4:07

One day, I'll be gone by Tuana
v4.5-all
A melancholic intro with sparse electric piano and subdued bass sets a pensive mood, As the female lead enters, raw guitars and gritty drums emerge, gradually intensifying, By the bridge, thick distortion, jagged riffs, and frenetic drumming drive a wild, unrestrained alt-rock climax
4:10

One day I'll be gone (verse 1)
v4.5-all
The song begins with a melancholic introduction that sets a somber mood, then gradually builds energy with rock-driven instrumentation, Soon after, the rhythm intensifies, creating a dynamic contrast between the verses and the chorus, The chorus itself is the most powerful section, marked by strong vocals and repetitive lyrics that emphasise the emotional core of the song, Instrumental interludes highlight the guitar and drums, adding dramatic tension and depth, Finally, the track closes with an emotionally charged ending that leaves a lasting impression on the listener, unhinged, female lead
3:37

is it that hard?
v4.5-all
A melancholic piece led by raw, fingerpicked guitar, punctuated by a crying, cracking voice that occasionally lets real sniffles weave into the vocal delivery, Sparse atmospheric keys add depth, while each verse stays intimate, allowing fragility and heartbreak to be front and center
3:11

Biz küçükken hayat ne güzeldi
v4.5-all
female rage, man vocals, electronic guitar, bass, drums, vibrato, nu metal
3:24

4:51

My Dark Angel by Tuana
v4.5-all
starts with a female voice, then with a male voice, doom rock, bass, electric guitar, epic symphonic metal, instrumental breaks, rapid fire rap
2:04

Growing feelings by tuana
v4.5-all
A raw, acoustic indie-folk ballad featuring a solo female vocalist accompanied by a single acoustic guitar, The guitar is played with a rhythmic strumming pattern, emphasising a mid-tempo 4/4 time signature with a natural, resonant tone, The vocal performance is emotionally charged, characterized by a soulful, slightly raspy tenor that utilizes dynamic swells and expressive vibrato, The melody follows a melancholic, descending contour in a minor key, creating an intimate and vulnerable atmosphere, The production is minimalist and dry, with no audible reverb or electronic effects, capturing the performance as if in a small, wooden room, The structure focuses on a building emotional intensity through the vocal delivery as the song progresses
2:04

Growing feelings kinda rock?
v4.5-all
A raw, acoustic indie-folk ballad featuring a solo female vocalist accompanied by a single acoustic guitar, The guitar is played with a rhythmic strumming pattern, emphasising a mid-tempo 4/4 time signature with a natural, resonant tone, The vocal performance is emotionally charged, characterized by a soulful, slightly raspy tenor that utilizes dynamic swells and expressive vibrato, The melody follows a melancholic, descending contour in a minor key, creating an intimate and vulnerable atmosphere, The production is minimalist and dry, with no audible reverb or electronic effects, capturing the performance as if in a small, wooden room, The structure focuses on a building emotional intensity through the vocal delivery as the song progresses
3:09

4:40

is this the worst i've become
v4.5-all
nu rock, crying female/male voice, sorrow, explosive drops, force
3:38

Do you even know (published)
v4.5-all
male, alternative rock, build up, explosive drops, dark romance, spicy
3:15

male, alternative rock, build up, explosive drops, dark romance, spicy
1:54

Raw Vocals
v4.5-all
A powerful, raw a cappella vocal performance featuring a female tenor with a wide dynamic range, The piece is characterized by intense emotional delivery, utilizing dramatic crescendos and sustained high notes, The vocal technique shifts from a controlled, melodic chest voice to a strained, emotive belt with a slight vibrato on the tail of long phrases, The recording environment has a natural, resonant acoustic quality with minimal post-production, emphasizing the organic timbre of the voice, The tempo is rubato, following the natural flow of the lyrical delivery rather than a fixed beat, The melody is expansive in its reach, focusing on high-energy peaks and descending resolutions
3:04

Ashes of my Emptiness
v4.5-all
The song opens with sparse, fingerpicked electric guitar and subdued drums, creating a moody, intimate atmosphere, Verses are minimalist, highlighting raw vocals and gentle bass, The bridge introduces rising guitar feedback and rhythmic intensity, The chorus erupts with crashing drums, layered guitars, and anguished vocals, capturing urgent frustration, The second verse brings heavier drums and sharper guitar lines to evoke deep physical pain, leading to a massive, desperate post-chorus, The outro features soaring harmonies, a wall of distorted guitars, and dynamic drums, ending in a haunting, unresolved guitar fade-out
3:18

