6:52

3:54

A relentless fusion of death, black, and viking metal ignites with blast beats, tremolo-picked riffs, and pounding double-kick drums, Jagged melodic lines cut through the chaos, harsh vocals dominate, while wild, frenetic guitar solos erupt over driving, epic chords in each section
4:02

7:03

Begin with a stark neo-folk arrangement: resonant bowed strings and low drones evoke the icy dawn, joined by sparse frame drum, Gradually add deep war drums, throat singing and Nordic horns as the tension mounts, Electric bass and distorted guitars swell with the “banners of strangers, ” peaking in a martial, chanted chorus, Bridge introduces a modal fiddle improvisation over tensed percussion, before returning to a layered, triumphal climax of full instrumentation—strings, pounding drums, and rousing choral harmonies echoing the fire and valor of the northlands
6:56

6:08

3:13

A relentless fusion of death, black, and viking metal ignites with blast beats, tremolo-picked riffs, and pounding double-kick drums, Jagged melodic lines cut through the chaos, harsh vocals dominate, while wild, frenetic guitar solos erupt over driving, epic chords in each section
7:14

The Iron-Blood Saga
v4.5+
Aggressive electric guitars and Nordic folk instruments weave intricate riffs at 140 bpm, while thunderous war drums drive a Gothic Viking rock fusion, Slavic male harsh vocals lead, joined by epic chants and melodic hooks, Filtered strings, deep drones, and distant choirs add rich, haunting layers, building toward soaring, cinematic choruses and powerful folk metal harmonies
9:17

A symphonic metal track unfolds with roaring timpani and swirling winds over distant male choirs, evoking the storm’s ferocity, Low, bowed strings echo with menace as brass punctuates with horn blasts, Heavy, down-tuned guitars and pounding drums crash in as the Frankish army advances, underscored by icy synths, The chorus explodes with layered choral harmonies and epic orchestration, giving way to heroic lead guitar and thundering percussion as Hroald and his sons emerge, The bridge isolates somber cello and Nordic voices, before an intense full-band finale surges, blending orchestral might and crushing riffs
5:43

A black metal epic opening with tremolo strings, deep drums, and reedy horns conjures Nordic tension, Verses stack harsh vocals on droning lyres, clattering percussion; pre-chorus swells with brass and male choir, The chorus explodes with taiko, distorted hurdy-gurdy, and battle harmonies, Midsection strips to primal drums, chants, and metallic clangs, then surges with a hybrid of distorted guitars and folk instruments, Finale: all elements crash, dissolving to a lone horn over wind
2:38

9:21

Begin with a stark neo-folk arrangement: resonant bowed strings and low drones evoke the icy dawn, joined by sparse frame drum, Gradually add deep war drums, throat singing and Nordic horns as the tension mounts, Electric bass and distorted guitars swell with the “banners of strangers, ” peaking in a martial, chanted chorus, Bridge introduces a modal fiddle improvisation over tensed percussion, before returning to a layered, triumphal climax of full instrumentation—strings, pounding drums, and rousing choral harmonies echoing the fire and valor of the northlands
4:31

The Iron-Blood Saga
v4.5+
Aggressive electric guitars and Nordic folk instruments weave intricate riffs at 140 bpm, while thunderous war drums drive a Gothic Viking rock fusion, Slavic male harsh vocals lead, joined by epic chants and melodic hooks, Filtered strings, deep drones, and distant choirs add rich, haunting layers, building toward soaring, cinematic choruses and powerful folk metal harmonies
4:27

IRON-BLOOD
v4.5+
The track fuses Viking Metal’s thunderous double kick and guttural guitars, Celtic Metal’s soaring flute and fiddle melodies, and Medieval Metal’s grand choirs and lute textures, The arrangement balances aggressive riffing with folk instrumentation, shifting dynamics for epic contrasts
5:29

A black metal epic opening with tremolo strings, deep drums, and reedy horns conjures Nordic tension, Verses stack harsh vocals on droning lyres, clattering percussion; pre-chorus swells with brass and male choir, The chorus explodes with taiko, distorted hurdy-gurdy, and battle harmonies, Midsection strips to primal drums, chants, and metallic clangs, then surges with a hybrid of distorted guitars and folk instruments, Finale: all elements crash, dissolving to a lone horn over wind
2:49

4:23

This Viking metal track storms in with thunderous double-kick drums, chugging distorted guitars, and bold orchestral brass over martial rhythms, Verses feature pounding toms and sharp riffs, soaring into harmonized leads for epic choruses, The bridge softens with somber strings and choral pads before climactic guitar harmonies and dramatic drums close the song in triumph
7:52

