PharaoAnubis - Prayers

Live orchestra / cinematic prayer, slow 6/8 pulse, warm strings + French horns, soft harp arpeggios, low choir pads, temple-like reverb, female lead vocal (ethereal but intimate), occasional frame drum hits, long crescendos

Cinematic sunrise prayer, live orchestra feel, slow ceremonial 6/8 pulse, warm strings + French horns, soft harp arpeggios, low choir pads, temple reverb, female lead vocal (ethereal but intimate), occasional frame drum hits, long crescendos, no pop beat

Cinematic midday prayer, live orchestra feel, slow ceremonial pulse (6/8 or free-time rubato), bright strings + brass, shimmering harp, low choir pads, temple reverb, female lead vocal (clear and resolute), occasional frame drum hits on crescendos, sun-drenched intensity, no pop beat, ‑pop, ‑radio hooks, ‑EDM/techno/house/trance, ‑trap hats, ‑hi-hat loops, ‑claps/snaps, ‑drum kit, ‑snare backbeat, ‑4-on-the-floor kick, ‑risers/drops, ‑sidechain pump, ‑rock guitars, ‑bass riffs, ‑funk groove, ‑jazz swing, ‑upbeat dance feel, ‑rap/spoken word, ‑male lead, ‑duet, ‑featured choir, ‑gospel stacks, ‑heavy autotune, ‑hard pitch-correct, ‑robotic vocals, ‑vocal chops, ‑modern vocal FX, ‑synth leads, ‑electronic arps, ‑synthetic pads, ‑harsh brass fanfare, ‑heroic trailer blasts, ‑aggressive percussion, ‑tom runs, ‑cymbal crashes, ‑fast tempo, ‑quantized grid, ‑clicky metronome, ‑dry small-room mix, ‑metallic/plate/gated reverb, ‑lo-fi crackle, ‑vinyl/tape wobble, ‑comedic tone, ‑party mood

Cinematic evening prayer, live orchestra feel, slow 6/8 lullaby pulse, warm low strings + mellow French horns, soft harp and subtle choir pads, temple-like reverb, female lead vocal (tender, luminous), occasional frame drum only on final crescendo, sunset warmth, no pop beat, ‑pop, ‑radio hooks, ‑EDM/techno/house/trance, ‑trap hats, ‑hi-hat loops, ‑claps/snaps, ‑drum kit, ‑snare backbeat, ‑4-on-the-floor kick, ‑risers/drops, ‑sidechain pump, ‑rock guitars, ‑bass riffs, ‑funk groove, ‑jazz swing, ‑upbeat dance feel, ‑rap/spoken word, ‑male lead, ‑duet, ‑featured choir, ‑gospel stacks, ‑heavy autotune, ‑hard pitch-correct, ‑robotic vocals, ‑vocal chops, ‑modern vocal FX, ‑synth leads, ‑electronic arps, ‑synthetic pads, ‑harsh brass fanfare, ‑heroic trailer blasts, ‑aggressive percussion, ‑tom runs, ‑cymbal crashes, ‑fast tempo, ‑quantized grid, ‑clicky metronome, ‑dry small-room mix, ‑metallic/plate/gated reverb, ‑lo-fi crackle, ‑vinyl/tape wobble, ‑comedic tone, ‑party mood

Fierce Ancient Egyptian war-prayer to Sekhmet, Female lead only, live take, close mic, Voice is bold, gritty, commanding, with sharp attacks and strong held notes, Tempo mid 96–104 BPM, 4/4 march feel, Core is war drums: big frame drums and low battle toms, steady tribal patterns, stomp accents, occasional short call-and-response shouts by distant women (very low, not a choir lead), Add tense harp/lyre plucks and fast runs like sparks between drum hits, Add sistrum/bell strikes on key words, Keep harmony minimal: low drone, no lush chords, Huge stone temple reverb, warm and long, but keep drums punchy and voice forward, Build choruses with heavier drums and louder vocal grit, drop to near-whisper in the bridge with only harp and distant drum rumble, End with a final drum hit and ringing bell tail, ‑pop, ‑EDM, ‑trap hats, ‑drum kit, ‑snare backbeat, ‑synth leads, ‑glossy autotune, ‑male lead, ‑duet, ‑cute tone, ‑soft choir as main