Fire in my Chest
v4.5-all
Opening with gentle electric guitar picking and filtered wordless hums, the track gradually shifts to crisp alt-rock riffs, underpinning subtle bass and syncopated drums that frame tense tenor vocals with airy harmonies, Swelling harmonised voices and atmospheric textures create tension before a drum-heavy drop erupts into a driving, clean electric alt-rock/metal chorus—dense layered guitars, soaring harmonies, and dramatic contrasts forge a haunting yet whimsical feel, In the post-chorus, vocals are laid bare over persistent drums and breathy panting; relentless guitars and drums surge back in, intensifying toward a finale that fuses urgent harmonies and pounding instrumentals, culminating in a distorted climax and finishing on a sharp electric guitar strike
1:48

Losing everyrhing by Tuana
v4.5-all
The gothic rock song opens with atmospheric synth pads and reverb-soaked clean electric guitar textures, Brooding bass and subtle, steady drums drive the verses, enriched by sparse, mournful piano accents and haunting backing vocals, The chorus features surging guitar riffs adorned by soaring female soprano melodies, heightening the song's dramatic, ethereal feel
6:07

Eternity may sound so sweet
v4.5-all
A slow-to-mid-tempo track (70–85 BPM) in 4/4 starts with clean, reverb-heavy guitar arpeggios and airy synths over deep, droning bass and hushed, distant drums, underpinning delicate vocals, Choruses explode with dense, distorted guitars and heavy rhythms, On the bridge, doom-inspired riffs and thick layers add weight, then the final chorus recedes to near-silence—bare vocals and fading drones leading to an isolated, haunting finish
5:11

Atmospheric and slow-burning, this track opens with clean, reverb-heavy guitar arpeggios, ambient synths, and deep, droning bass over sparse, distant drum hits, Verses are carried by whispered, confessional vocals, Choruses explode with dense distortion, thunderous rhythms, and anguished vocals, creating massive dynamic shifts, The bridge is a tortured peak driven by doom riffs and dense layers, leading to a final chorus that collapses into near silence—only fragile vocals and fading drones remain, The tempo is slow to mid, at 70–85 BPM in 4/4, merging delicate textures with crushing weight
3:24

The Dark Kingdom
v4.5-all
A gothic ballad of loneliness, despair and surrender to inevitable darkness, Verses 1 and 2 are sung softly, almost fragile, The first bridge slows down with stripped instrumentation, Chorus hits hard with layered vocals and heavier instrumentation, Bridge 2 could fade out with minimal backing, almost like a whispered confession, Make it feel dark, cinematic journey from isolation to surrender with a gothic, almost theatrical atmosphere, Starting sound 70 bpm peaking at 120 bpm in the chorus with post-hardcore energy
3:12

The dark kingdom
v4.5-all
This acoustic rock track opens with a raw, fingerpicked guitar and subtle percussive taps, creating a stark, intimate setting, Male and female vocals intertwine, harmonizing and trading anguished lines, Subdued bass enters in the chorus, intensifying the emotional build, while breaks between verses emphasize vulnerability, The instrumental bridge features layered vocal harmonies over strummed chords and subdued strings, leading to a cathartic, resolute final chorus
4:40

The dark kingdom
v4.5-all
This acoustic rock track opens with a raw, fingerpicked guitar and subtle percussive taps, creating a stark, intimate setting, Male and female vocals intertwine, harmonizing and trading anguished lines, Subdued bass enters in the chorus, intensifying the emotional build, while breaks between verses emphasize vulnerability, The instrumental bridge features layered vocal harmonies over strummed chords and subdued strings, leading to a cathartic, resolute final chorus
2:47

Uzaklara by Tuana
v4.5-all
indie folk, acoustic rock, 72 BPM, steel-string fingerpicking, octave mandolin, brushed snare, hand percussion, doubled acoustic guitars, close-mic room, tape saturation, analogue warmth, sparse intro, gradual lift, half-time chorus, bittersweet longing, intimate confession, harmonies
3:59