The pagan metal composition begins with resonant acoustic guitars, deep frame drums, low male choirs, lute, tagelharpa, and subtle strings in a grand hall sound, Part II surges with thunderous percussion, distorted guitars, war horns, and growled vocals, merging stately orchestration and explosive riffs before climaxing in dramatic group chants
6:18

Thundering drums, dense distorted guitars, and dark orchestral brass create an epic symphonic viking metal intro, The chorus layers haunting choirs and soaring guitar harmonies, Verses alternate minor-key strings and pounding toms, The forbidden love section strips to acoustic guitar, mournful cello, and ethereal female vocals, swelling back to electric power as passion grows, Wrath of Gods escalates with furious double-kick, discordant brass, tremolo picking, and choir crescendos, Sweeping guitar solo peaks before a coda of warlike drums and hollow choir echoes
7:25

Thunderous timpani and ominous strings ignite the epic orchestral pagan/death/viking metal intro, fusing with distorted guitars and relentless drums, Verses layer brooding cellos, metallic percussion, and ethereal female vocals, joined by mournful brass and deep male voices, The chorus erupts in massive choirs, soaring guitars, and symphonic walls, The bridge slows to crushing riffs, harp glissandi, and dark synths, building to a furious double-kick onslaught before dissolving into a haunting solo violin
4:54

IRON-BLOOD
v4.5+
The track fuses Viking Metal’s thunderous double kick and guttural guitars, Celtic Metal’s soaring flute and fiddle melodies, and Medieval Metal’s grand choirs and lute textures, The arrangement balances aggressive riffing with folk instrumentation, shifting dynamics for epic contrasts
4:55

This Viking metal track storms in with thunderous double-kick drums, chugging distorted guitars, and bold orchestral brass over martial rhythms, Verses feature pounding toms and sharp riffs, soaring into harmonized leads for epic choruses, The bridge softens with somber strings and choral pads before climactic guitar harmonies and dramatic drums close the song in triumph
5:35

Thundering drums, dense distorted guitars, and dark orchestral brass create an epic symphonic viking metal intro, The chorus layers haunting choirs and soaring guitar harmonies, Verses alternate minor-key strings and pounding toms, The forbidden love section strips to acoustic guitar, mournful cello, and ethereal female vocals, swelling back to electric power as passion grows, Wrath of Gods escalates with furious double-kick, discordant brass, tremolo picking, and choir crescendos, Sweeping guitar solo peaks before a coda of warlike drums and hollow choir echoes
4:04

I, The Meeting
Beneath the ash-gray skies of war-torn lands, Where steel did clash and blood did stain the sands, There stood a man of might, both fierce and tall, A warrior known to all as mighty Karl, Beside him fought a thrall, his chains now broke, No more the lash, the yoke, the master’s stroke, With axe in hand and fire in his eye, He swore to live or, if he must, to die, II, The Battle Joined
The hordes descended, dark as storm-born night, Their blades like fangs, their shields a wall of might, Karl roared aloud and charged into the fray, While Thrall stood firm and held the foe at bay, Back-to-back they fought, their bond unspoken, No shield was raised, no oath need be broken, For trust was forged in fire and bright, As steel met steel beneath the dying light, III, The Oath Sworn
When dawn arose upon the field of slain, And ravens feasted on the bloody plain, Karl turned to Thrall and clasped his arm with pride, "No more a thrall, " he said, "Now stand beside, "
And T
8:50

Thunderous timpani and ominous strings ignite the epic orchestral pagan/death/viking metal intro, fusing with distorted guitars and relentless drums, Verses layer brooding cellos, metallic percussion, and ethereal female vocals, joined by mournful brass and deep male voices, The chorus erupts in massive choirs, soaring guitars, and symphonic walls, The bridge slows to crushing riffs, harp glissandi, and dark synths, building to a furious double-kick onslaught before dissolving into a haunting solo violin
3:34

