
Équilibre
Équilibre drifts between Earth and infinity, blending analog synthesizers and natural soundscapes into a fragile cosmic harmony—the golden age of French musique spatiale, reborn. [47:20]
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10 songs
6:15

Équilibre
v4.5+
70’s French Electronic, Ambient, Musique Spatiale, Retro Synth, Analog Séquenceur, Progressive Electronic, Atmospheric Soundscape, Mélodique Synth Odyssey, Experimental Électronique, Cosmic Paysage Sonore, Tape-Echo Textures, Vintage Synthétiseur Music, Mellotron Chœur Ambient, Phasered String Ensemble, Minimal Synth, Modulaire Sound Design, Noise as Instrument, Sci-Fi Paysage Sonore, Hypnotic Séquenceur Pulse, Electroacoustic Composition, Cinematic Spatiale Electronica
3:19

L’Aube Magnétique
v4.5+
70’s French Electronic, Ambient, Musique Spatiale, Retro Synth, Analog Séquenceur, Progressive Electronic, Atmospheric Soundscape, Mélodique Synth Odyssey, Experimental Électronique, Cosmic Paysage Sonore, Tape-Echo Textures, Vintage Synthétiseur Music, Mellotron Chœur Ambient, Phasered String Ensemble, Minimal Synth, Modulaire Sound Design, Noise as Instrument, Sci-Fi Paysage Sonore, Hypnotic Séquenceur Pulse, Electroacoustic Composition, Cinematic Spatiale Electronica
3:14

70’s French Electronic, Ambient, Musique Spatiale, Retro Synth, Analog Séquenceur, Interlocking Sequencer Patterns, Rhythmic Synth Pulse, Atmospheric Soundscape, Mélodique Synth Odyssey, Experimental Électronique, Cosmic Paysage Sonore, Phasered String Ensemble, Tape-Echo Textures, Minimal Percussion, Noise as Instrument, Precision Sequencing, Stereo Motion Synth Layers, Hypnotic Sequencer Engine, Electroacoustic Composition, Vintage Synthétiseur Music
6:32

70’s French Electronic, Ambient, Musique Spatiale, Retro Synth, Analog Séquenceur, Progressive Electronic, Atmospheric Soundscape, Mélodique Synth Odyssey, Experimental Électronique, Cosmic Paysage Sonore, Vintage Synthétiseur Music, Precision Sequencing, Stereo Motion Synth Layers, Hypnotic Sequencer Engine, Electroacoustic Composition, Magnetic Field Sound Design, Bright Moog Lead, Layered Analog Pads, Mellotron String Ensemble, Acoustic Guitar Arpeggios, Folk-Electronic Fusion, Bell Chimes, Tubular Bells Accents, Interlocking Sequencer Patterns, Berlin School Influence, Ethereal Drone Intro, Expansive Stereo Delay, Analog Tape Warmth, Gradual Thematic Build, Harmonic Layering, Sequencer Crescendo, Cinematic Fade-Out
4:18

Écho Solaire
v4.5+
70’s French Electronic, Musique Spatiale, Retro Synth, Analog Séquenceur, Driving Interlocking Sequencer Patterns, Bright Mélodique Synth Odyssey, Atmospheric Soundscape, Experimental Électronique, Cosmic Paysage Sonore, Phasered String Ensemble, Tape-Echo Textures, Crisp Minimal Percussion, Noise as Instrument, Magnetic Field Sound Design, Precision Step Sequencing, Stereo Motion Synth Layers, Hypnotic Sequencer Engine, Electroacoustic Composition, Vintage Synthétiseur Music, Uplifting Arpeggiated Leads, Rhythmic Bass Pulse
3:20

