Naše doba

Performed by Vladimir Vysockij, raw acoustic bard song, dramatic spoken-sung male vocal, deep raspy baritone voice, strained throat, emotional gravel, imperfect pitch, expressive shouting and whispering contrast, intense storytelling, protest folk atmosphere, Soviet-era underground poetry vibe, minimalist acoustic guitar, rhythmic strumming, minor key, stark arrangement, no polish, no pop smoothness, voice slightly overdriven, urgency and existential tension, ironic bitterness, tragic humor, street philosopher energy, confessional tone, poetic realism

Genre: radical psychedelic theatrical satire; a political ritual of resistance; surreal, unsettling, occasionally aggressive Tempo: mid Vocals: - absolutely crystal‑clear Czech pronunciation - lead vocal: affected, high‑pitched female, exaggerated, ironically ceremonial, sometimes hysterical; an opposition MP who refuses silence - backing: mixed choir resembling psychiatric‑ward patients singing in unison — the collective voice of the silenced and enraged - spoken intro/outro allowed: cold, official parliamentary tone in sharp contrast to the content Instruments: swirling synths, distorted organ, drones, warped piano, restrained marching percussion; voices may overpower instruments Melody: hypnotic, circular, deliberately repetitive; childlike yet eerie; slightly out‑of‑tune choral harmonies, lyrics always clear and forceful Delivery & Mood: extreme over‑articulation, theatrical, confrontational, Grotesque, uncomfortable, It disrupts proceedings, It demands attention

> Genre: **psychedelic theatrical satire**, surreal and unsettling, > Mood: bizarre, ironically joyful, slightly disturbing, > Tempo: slow to mid-tempo, floating, occasionally dissolving or looping, > Vocals: **perfect, crystal-clear Czech pronunciation**; main vocal is an **affectated high male countertenor**, fragile and exaggerated; supported by a mixed choir sounding like patients singing together on a psychiatric ward; spoken intro allowed, > Style references: psychedelic theatre, absurd opera, ritual chant, surreal cabaret, > Instruments: swirling synths, organ, drones, warped piano, soft percussion, distant bells; voices sometimes dominate over instruments, > Melody: hypnotic, circular, childlike but eerie; choral harmonies slightly out of tune for surreal effect (but lyrics remain clear), > Delivery: dramatic over-articulation, stretched vowels, obsessive repetition of “Do-mi-ny-ku”; contrast between solo countertenor madness and collective choir unity

Czech language, perfect, crystal-clear Czech pronunciation, Vocal: Screamed high notes - countertenor (psychedelic affectation): breathy, strained, abrupt endsA hard-hitting rap track with a male vocal riding atop a beat featuring deep 808s, crisp hi-hats, and expressive Turkish-inspired melodies on oud and ney, Layers of hand percussion and minor-key string motifs build texture, while choruses expand with bold synth pads for dynamic lift

Czech song, folk/rock, male voice, ironic, playful, cheerful, rhythmic, with light guitar accompaniment

Hard/heavy rock track for sung lyrics with a stadium‑ready, party energy, Instruments: two electric guitars (thick, crunchy rhythm power‑chord riffs up front, melodic twin‑lead fills and a soaring solo), punchy bass that locks with drums, driving rock drum kit (big snare, solid kick, cymbal crashes), Hammond/keys for atmosphere, and gang backing vocals for choruses, Strong, dark, raspy male lead, emotive and articulated, able to switch to softer tone for ballad sections, Create a melodic chorus and sing it in three voices — the lead male voice is joined by two additional male voices, Production: thick, energetic, guitars forward, clear present lead vocal, warm full lows, slight analog grit, live feeling but polished, BPM 120

Modern Czech rock song with emotional vocals, rough male voice, powerful guitars, and dynamic energy, Melancholic yet driving, with strong choruses and atmospheric reverb, Experimental, Psychedelic