I, The Meeting
Beneath the ash-gray skies of war-torn lands, Where steel did clash and blood did stain the sands, There stood a man of might, both fierce and tall, A warrior known to all as mighty Karl, Beside him fought a thrall, his chains now broke, No more the lash, the yoke, the master’s stroke, With axe in hand and fire in his eye, He swore to live or, if he must, to die, II, The Battle Joined
The hordes descended, dark as storm-born night, Their blades like fangs, their shields a wall of might, Karl roared aloud and charged into the fray, While Thrall stood firm and held the foe at bay, Back-to-back they fought, their bond unspoken, No shield was raised, no oath need be broken, For trust was forged in fire and bright, As steel met steel beneath the dying light, III, The Oath Sworn
When dawn arose upon the field of slain, And ravens feasted on the bloody plain, Karl turned to Thrall and clasped his arm with pride, "No more a thrall, " he said, "Now stand beside, "
And T
7:59

The pagan metal composition begins with resonant acoustic guitars, deep frame drums, low male choirs, lute, tagelharpa, and subtle strings in a grand hall sound, Part II surges with thunderous percussion, distorted guitars, war horns, and growled vocals, merging stately orchestration and explosive riffs before climaxing in dramatic group chants
4:34

This epic black metal track unfolds in four movements: Section I opens with low drones, distant war drums, icy wind FX, and sparse modal melodies on bowed lyres, Section II expands with tom-heavy percussion, chanting male vocals, and dissonant horns, Section III layers noisy string scrapes, warped choir pads, and urgent hammered dulcimer, intensifying unease, Section IV drives a climax with pounding drums, distorted hurdy-gurdy, guttural growls, and thick chant harmonies before evaporating into a stark outro of echoing drums and breathy FX, ‑The Night-Steed’s Maw
4:28

The Drown-God’s Hymn
v4.5+
This black gothic pagan odyssey opens with ghostly harmonium, weathered cello, and tremolo acoustic guitar over sparse percussion and shipboard ambience, Dissonant fiddle, plucked upright bass, and distant male choirs evolve with ominous brass and harsh rhythmic shifts, Ambient creaks, drips, and whispers blend sound design into the piece, The finale surges with cacophonous strings, deep tom rolls, echoing choirs, then dissolves to a chilling drone and spectral bells
6:23

This epic black metal track unfolds in four movements: Section I opens with low drones, distant war drums, icy wind FX, and sparse modal melodies on bowed lyres, Section II expands with tom-heavy percussion, chanting male vocals, and dissonant horns, Section III layers noisy string scrapes, warped choir pads, and urgent hammered dulcimer, intensifying unease, Section IV drives a climax with pounding drums, distorted hurdy-gurdy, guttural growls, and thick chant harmonies before evaporating into a stark outro of echoing drums and breathy FX, ‑The Night-Steed’s Maw
3:35

The Drown-God’s Hymn
v4.5+
This black gothic pagan odyssey opens with ghostly harmonium, weathered cello, and tremolo acoustic guitar over sparse percussion and shipboard ambience, Dissonant fiddle, plucked upright bass, and distant male choirs evolve with ominous brass and harsh rhythmic shifts, Ambient creaks, drips, and whispers blend sound design into the piece, The finale surges with cacophonous strings, deep tom rolls, echoing choirs, then dissolves to a chilling drone and spectral bells
6:59

The track erupts with an explosive, masterful guitar solo laced in a searing Nordic death metal tone, Enormous, cinematic drums break in, underpinning relentless, downtuned guitar riffs, Layered, majestic choral chants sweep over the mix, forging a vast, imposing sonic fortress
5:03

This Nordic blackened viking metal epic erupts with thunderous drums, downtuned guitars, tempestuous orchestral layers, strings, and choral chants, Verses push forward on hardanger fiddle, modal lines, and pounding percussion; icy synths and blast beats amplify tension, A calm follows: mournful cello and atmospheric guitar foreground rawness, before pulsing bass and toms reignite the energy, The finale unleashes soaring harmonies, acoustic strums, pounding drums, vibrant guitar/folk flute duels, swelling brass, and relentless double-kick for an epic climax
6:52

Kicking off with an electrifying, virtuosic guitar solo drenched in Nordic black death metal tone, thunderous, cinematic drums soon power through, Downtuned guitars churn with relentless intensity, while grandiose choral chants soar above, creating a towering, menacing wall of sound
5:54

The track erupts with an explosive, masterful guitar solo laced in a searing Nordic death metal tone, Enormous, cinematic drums break in, underpinning relentless, downtuned guitar riffs, Layered, majestic choral chants sweep over the mix, forging a vast, imposing sonic fortress
4:12

3:39

Aino’s Lament
v4.5+
Epic acoustic death metal kicks off with rapid, percussive acoustic guitar riffs and driving hand percussion, Verses layer aggressive strummed guitars and growling vocals, underpinned by deep, resonant cajón punches, Intermittent clean, folky guitar interludes bridge into intense, harmonized chord progressions in choruses, climaxing with virtuosic nylon-string solos and thunderous unison strums for a dramatic finish
4:13

