal soft airy, close mic, light harmonies, natural dynamic master, ‑balkan punk, ‑gypsy punk, ‑punk rock, ‑d beat, ‑distorted downstroke guitar, ‑overdriven pick bass, ‑shout gang vocals

balkan punk, gypsy punk, 198 bpm, straight 4 4, d beat, relentless downstrokes, overdriven bass with pick, snare crack, floor tom runs, trumpet stabs, clarinet riffs, accordion power chords, tapan floor tom accents, eastern minor modes, rasp shouted lead, gang vocals, feedback squeals, pick slides, stop time hits, raw live room, minimal reverb, loud punchy master, ‑edm, ‑dubstep, ‑trap, ‑drill, ‑house, ‑techno, ‑drum and bass, ‑hyperpop, ‑reggae, ‑ska, ‑funk, ‑disco, ‑metalcore, ‑djent, ‑prog rock, ‑orchestral, ‑opera, ‑barbershop, ‑salsa, ‑bossa nova, ‑polka, ‑klezmer, ‑lofi, ‑shoegaze

shoegaze, dream pop, 74 bpm, 4 4, massive shimmer reverb, long decay, tape delay, reverse swells, chorus and flange, tremolo bar bends, stereo washed guitars, warm fuzzy walls, soft ride wash, gentle kick and snare, round subby bass, airy synth pad, buried breathy vocal, blended doubles, ghost harmonies, hazy analog saturation, wide stereo, slow bloom dynamics, ‑gamelan, ‑gamelan balinese, ‑gamelan javanese, ‑metallophone, ‑saron, ‑bonang, ‑gender, ‑gangsa, ‑reyong, ‑ugal, ‑kenong, ‑kempul, ‑gong ageng, ‑slendro, ‑pelog, ‑colotomic cycles, ‑kendang, ‑ceng ceng, ‑temple hall ambience, ‑honky tonk, ‑saloon piano, ‑tack piano, ‑ragtime, ‑stride, ‑boogie woogie, ‑barrelhouse, ‑detuned upright, ‑rockabilly slapback

hyperpop, digicore, 176 bpm, doubletime, supersaws, bell arps, bitcrushed leads, heavy sidechain, punchy kick, snappy snare, elastic 808s, hard autotune fast retune, upfront vocal, bright tone, fast phrasing, percussive delivery, short notes, tight timing, formant shifted harmonies, pitched up backs, light vocoder pad, stutter edits, glitch cuts, wide stereo, loud clean master, ‑shoegaze, ‑dream pop, ‑washed guitars, ‑wall of sound, ‑long reverb wash, ‑buried vocals, ‑whisper vocals, ‑reverb drenched vocals, ‑screamo, ‑post hardcore, ‑metalcore, ‑deathcore, ‑harsh vocals, ‑fry screams, ‑false cord screams, ‑gutturals, ‑growls, ‑slow, ‑ballad, ‑downtempo, ‑slowcore, ‑dirge, ‑sludge tempo, ‑legato croon

reggaeton riddim, dancehall jitter, 95 bpm, 4 4, dembow drum pattern, syncopated kick, snare on 3, ghost note hats, hat triplets, offbeat guitar chops, pluck synth accents, warm sub bass, airy shakers, layered claps, short snare rolls, whistle fx subtle, call and response hook, slapback delay throws, tight room reverb, clean bright master, summer bounce, ‑hyperpop, ‑shoegaze, ‑dream pop, ‑dubstep, ‑drum and bass, ‑house, ‑techno, ‑trance, ‑edm big room, ‑trap, ‑drill, ‑metal, ‑rock, ‑punk, ‑ska, ‑salsa, ‑bossa nova, ‑cumbia, ‑merengue, ‑amapiano, ‑afrobeat, ‑baile funk, ‑klezmer, ‑bluegrass, ‑barbershop, ‑gamelan, ‑honky tonk

drum and bass, chiptune, 176 bpm, fast breakbeats, amen edits, two step switchups, tight snares, rolling hats, reese bass, deep sub, sidechain pump, square wave lead, pulse width mod, 8 bit arpeggios, triangle bell, bitcrush bleeps, downsample aliasing, noise risers, game fx fills, wide stereo, loud clean master, ‑reggaeton, ‑dancehall, ‑dembow, ‑island bounce, ‑tropical riddim, ‑offbeat guitar chops, ‑whistle fx reggaeton, ‑amapiano, ‑afrobeat, ‑baile funk

gregorian chant, choral, 68 bpm, free time feel, unison male schola, dorian mode, hard autotune, shouted chant delivery, open vowel tone, organ drone 16 foot and 8 foot, cathedral reverb long tail, clear diction, minimal hand drum pulse optional, solemn monumental vibe, no modern drums, no synth leads, ‑drum and bass, ‑chiptune, ‑dnb, ‑chiptune bell, ‑breakbeat, ‑amen break, ‑fast breakbeats, ‑two step, ‑reese bass, ‑neuro, ‑jump up, ‑liquid, ‑chiptune, ‑8 bit, ‑8-bit, ‑square wave, ‑triangle wave, ‑triangle bell, ‑pulse width, ‑bitcrush, ‑downsample, ‑game fx, ‑video game arps

opera, grand opera, 72 bpm, rubato, full orchestra, strings winds brass timpani, harp arpeggios, concert hall reverb, bel canto technique, lyric soprano or dramatic tenor lead, baritone and bass support, chorus ensemble entries, recitative to aria contrast, legato phrasing, expressive vibrato, tasteful portamento, wide dynamics, heroic climaxes, elegant cadences, clear diction, ‑gregorian chant, ‑gregorian choir, ‑chant, ‑schola, ‑unison male choir, ‑organ drone, ‑cathedral reverb, ‑hard autotune, ‑autotune, ‑pitch correction heavy, ‑vocoder, ‑robotic tuning, ‑shouted chant

disco, classic disco, nu disco, 124 bpm, 4 4, four on the floor, octave electric bass, tight 16th hi hats, open hat lifts, handclaps on 2 and 4, rhythm guitar chucks, light wah sprinkles, lush strings, brass stabs, rhodes comping, subtle clav, congas and tambourine, disco tom fills, filter sweep breakdowns, tape style warmth, bright glossy mix, extended dance outro, ‑opera, ‑operatic, ‑grand opera, ‑bel canto, ‑recitative, ‑aria, ‑cathedral reverb choir, ‑classical chorus, ‑symphonic overture, ‑gregorian chant, ‑metal, ‑punk, ‑edm tearout, ‑dubstep, ‑drum and bass, ‑trap, ‑drill, ‑reggae, ‑dancehall, ‑reggaeton, ‑amapiano, ‑afrobeat, ‑bluegrass, ‑barbershop, ‑gamelan, ‑honky tonk