Cinematic ritual world music, ancient Egyptian temple procession hymn, antiphonal vocals: male priests chant (low, resonant) answered by female priestesses singing in clear English, 90 BPM, 12/8 sway march, frame drums + deep ceremonial drums, claps + measured stomps, sistrum-like rattles, small bells, breathy reed flute (ney), lyre/harp drone, wide stone-hall reverb, crowd ambience, solemn → radiant crescendo

Live orchestra / cinematic prayer, slow 6/8 pulse, warm strings + French horns, soft harp arpeggios, low choir pads, temple-like reverb, female lead vocal (ethereal but intimate), occasional frame drum hits, long crescendos, ‑pop, ‑radio hooks, ‑EDM/techno/house/trance, ‑trap hats, ‑hi-hat loops, ‑claps/snaps, ‑drum kit, ‑snare backbeat, ‑4-on-the-floor kick, ‑risers/drops, ‑sidechain pump, ‑rock guitars, ‑bass riffs, ‑funk groove, ‑jazz swing, ‑upbeat dance feel, ‑rap/spoken word, ‑male lead, ‑duet, ‑featured choir, ‑gospel stacks, ‑heavy autotune, ‑hard pitch-correct, ‑robotic vocals, ‑vocal chops, ‑modern vocal FX, ‑synth leads, ‑electronic arps, ‑synthetic pads, ‑harsh brass fanfare, ‑heroic trailer blasts, ‑aggressive percussion, ‑tom runs, ‑cymbal crashes, ‑fast tempo, ‑quantized grid, ‑clicky metronome, ‑dry small-room mix, ‑metallic/plate/gated reverb, ‑lo-fi crackle, ‑vinyl/tape wobble, ‑comedic tone, ‑party mood

Female vocal, warm mezzo soprano, intimate prayerful lullaby, Ancient Egyptian temple bedtime hymn to Nut for peaceful sleep, 72 bpm, 4/4, minor or dorian, hypnotic and calm, Instruments: egyptian harp/lyre, ney flute, sistrum, soft frame drum, gentle shakers, low drone, Big temple reverb but close vocal, soothing, no bright pop hooks, Verses in English as a direct prayer, Intro chorus outro in phonetic ancient Egyptian inspired chant, Soft build in second chorus, then fade out, ‑rap, ‑hip hop, ‑trap, ‑drill, ‑reggaeton, ‑edm, ‑dubstep, ‑house, ‑techno, ‑trance, ‑drum and bass, ‑electro, ‑synthwave, ‑pop, ‑k-pop, ‑rock, ‑metal, ‑punk, ‑country, ‑jazz, ‑funk, ‑disco, ‑upbeat, ‑dance, ‑club, ‑radio hit, ‑modern drums, ‑drum kit, ‑808, ‑bass drop, ‑sidechain, ‑riser, ‑build-up drop, ‑snare roll, ‑hi-hat rolls, ‑clap, ‑heavy kick, ‑autotune, ‑vocoder, ‑talkbox, ‑robotic vocals, ‑spoken word, ‑male vocal, ‑duet, ‑comedic, ‑meme, ‑explicit, ‑profanity, ‑sexual

