3:58

attraper les étoiles
v4.5-all
chanson francaise douce et zen, piano minimaliste, violoncelle profond et chaleureux, tempo lent 60 BPM, voix feutrée et breathy comme un murmure émotionnel
3:45

invisible et sensible
v4.5-all
chanson Quatuor lent violon piano violoncelle voix très feutré
3:55

un type ordinaire
v4.5-all
Chanson française symphonique, voix douce orchestre philharmonique : violons solistes, piano, altos veloutés, contrebasses, harpe cascadante, haubois, orchestral Philharmonie
4:26

un type ordinaire
v4.5-all
Chanson française symphonique, voix douce orchestre philharmonique : violons solistes, piano, altos veloutés, contrebasses, harpe cascadante, haubois, orchestral Philharmonie
4:53

terre d 'iralande
v4.5-all
Chanson française symphonique, orchestre philharmonique : violons solistes, altos veloutés, contrebasses grondantes, cors anglais solennels, harpe cascadante, timbales en crescendo, orchestral spacieux comme un concert à la Philharmonie
3:33

j'irai prier
v4.5-all
A soulful contemporary R&B and gospel-pop fusion featuring a powerful male lead vocal and a lush gospel choir, The track is set in a moderate tempo with a 4/4 time signature, characterized by a rich harmonic structure using extended jazz chords and gospel-style piano progressions, The arrangement begins with a soulful piano and lead vocal, building into a grand climax with a full choir, rhythmic handclaps, and a walking bassline, The lead vocal is a high tenor with a wide range, utilizing melismatic runs, grit, and emotional swells, The production is polished with a wide stereo field for the choir, natural reverb on the vocals, and a clean, punchy drum mix that emphasizes the backbeat
3:33

3:22

l' exil intérieur
v4.5-all
chanson francaise douce et zen, piano, voix feutrée et breathy comme un murmure émotionnel
2:54

funambule
v4.5-all
chanson francaise douce et zen, piano, voix feutrée et breathy comme un murmure émotionnel
4:07

un dernier tour de piste
v4.5-all
chason Ballade douce, piano voix délicat, violoncelle, voix feutrée
3:39

French pop ballad with orchestral and electronic elements, The arrangement features a prominent grand piano playing arpeggiated eighth-note patterns, a warm synth bass, and a mid-tempo drum kit with a crisp snare, A string section provides legato pads and melodic counterpoints, The lead female vocal is breathy and intimate in the verses, becoming more powerful and resonant in the choruses with layered harmonies, Subtle electronic textures and reverse cymbal swells transition between sections, The track is in the key of G minor at 120 BPM
2:58

jerusalem
v4.5-all
Chanson française, minimalist piano, melancholic, intimate, poetic, female vocals, expressive, vibrato, spoken-word elements, emotional, 1960s rive gauche, dark cabaret
3:43

3:49

fil du temps
v4.5-all
orchestre intime avec violon soliste, voix douce violoncelle profond, flûte aérienne, harpe scintillante, hautbois expressif et piano virtuose, Ambiance rêveuse et mélancolique, tonalité de Ré mineur, tempo 60 BPM, s
3:40

le miroir se brise
v4.5-all
Chanson française symphonique philarmonique, voix douce orchestre philharmonique : violons solistes, piano, altos veloutés, contrebasses, harpe cascadante, haubois, orchestral Philharmonie
4:58

l' homme de cristal
v4.5-all
Chanson française symphonique, orchestre philharmonique : violons solistes, altos veloutés, contrebasses grondantes, cors anglais solennels, harpe cascadante, timbales en crescendo, orchestral spacieux comme un concert à la Philharmonie
3:00

les amours du dimanche
v4.5-all
Chanson française symphonique, orchestre philharmonique : violons solistes, altos veloutés, contrebasses grondantes, cors anglais solennels, harpe cascadante, timbales en crescendo, orchestral spacieux comme un concert à la Philharmonie
3:47

a double tour
v4.5-all
Chanson française symphonique, orchestre philharmonique : violons solistes plaintifs, altos veloutés, contrebasses grondantes, cors anglais solennels, harpe cascadante, timbales en crescendo épique, mix orchestral spacieux comme un concert à la Philharmonie
4:45

