8:24
D minor, F minor, smoky tired male baritone 50+, spoken-sung chamber vocal, Bach-inspired prelude and fugue verses, Beethoven-inspired piano sonata choruses, light noir, subtle impressionism, philosophical mist, solo grand piano lead, cello counterpoint, occasional muted trumpet with rough edge, alternating 7/8 and 9/8, syncopated rubato, irregular wave-like pauses, long instrumental intro, extended interludes, open ending with faint hope, acoustic chamber sound, ‑pop, ‑modern pop, ‑rap, ‑hip-hop, ‑EDM, ‑modern production, ‑blues, ‑blues-rock, ‑dance beat, ‑glossy vocals, ‑operatic vocal, ‑musical theatre, ‑female vocal, ‑heavy drums, ‑overproduced sound
4:00
E minor, D major, baroque, Like Vivaldi Bassoon and cello concerto in scat vocal interpretation, swing, foxtrot, syncopated, Rubato, a cappella, for male baritone vocal, and quintet backing vocals in scat singing style vocalization, scat singing imitate chamber instruments, light noir with light irony, ‑pop, ‑modern pop, ‑rap, ‑hip-hop, ‑EDM, ‑modern production