Playlist cover art

Advent calendar 2025

3:33Song Image
The song opens at 115 BPM in 6/8 with bright Christmas bells and warm Rhodes, joined by acoustic guitar cycling Cmaj7/Gmaj7 and soft synth pads under a melodic female lead, The chorus lifts with layered choir harmonies, bold G7/E7/Am/Dm chords, pop drums, light brass, jingle bells, and gentle bass, A bridge brings in delicate strings, all polished with pristine pop EQ for a festive, upbeat texture
3:39Song Image
The song opens at 120 BPM in 6/8 with bright Christmas bells and warm Rhodes, joined by acoustic guitar and soft synth pads under a melodic female lead, The chorus lifts with layered female harmonies, bold G7/E7/Am/Dm chords, pop drums, light brass, jingle bells, and gentle bass, A bridge brings in delicate strings, all polished with pristine baroque pop EQ for a festive, upbeat texture
2:54Song Image
At 145bpm in 6/8, the song kicks off with sparkling christmas bells over pulsing synthpads, quickly launching into driving pop punk guitars and energetic drums, Female vocals lead catchy, emo-tinged melodies, The chorus pops with jingle bells layered into the rhythm, The outro fades gently with soft string pads and the return of the bells
3:14Song Image
The song begins at 100bpm with melodically spoken female vocals accompanied by sparse piano and subtle strings, Tempo accelerates to 150bpm as theatrical female main vocals and a bright, Christmas-infused melody emerge, Choruses shine with jingle bells, lush choir harmonies, and full orchestration, The song decelerates and softens at the end, closing with musical talking, delicate piano, and luminous textures, maintaining a festive, melodic continuity
3:21Song Image
A Pop Punk Christmas tune at 150 BPM in 6/8, opening with bright christmas bells and a cold Rhodes in the chorus, Verses use Cmaj7/Gmaj7 shifts on lush electric guitar and heavy synth pads, supporting a female vocal, vibrant chords (G7, E7, Am, Dm), and a full pop punk mix with heavy brass, jingle bells, and medium bass, all balanced by a pop punk equalizer for a festive, catchy sound
4:24Song Image
A dark Christmas girlgroup track opens with eerie organ and soft synth pads, building tension, Each verse features a distinct female vocal, blending tight harmonies and unsettling intervals, The chorus erupts with clanging jingle bells over a haunting organ line, Subtle choral whispers, chilling effects, and a dissonant breakdown add suspense, The song ends in silence, broken by an evil laugh
3:12Song Image
Bouncy bubblegum, irish instrumental and techno groove and christmas bells, D major, 128 BPM, Articulation: grace notes, rolls, and slight pitch bends (MIDI pitch‑bend ± 10 cents), Kick: 909‑style, tuned to 60 BPM (or 120 BPM double‑time), <br>• Percussion: closed hi‑hat (16th‑note pattern), open hat on the 2 & 4, <br>• Bassline: syncopated 16th‑note pattern, filtered low‑pass automation (cutoffā€Æā‰ˆā€Æ150 Hz → 500 Hz), Sample: tubular bells + glockenspiel, layered with a soft reverb tail, <br>• Placement: accent on downbeats of every 2nd bar, plus occasional 32nd‑note rolls during transitions, True‑peak limiter set to –0, 3 dB TP, ceiling –0, 1 dB TP, Transparent brickwall, target integrated loudness –14 LUFS, true‑peak –1 dBTP, Mid/Side enhancer, +5 % mid, +10 % side, Gentle high‑shelf +1 dB at 12 kHz, low‑cut at 30 Hz (ā€‘āˆž)
4:44Song Image
Bouncy bubblegum, irish instrumental and techno groove and christmas bells, D major, 128 BPM, Articulation: grace notes, rolls, and slight pitch bends (MIDI pitch‑bend ± 10 cents), Kick: 909‑style, tuned to 60 BPM (or 120 BPM double‑time), <br>• Percussion: closed hi‑hat (16th‑note pattern), open hat on the 2 & 4, <br>• Bassline: syncopated 16th‑note pattern, filtered low‑pass automation (cutoffā€Æā‰ˆā€Æ150 Hz → 500 Hz), Sample: tubular bells + glockenspiel, layered with a soft reverb tail, <br>• Placement: accent on downbeats of every 2nd bar, plus occasional 32nd‑note rolls during transitions, True‑peak limiter set to –0, 3 dB TP, ceiling –0, 1 dB TP, Transparent brickwall, target integrated loudness –14 LUFS, true‑peak –1 dBTP, Mid/Side enhancer, +5 % mid, +10 % side, Gentle high‑shelf +1 dB at 12 kHz, low‑cut at 30 Hz (ā€‘āˆž), ‑poor EQ, ‑distortion, ‑reverberation, ‑shimmering, ‑blurry vocals, ‑lasering, ‑blurry sound