Saviourette

Trip-hop with whiny male vocal, slightly filtered as if over comms, 78 BPM, vinyl crackle, deep bass, glitchy stutter effects, and off-beat percussion, Starts defensive, slips into guilty realization, Ends with miner haiku in shame, last word echoed and glitching out

Trip-hop with constant ticking clock percussion, moody bass, droning synth pads, Whiny male miner vocal admitting AFK mining mistake, Voice starts lazy and distracted, builds to panicked regret, Ends exactly at 60 seconds with haiku in shame, last word “left” echoed in heavy reverb over fade

Trip-hop with smoky female vocal, hard and salty, Slow swung 85 BPM beat, vinyl crackle, deep sub-bass, minor key Rhodes, eerie pads, Dark swagger, cinematic menace, hypnotic and taunting

Trip-hop, smoky, hard and salty, Slow swung 85 BPM beat, vinyl crackle, deep sub-bass, minor key Rhodes, eerie pads, Dark swagger, cinematic menace, hypnotic and taunting

Trip-hop, Slow swung 85 BPM beat, vinyl crackle, deep sub-bass, minor key Rhodes, eerie pads, Dark swagger, cinematic menace, hypnotic and taunting

Trip-hop with smoky female vocal, hard and salty, Slow swung 85 BPM beat, vinyl crackle, deep sub-bass, minor key Rhodes, eerie pads, Dark swagger, hypnotic and taunting, Call-and-response between a commanding female lead and a unison crowd chant, Lead is teasing and menacing; crowd is loud, short, and in unison, Ends with female haiku cut off by the crowd’s final shout, last “PA!” echoed in reverb over fade

Trip-hop with smoky female spoken-word, Slow 70 BPM, vinyl crackle, deep sub-bass, ominous drones, eerie pads, Calm but absolute authority, cinematic menace, hypnotic and foreboding tone

Trip-hop lounge track with smoky vocals, slow jazz beat, moody synths, and whispered menace, Female lead voice with divine authority and ironic calm, Subtle bass and vinyl textures

Trip-hop with smoky female vocal, commanding and taunting, Slow swung 85 BPM, vinyl crackle, deep sub-bass, pounding cinematic drums, metallic accents, eerie pads, Over-the-top arrogance and salty mockery of miners, haulers, and would-be challengers, Alternates between decree, sarcastic melody, and venomous spoken lines, Ends with legendary haiku, last word echoed in reverb over fade