3:39
Throne of Rot
v4.5-all
metal, Crushing blackened death metal with dissonant tremolo riffs, blast-heavy drums, and cavernous male vocals, Verses are tight and relentless; chorus opens into a mid-tempo stomp with gang shouts and layered growls, Guitars stay razor-sharp with eerie, reverb-soaked leads hanging over a thick, distorted bass wall, Final section surges into double-time chaos before a sudden, suffocating cutoff, black death
6:25
Burn Notice
v4.5-all
Slow, crushing doom metal: downtuned guitars in a crawling half-time groove, drums like distant war hammers, male vocals that shift between ritual chant and tortured growl, Sparse, cavernous reverb on everything; feedback swells between sections, Chorus opens with layered gang vocals and a monolithic riff that lingers, bass rumbling under the floor, slow
4:29
Speak in Tongues
v4.5-all
metal, Slow, downtuned blackened death metal; 70 BPM feel with lurching double-kick swells and cavernous, tremolo-picked chords, Vocals alternate between deep gutturals and higher rasp shrieks, with sparse dissonant chords in verses and a crushing half-time stomp in the chorus, Guitars drenched in reverb and chorus for a chilling atmosphere, bass grinding underneath; occasional reversed-cymbal swells and whispered layers widen the ritual vibe, black death, slow
4:09
of Ash and Iron
v4.5-all
metal, Hyper-blast blackened death metal, downtuned guitars in tremolo storms and dissonant chords, cavernous male vocals switching between deep growls and piercing shrieks, Drums relentless and chaotic with sudden halftime stomps on the chorus; bass grinds in unison with guitars, Brief chromatic guitar lead in the bridge, then everything drops to a single chugging riff before final blastbeat eruption, black death, worship
--:--
Serpent of the Hollow Sun
v4.5-all
Crushing avant-garde extreme metal, down-tuned guitars with dissonant intervals and crawling tremolo riffs, glacial double-kick surges, Male vocals shifting from abyssal growls to half-spoken incantations, Sparse, ritual toms in verses; choruses widen with dissonant choir pads and droning bass, Guitars use wide, haunting chords and abrupt stops; final section decays into feedback and low, dirge-like chanting
4:25
The Cradle and the Grave
v4.5-all
metal, Slow, downtuned blackened death metal; tremolo-picked dissonant riffs over crawling, palm-muted chugs and cavernous bass, Vocals: layered guttural male lows with piercing shrieks in the back, Drums crush at a dragging tempo with blast flourishes that open into half-time stomps for the chorus, Guitars drenched in reverb and bleak chorus for atmosphere; chorus drops into a simple, crushing motif and gang-chant response, Occasional feedback howls and distant choral pads for infernal ambience, slow, black death
6:08
War In The Furnace Sky
v4.5-all
metal, Slow, crushing blackened doom with death metal growls; male vocals, Guitars tuned absurdly low, crawling palm-muted riffs and dissonant tremolo lines, drums lurching between funereal plod and sudden blast surges, Vocals cavernous and layered, with distant choirs twisting into tortured screams, Massive, ringing chords and feedback drones stretch sections to feel endless; final chorus explodes in double-time with stacked harmonies and a roaring, wall-of-sound climax, slow, death metal
6:21
The Altar Wine
v4.5-all
metal, Slow, crushing blackened doom at 60-70 BPM: downtuned guitars in dissonant minor seconds, cavernous drums with ringing toms and sparse double-kick swells, bass rumbling like a drone, Male vocals shifting between low funeral growls and tortured shrieks, occasional choral pads twisted with dissonance, Choruses open with octave-lead guitars and layered screams, then collapse into suffocating, sustained chords and feedback, slow, doom metal
5:59
Burning Halo
v4.5-all
metal, Crushing blackened doom at 70 BPM, drop-tuned guitars in cavernous unison with a swampy, swinging drum groove; male vocals shifting between guttural growls and tortured, reverb-drenched shrieks, Verses stay sparse and suffocating with ringing power chords and feedback drones; chorus slams with octave harmonies, ride bell accents, and layered gang vocals, Bass grinds in the low midrange, subtly distorted, gluing the wall of sound; long decays, ritualistic tambour hits, and distant choral pads deepen the unholy, ceremonial feel, doom metal, slow
5:29
Ignite
v4.5-all
metal, Ultra-slow blackened doom / death, 60–70 BPM, Guitars tuned absurdly low, rusted chainsaw tone with dissonant tremolo chords dragging over funeral-weight chords, Vocals a mix of cavernous gutturals and distant shrieks pushed back in the reverb, Sparse, tectonic drums with occasional double-kick swells under the heaviest lines, Choruses open with dissonant choir pads and layered screams, bass grinding like a collapsing cathedral, Final section collapses into feedback and ring-mod-drenched drones, death metal, slow
6:29
We Fall
v4.5-all
metal, Crushing downtempo doom metal at glacial tempo, downtuned guitars in massive sustained chords, fuzzed-out bass locked to a cavernous kick and tom groove, Male vocals: deep, half-spoken roars on verses, tortured sustained growls on chorus, with distant choral layers adding apocalyptic weight, Sparse feedback swells and tolling bells between lines; final chorus drags into a collapsing wall of distortion and ring-out, slow, world, doom metal