Crown of Blood (male metalcore)
v4.5-all
“Crown in Blood” is a slow‑to‑mid‑tempo gothic metalcore track (75–80 BPM, 4/4) that blends haunting atmosphere with emotional intensity, It opens with reverb‑drenched guitar arpeggios and airy synths over droning bass and hushed drums, while whispered vocals introduce the monster as both a literal beast and a metaphor for fractured identity, Choruses swell with distorted guitars and heavy rhythms, but the hook “The monster within me” is carried by passionate clean vocals with restrained growls, keeping the aggression melodic and accessible, The bridge adds doom‑inspired riffs and cathedral‑like synths, with darker spoken or low growled vocals underscoring rebirth and transformation, The final chorus dissolves into near silence, leaving fragile vocals over fading drones, The closing line about blood crowning the rise lingers hauntingly, ending with a chilling, unresolved finish
3:12

Crown of Blood (female metal)
v4.5-all
“Crown in Blood” is a slow‑to‑mid‑tempo gothic metalcore track (75–80 BPM, 4/4) carried by a female singer with a deep, resonant voice, It opens with reverb‑drenched guitar arpeggios and airy synths over droning bass and hushed drums, her whispered delivery portraying the monster inside as both a literal beast and a metaphor for fractured identity, Choruses swell with distorted guitars and heavy rhythms, but instead of relentless screaming, the hook “The monster within me” is sung in powerful, low, clean vocals with occasional restrained growls, This keeps the aggression melodic and accessible, echoing the emotional pull of Voices, The bridge adds doom‑inspired riffs and cathedral‑like synths, her voice shifting into darker spoken tones and low growls to underscore rebirth and transformation, The final chorus dissolves into near silence: guitars and drums peel away, leaving her deep, fragile vocal over fading drones, The closing line about blood crowning the rise lingers hauntingly
3:42

Crown of Blood (male)
v4.5-all
gothic rock, nu rock, 148 BPM, minor key, wordless hums, steel-string fingerpicking, distorted rhythm guitars, octave guitar hooks, picked bass line, syncopated toms, double-kick drive, post-chorus drop, parallel harmonies, plate reverb vocals, tape saturation, wide drum room, snarling anger
5:04

The night is young 3
v4.5-all
acoustic folk, gothic ballad, a cappella female vocal, breath-led phrasing, call and response, solo bedroom vocal, rain ambience, moonlit chamber reverb, intimate room tone, steel-string fingerpicking, brushed snare accents, bowed bass drone, harmonium pad, sparse midnight arrangement, 68 BPM, rubato phrasing, post-rock tension, cathartic lift, sorrowful serenity
4:39

acoustic folk rock, post-rock ballad, 76 BPM, steel-string arpeggios, fingerpicked acoustic guitar, brushed snare, rainstick percussion, glockenspiel accents, airy synth pad, sub bass swell, distant room mic, plate reverb, tape compression, wide stereo bloom, hushed verses, cathartic chorus, bittersweet release, nocturnal longing
4:23

The night is still young 1
v4.5-all
The song is a slow, acoustic ballad built around gentle guitar arpeggios, soft percussion, and airy synth textures, At 70–80 BPM in 4/4, the song moves from hushed verses to emotional choruses, mirroring the shift from quiet reflection to heartbreak, Blending acoustic intimacy with post-rock atmosphere, it captures the beauty of the night sky while carrying themes of grief, longing, and bittersweet release
4:24

Him and Only Him by Tuana
v4.5-all
gothic rock, nu rock, rap rock bridge, heavy electric guitar riffs, palm-muted chugs, octave lead guitar, distorted bass guitar, male belt vocals, choir harmonies, analog saturation, gated reverb snare, sidechain pumping, explosive pre-chorus, 132 BPM, half-time breakdown, dark forbidden love, apocalyptic devotion
4:04

acoustic alt-rock, nu rock, 98 BPM, raspy male vocals, fingerpicked acoustic guitar, electric guitar crunch, tom-heavy drums, bass pedal tones, cathedral reverb, analogue tape saturation, verse argument delivery, pre-chorus lift, explosive chorus, sparse intro, halftime bridge, despair to surrender, fiery obsession, eternal night
4:03

Him and Only Him
v4.5-all
gothic rock, nu rock, rap rock bridge, heavy electric guitar riffs, palm-muted chugs, octave lead guitar, distorted bass guitar, male belt vocals, choir harmonies, analog saturation, gated reverb snare, sidechain pumping, explosive pre-chorus, 132 BPM, half-time breakdown, dark forbidden love, apocalyptic devotion