Female contralto, deep calm voice, ancient temple prayer, sacred chant, devotional hymn, Egyptian temple ambience, stone hall natural reverb, very minimal arrangement, ney flute lead (prominent, melodic), sparse frame drum / bendir, soft darbuka pulses, sistrum rattle (Egyptian shaker) accents, hand percussion only, slow tempo 72–78 BPM, 4/4, minor mode with Middle Eastern/Egyptian flavor (Hijaz-ish), drone undertone, call-and-response between voice and ney, intimate verses, gentle crescendos (not epic), no modern production tricks, organic live feel, close mic voice + distant room tail, contemplative, grateful prayer tone, ending with ney alone fading, ‑orchestra, ‑strings, ‑brass, ‑choir, ‑big cinematic, ‑trailer music, ‑epic, ‑pop, ‑radio pop, ‑EDM, ‑house, ‑techno, ‑trance, ‑dubstep, ‑trap, ‑808, ‑hi-hat rolls, ‑modern snare, ‑clap, ‑snap, ‑sidechain, ‑autotune, ‑vocoder, ‑rap, ‑spoken rap, ‑rock, ‑metal, ‑guitars, ‑bass guitar, ‑distorted instruments, ‑synths, ‑pads, ‑arpeggiators, ‑piano, ‑upbeat dance, ‑funky groove, ‑jazz swing, ‑comedic, ‑meme, ‑bright soprano, ‑diva belting, ‑heavy vocal runs, ‑excessive melisma, ‑overcompressed mastering, ‑glossy commercial mix

Style / Sound: Ancient temple liturgy, ritual ambient, desert-cinematic, Middle Eastern/North African atmosphere, Featured instruments: breathy ney flute (lead ornaments), mournful duduk (main theme), ancient harp / arched harp / lyre-like harp (slow arpeggios + drones), Support: deep drone (low strings or tanpura-like bed), sparse frame drum pulse, occasional dry hand claps, subtle sistrum/shaker shimmer, distant wordless low choir pad, Tempo 64–68 BPM, minor / Phrygian color, huge stone-chamber reverb, hypnotic repetition, no modern pop structure, call-and-response chorus, Vocal: Female deep contralto, chant-singing (half-spoken/half-sung), long vowels, close mic + cavern reverb, occasional whisper doubles under lead, No vocals in intro and outro, ‑pop, ‑EDM, ‑trap, ‑hip hop, ‑rap, ‑autotune, ‑vocal tuning, ‑modern synths, ‑dance beat, ‑drop, ‑risers, ‑guitar solo, ‑glossy mix, ‑comedic, ‑parody, ‑futuristic

Ancient Egyptian temple ritual chant, female lead vocal, female drone, call-and-response chorus, sistrum, menat rattle, frame drum, hand claps, crotals, ancient bow harp, lyre, double-reed pipe, reed flute, 78 BPM, modal, augmented-second color, unison, parallel fourths/fifths, stone temple reverb, raw field-recording feel, minimal processing, ‑male voice, ‑male vocal, ‑male choir, ‑modern

Cinematic dark ritual hymn in an Ancient Egyptian temple • deep male solo voice (older baritone/bass) • solemn, authoritative, low register • sung chant with measured phrasing (not pop singing) • 80 BPM • modal / Phrygian-like color, narrow melodic range • monophonic lead, minimal harmony • huge stone-temple reverb, smoky atmosphere, candlelit mood Arrangement (film score / underscore): quiet opening → gradual tension build (harp drone + ney enters) → restrained peak → long fade Instruments: ney flute (breathy, bent notes) + ancient harp (low drone + sparse plucks), Optional: very low distant sub-drum “heartbeat” ONCE OR TWICE only (if any percussion appears, keep it extremely subtle), Mix: dark, warm, wide, cinematic depth; no glossy radio polish; voice forward with long reverb tails; silence and pauses are part of the performance, Performance notes: clear diction, slow cadence, a few sustained final words per section; emotion is grave and protective, funerary devotion, ‑modern, ‑pop, ‑metal

Ancient egypt, intimate, ritual, stone temple, ancient harp, ancient hand drums, ancient metal rattle, reed flute

Animated musical, orchestral hymn, uplifting and radiant, 112 BPM, bright major key, soaring youthful lead vocal with mixed choir, lush strings, warm brass, woodwinds, harp glissandos, celesta sparkles, cinematic drums, big hall reverb, clean modern mix, catchy chorus hook, dramatic build, key change up for final chorus, family-friendly, strong ancient egypt inspiration