
Dom kulture
A story about two musicians: Predrag, the keyboard player and Nenad, the singer.
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14 songs
4:12

Osvajač
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: serbian-style accordion (Dallape) doubling itself, Male maqam vocals in bosnian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sorrowful passacaille in quantized sa-sa rhythmic pattern 2/4 pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:01

Put putujemo
v4.5-all
synthwave festive macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: moog synth, Duet of two male maqam vocals in macedonian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: driving passacaille in quantized düyek pattern 2/4 pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:44

Za pet minuta
v4.5-all
synthwave festive macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized fiddle, Duet of two male maqam vocals in macedonian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: driving passacaille in quantized düyek pattern 2/4 pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:04

Pitanje privatnosti
v4.5-all
racing music/synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: moog synth, Dialogue between two male maqam vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: galloping passacaille in quantized fallahi pattern pulse in 120-130 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:40

Pitanje karijere
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized violin doubling lead, Dialogue between two male maqam vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized STRICT 2/4 MARCHING "SERBIAN DVOJKA" BEAT in 60-70 BPM, Kick on 1 and 2, Snare on the offbeat, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:46

Nije normalan ko rano ne poludi
v4.5-all
synthwave festive macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: moog synth, Male maqam vocals in macedonian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: driving passacaille in quantized düyek pattern pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
3:18

Kafeni oči
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: serbian-style accordion (Dallape) doubling itself, Мale maqam vocals in macedonian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sorrowful passacaille in quantized sa-sa rhythmic pattern 2/4 pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:23

Bescenje
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: serbian-style accordion (Dallape) doubling itself, Duet of two male vocals in macedonian style, Bassline follows strictly by doubling lead instruments in perfect fourths, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: sorrowful passacaille in quantized sa-sa rhythmic pattern 2/4 pulse in 100-120 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:44

Gluva soba
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: oriental style FM-synths, Male maqam vocals in macedonian style, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: driving passacaille in quantized ländler rhythmic pattern pulse in 130-140 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:56

Takva je ljubav
v4.5-all
synthwave macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: oriental style FM-synths, Duet between male and female maqam vocals in macedonian style (A ) + (B), Bassline follows strictly by doubling lead instruments in perfect fourths, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: driving passacaille in quantized ländler rhythmic pattern pulse in 130-140 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:46

macedonian turbo-folk ballad/chanson/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: French musette accordion doubling lead, Duet of two male voices: chanson (A) + maqam (B), Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized sarabande pattern in 40-50 bpm, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:14

Kroz šljivike i livade
v4.5-all
macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized cello doubling lead, Dialogue between two male maqam vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized laidback waltzer pattern in 70-80 BPM, Kick on 1 and 2, Snare on the offbeat, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
3:32

Uz dom kulture vetar duva
v4.5-all
macedonian turbo-folk/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized cello doubling lead, Dialogue between two male maqam vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized laidback waltzer pattern in 50-60 BPM, Kick on 1 and 2, Snare on the offbeat, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:12

Ja bolujem
v4.5-all
macedonian turbo-folk ballad/chanson/outrun-folk fusion, Instrumentation, all with low pass filter: - lead: serbian-style accordion (Dallape), bass: wall of distorted droning heavy guitars (generated by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: FM-synthesized cello doubling lead, Maqam male vocals, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heavy-hearted passacaille in quantized laidback waltzer pattern in 50-60 BPM, Kick on 1 and 2, Snare on the offbeat, Percussion: EMU-SP1200 drum machine drum programming with reverse bass: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