Epic pagan metal drenched in Nordic myth: Opening with haunting horn calls and icy wind FX, stark strings and deep drones evoke frozen landscapes, Drums thunder in for “The Charge, ” surging guitars and double-kick underpinning chanted vocals, distorted bass rumbling like clashing armies, Bridge swells with an eerie choir, mystical kantele and harsh growls interlacing, culminating in a crushing breakdown, The outro bleeds into spectral strings and distant folk vocals, echoing through frosted silence
3:24

The Kantele's Birth
v4.5+
A Nordic folk piece, opening with plaintive kantele or harp, doubled by soft pizzicato strings, Sparse percussion—woodblock, brushes—evokes shoreline stillness, Subtle bowed bass joins as the melody emerges, icy yet warm, building to layered harmonies and airy, haunting vocalese, before fading to eerie, echo-laden harp and distant flute, as if conjuring spirits from the water
4:14

5:22

This Nordic blackened viking metal epic erupts with thunderous drums, downtuned guitars, tempestuous orchestral layers, strings, and choral chants, Verses push forward on hardanger fiddle, modal lines, and pounding percussion; icy synths and blast beats amplify tension, A calm follows: mournful cello and atmospheric guitar foreground rawness, before pulsing bass and toms reignite the energy, The finale unleashes soaring harmonies, acoustic strums, pounding drums, vibrant guitar/folk flute duels, swelling brass, and relentless double-kick for an epic climax
7:22

Epic Viking metal with cinematic orchestration, Opens with sparse, haunting strings and distant war horns over wind-blown soundscapes, Drums thunder in, joined by distorted guitars and men’s choir chanting, Verses feature guttural vocals and galloping riffs; wolf-howls and sharp axe-blows are echoed by percussion, The chorus escalates with layered guitars and choral harmonies, evoking battle frenzy before dying down to cold, atmospheric synths and a solitary horn in the outro
3:47

4:09

Aino’s Lament
v4.5+
Epic acoustic death metal kicks off with rapid, percussive acoustic guitar riffs and driving hand percussion, Verses layer aggressive strummed guitars and growling vocals, underpinned by deep, resonant cajón punches, Intermittent clean, folky guitar interludes bridge into intense, harmonized chord progressions in choruses, climaxing with virtuosic nylon-string solos and thunderous unison strums for a dramatic finish
4:26

Louhi's Curse
v4.5+
Epic folk-metal ballad in three movements: I opens with pounding low toms, distorted guitars chugging in odd meter, and icy synth accents; vocals snarl, punctuated by choir and horns, II shifts to shifting modal acoustic textures, fingerpicked kantele, layered vocals morphing from whisper to extravagant belting, atmospherics evoking wind, III returns to full band, guitars spiraling with choirs and hammered dulcimer, building to a tempestuous, symphonic finale, ending on fading wind and distant thunder
3:07

The Kantele's Birth
v4.5+
A Nordic folk piece, opening with plaintive kantele or harp, doubled by soft pizzicato strings, Sparse percussion—woodblock, brushes—evokes shoreline stillness, Subtle bowed bass joins as the melody emerges, icy yet warm, building to layered harmonies and airy, haunting vocalese, before fading to eerie, echo-laden harp and distant flute, as if conjuring spirits from the water
3:21

Epic pagan metal drenched in Nordic myth: Opening with haunting horn calls and icy wind FX, stark strings and deep drones evoke frozen landscapes, Drums thunder in for “The Charge, ” surging guitars and double-kick underpinning chanted vocals, distorted bass rumbling like clashing armies, Bridge swells with an eerie choir, mystical kantele and harsh growls interlacing, culminating in a crushing breakdown, The outro bleeds into spectral strings and distant folk vocals, echoing through frosted silence
3:59

6:37

7:59

Evoking epic Nordic viking metal, the song opens with mournful nyckelharpa and distant horns, Thunderous toms and a chugging drop-tuned guitar build tension in each verse, while chanting male voices echo through the chorus, Atmospheric choir and harp interludes create dynamic contrast, Each section weaves battle march rhythms with haunting modal melodies, blending brutality with intricate folk textures, The bridge features complex rhythmic breaks, leading to an explosive metal climax powered by soaring strings, doubled heavy guitars, and resonant war drums
