Lost Poets Society - Einladungen

A melancholic electronic track with a slow tempo and a minor key, The primary instruments are a synth pad providing a sustained, ethereal background, a clean electric guitar playing a simple, arpeggiated melody, and a subtle, deep bass synth providing harmonic support, The drums are sparse, featuring a soft kick and snare with occasional hi-hats, creating a relaxed, almost ambient rhythm, A male vocalist sings in a low, breathy tone, often in unison with the guitar melody, The production is clean with a slight reverb on the vocals and guitar, giving it a spacious feel, The song structure is verse-chorus with instrumental breaks, The chord progression is simple, primarily moving between minor chords, creating a sense of introspection and longing, The overall mood is calm and reflective

Cinematic Choral / Dark Sci-Fi Hymn Slow, 65–72 BPM – like a machine heartbeat D minor or F# minor – dark, sublime, metallic Deep male choir (Borg drones), metallic female choir (synthesized voices), sub-bass drones, distorted strings, metallic percussion, mechanical breathing sounds Glitches, modulated voices, stereo panning, algorithmic echo reverbs (“data halls”) Mixture of organ + synth + cold reverb, with 3D spatial effect (voices circle around the listener) Climax from whispering → monotonous chanting → choral explosion → fade-out into frequency noise Choral parts: deep, slow, unison — like a machine praying, “Wir sind das Borg-Kollektiv, ” (repeated, in crescendo layers) Solo voice: metallically modulated, genderless, half-whispered — the “Schnittstelle” (the collective speaks through it), Response choir: echoing, filtered — “Wir sind Viele, Wir sind du, ”

[Scotland folk bagpipes line, frame drum pre-1500 AD style] [Beat (6/8 frame drum – medium intensity) 1, 4 5, | Bass – – Tap Tap – Boom, Tak Tak, ] [Bagpipe inserts – Overview - Intro: free, atmospheric, improvised over the root note (e, g, D–E–F–E) “Avril Medhonig – tað skalt tú vera”: first melodic statement, clear, bright Chorus: leads the line above the vocals – like a second voice Bridge: silence (quiet = tension) Final chorus: solemn re-entry, same melody as in the first chorus, slightly varied, then fades away, ]

Irish folk bagpipes and violin, cello, double bass, frame drum pre-1200 AD style

Irish folk bagpipes, violin, cello, double bass, frame drum Nordic pre-1200 AD style, Strings: Lyra, Tagelharpa/Jouhikko, Kantele, Winds: Lur, birch-bark or bone flute, animal/wood horn, Percussion: frame drum, shaman drum, wood mallet, bone rattle, stone hits, Atmosphere: natural reverb, wind, ravens, runic whispers, cold ambient tone

Swiss Alpine Speed Rap, Accordion, Country, Rap, Opera, Lo-floh

Style / Mood: Contemporary Sufi-Persian balada • calm • luminous • spiritual • reflective, 6/8 • 75 BPM • Key: A minor / D major, Voices: only female Layla – warm, resonant Arabic contralto (gentle vibrato, deep emotion), Nur – airy Malay soprano (pure, reverent, devotional), Duet Plan: → V1 Layla solo → Pre → Chorus (both) → V2 Nur solo → Pre → Chorus (both) → kamancheh 8 + oud 8 solo → Bridge (call / response) → Final double Chorus → rain / ney fade, Languages: German • English • Bahasa Melayu + Arabic interjections (“Ya Nur”, “Kasih”, “Subhan”, “Rabbku”), Instrumentation: Barbat / Oud lead (ostinato + solo) • Kamancheh (countermelody + solo) • Ney (flute pads) • Santur / harp arps • Daf + soft hand percussion • subtle strings • female choir pad • rain ambience, Production: Warm vocals • short hall reverb • oud forward • percussion dry • soft depth, Ostinato: A E A | G F E Drone: A–E Solo motifs: A/A′/B/C Cadence: F G A | A long

Intro: 90 BPM, dark cinematic piano, soft rain sounds, emotional strings, melancholic trap intro, slow build-up, reflective mood, Verse Part: 90 BPM, emotional German trap beat, deep 808s, dark piano, slow drums, cinematic vibe, melancholic and storytelling mood, Hook / Chorus: 90 BPM, emotional vocal hook, soft reverb vocals, cinematic piano and pads, sad and reflective atmosphere, trap rhythm, Bridge: 90 BPM, ambient pads, reversed piano, minimal drums, half-time bridge, moody cinematic transition, emotional build, Outro: 90 BPM, solo piano, fading rain ambience, soft strings, cinematic ending, melancholic closure, reflective fade out, Vocal Prompt (optional): Male German rap vocals, deep emotional tone, introspective lyrics, melancholic delivery, clear articulation, 90 BPM

Harp, hurdy-gurdy, lute, frame drum, flute, Two voices (male/female), modal melody (Dorian or Aeolian), 68–72 BPM, free-floating, like a pilgrim's song at dusk, Spiritual, delicate, worldly, yet devout—like a minstrel's lament for a time between nature and creation