Weekend sur Europe
v4.5+
French 70’s Electronic, Ambient, Musique Spatiale, Space-Symphonic Électronique, Vintage Synthétiseur, Orchestral Synth Odyssey, Analog Séquenceur Patterns, Tomita-Style Orchestral Voicings, Rhythmic Synth Pulse, Mellotron Flute & Choir Layers, ARP 2600 Lead Mélodies, CS-80 Brass Swells, Modular Bell Tones, Phasered String Ensemble, Stereo Motion Sequencers, Tape-Echo Textures, Filtered Pink Noise Percussion, Magnetic Field Sound Design, Electroacoustic Composition, Moog Taurus Deep Bass, Retro Space Opera Atmosphere, Hypnotic Sequencer Engine, Experimental Électronique, Cosmic Paysage Sonore
5:00

[Intro — 12 bars | Gathering Shadows]
[Low Moog drone, dark and sustained, center field]
[EMS VCS3 filtered noise, faint hiss like distant storm]
[Eminent 310U string ensemble enters softly through slow phaser sweep]
[Occasional ARP 2600 high-note glissandi, panned wide left-right]
[Long tape delay trails fading into stereo darkness]
[Section A — 16 bars | Shadow Pulse]
[Moog bass pulse every bar, muted filter, soft attack]
[ARP 1601 sequencer begins — slow 8th notes, low resonance]
[CS-80 string pad swells, modulated stereo tremolo]
[ARP 2600 plays descending three-note motif, echoed in delay]
[FX: Subtle resonant sweeps punctuating phrase ends]
[Section B — 16 bars | Interlocking Shadows]
[Second sequencer enters — offset rhythm against the first, panned opposite side]
[Moog bass locks with sequencer roots, reinforcing darkness]
[Eminent 310U strings swell with deeper phaser depth, enveloping mix]
[ARP 2600 counter motif rises an octave, urgent but restrained]
[FX: Noise bursts shape
5:28

70’s French Electronic, Musique Spatiale, Ambient Électronique, Analog Séquenceur Lumineux, Atmospheric Soundscape, Mélodique Synth Dawn, Experimental Électronique, Cosmic Paysage Sonore, Phasered Eminent String Ensemble, Moog Bass Heartbeat, ARP 2600 Lyrical Motifs, CS-80 Harmonic Swells, Mellotron Choir Light Textures, Stereo Motion Sequencer Layers, Tape-Echo Radiance, Electroacoustic Mélodie, Sequencer Hypnotique Clair, Vintage Synthétiseur Dawnscape, Équinoxe Sunrise Influence, Oxygène Part IV Brightness
5:00

70’s French Electronic, Ambient, Musique Spatiale, Retro Synth, Analog Séquenceur, Progressive Electronic, Atmospheric Soundscape, Mélodique Synth Odyssey, Experimental Électronique, Cosmic Paysage Sonore, Tape-Echo Textures, Vintage Synthétiseur Music, Mellotron Chœur Ambient, Phasered String Ensemble, Minimal Synth, Modulaire Sound Design, Noise as Instrument, Sci-Fi Paysage Sonore, Hypnotic Séquenceur Pulse, Electroacoustic Composition, Cinematic Spatiale Electronica
4:54

[Style:]
70’s French Electronic, Musique Spatiale, Ambient Électronique, Analog Séquenceur Minimal, Retro Synth Atmospherics, Mélodique Cosmic Drone, Mellotron Chœur Fragile, ARP 2600 Lyrical Fragments, Experimental Electroacoustic, Tape-Echo Meditation, Spoken Word Electronica, Pascalian Cosmic Poem
[Mix / Production:]
Warm analog tape saturation with subtle hiss throughout, stereo widened gradually from narrow, intimate voice to vast cosmic field, Sequencers are low in the mix, heartbeat-like rather than dominant, Mellotron choirs and Eminent strings float high in reverb, creating a cathedral-like spaciousness, Pascal’s narration is close-mic, softly compressed, lightly EQ’d with high roll-off, sometimes doubling through vocoder or tape echo, Noise is treated as an instrument — breaths of cosmic wind between phrases, The mix ends with only hiss and subsonic rumble, fading like a vinyl runout groove into silence