[motown, 1970s soul, uptempo groove] punchy brass horns, tight funky bassline, driving backbeat drums avec tambourine et handclaps, lush string sections, warm Hammond organ, soulful male lead vocals avec gospel inflection, joyful female backing harmonies en call-and-response, classic Motown energy, danceable tempo 120-130 BPM, uplifting et feel-good vibe, vintage analog warmth avec modern clarity [web:9][web:7]
3:44

2:42

2:01

2:49

2:25

2:52

2:41

2:24

3:10

3:34

4:09

3:23

3:49

je reste perplexe
v4.5-all
Folk sombre, guitare acoustique, violoncelle, mélancolique, duo homme/femme doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
3:29

immobile et invisible
v4.5-all
Folk sombre, guitare acoustique, violoncelle, mélancolique, duo homme/femme doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
3:20

2:45

3:10

4:00

LA MORTE SAISON
v4.5-all
Folk sombre, acoustique, violoncelle, mélancolique, doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
3:21

NI DIEU NI MAITRE
v4.5-all
Folk sombre, acoustique, violoncelle, mélancolique, doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
3:09

UNE NUIT SANS LUNE
v4.5-all
Folk sombre, acoustique, violoncelle, mélancolique, doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
4:07

ENCORE ET TOUJOURS
v4.5-all
Folk sombre, acoustique, violoncelle, mélancolique, doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
3:52

ENCORE ET TOUJOURS
v4.5-all
Folk sombre, acoustique, violoncelle, mélancolique, doux, rythme lent, atmosphérique, noir, influence folk suédoise, envoûtant
5:24

DANDY MOROSE
v4.5-all
Ethereal, intimate psychedelic folk, Male vocal, calm and restrained, Soft acoustic guitar with gentle fingerpicking, Very light sustained pad, barely present, Slow tempo, sparse phrasing, Minimal or no percussion, Warm analog texture, wide and airy mix, No dynamic build, Emotion comes from space, restraint, and curiosity, Fade out softly, unresolved
5:33

NITROGLYCERINE
v4.5-all
Psychedelic hippie folk, 1960s–early 1970s experimental sound, dreamy acid folk atmosphere, hypnotic mantra-like structure, slow drifting tempo, loose and floating rhythm, clean female solo vocal (no backing vocals), straight natural singing without vibrato, intimate but detached delivery, spoken-sung hybrid phrasing in places, warm analog tape saturation, reverb-heavy acoustic and electric guitars, subtle sitar-inspired textures, soft flute motifs, minimal organic percussion (hand drums, light tambourine), spacious and immersive sound design, non-commercial experimental feel, free-form structure without traditional chorus, repetitive lyrical phrases for trance effect, psychedelic drift, surreal and cosmic mood, floating and dissolving sensation, sunlit haze, wind-like sonic movement, no pop hooks, no modern production elements, expansive and meditative progression; I want really trippy longer instrumental solos and song length 4:00-5:00 without abrupt end, ‑pop, ‑
4:24

L AMOUR ET PAS LA GUERRE
v4.5-all
Psychedelic hippie folk, 1960s–early 1970s experimental sound, dreamy acid folk atmosphere, hypnotic mantra-like structure, slow drifting tempo, loose and floating rhythm, clean female solo vocal (no backing vocals), straight natural singing without vibrato, intimate but detached delivery, spoken-sung hybrid phrasing in places, warm analog tape saturation, reverb-heavy acoustic and electric guitars, subtle sitar-inspired textures, soft flute motifs, minimal organic percussion (hand drums, light tambourine), spacious and immersive sound design, non-commercial experimental feel, free-form structure without traditional chorus, repetitive lyrical phrases for trance effect, psychedelic drift, surreal and cosmic mood, floating and dissolving sensation, sunlit haze, wind-like sonic movement, no pop hooks, no modern production elements, expansive and meditative progression; I want really trippy longer instrumental solos and song length 4:00-5:00 without abrupt end, ‑pop, ‑
