
Travis Evans
Travis’s wheelhouse: honest, a little weathered, but full of quiet hope.
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7 songs
4:01

Slow drawling western acoustic ballad titled "Akila City Sundown" for Starfield, 72 BPM, 4/4 time, heavy steel-string acoustic guitar fingerpicking throughout Johnny Cash-like meets Chris Stapleton-like, opens sparse with lone guitar and faint harmonica wail, gravelly male vocals with deep drawl enter at 0:30 singing about dusty Akila streets Freestar outlaws double moons rising and frontier longing, pedal steel guitar slides mournful at 1:15 light banjo upright bass and brush drums join at 2:00 harmonica solo soars then fades to quiet acoustic and lingering pedal steel note, G major with minor inflections, ultra-high production real acoustic recording quality, 3-4 minute emotional arc of rugged melancholy and peaceful horizon gaze, no electric instruments goosebump-inducing
4:29

Warm mid-tempo country-folk ballad “Dust and Double Moons” for Travis Evans persona, 98 BPM, fingerpicked acoustic guitar, gentle steel guitar swells, light upright bass, subtle fiddle harmony, warm male baritone lead vocal with soft three-part backing harmonies on chorus, storytelling lyrics about a wandering cowboy drawn home by twin moons, live intimate feel at The Rock in Akila City, ultra-high production modern country-folk quality, 3:45, heartfelt and reflective with western swing groove
6:21

Mid-tempo heartfelt country-folk ballad “Beautiful Stranger” for Travis Evans persona, 94 BPM, acoustic guitar fingerpicking, gentle steel guitar and fiddle swells, light upright bass, warm male baritone lead vocal with soft three-part backing harmonies on chorus, emotional storytelling about a Colony War Mech driver saved twice by a mysterious beautiful stranger who appears only in life-or-death moments, live intimate feel at The Rock in Akila City, ultra-high production modern country-folk quality, 4:15, reflective narrative with quiet western swing groove and lingering mystery
5:09

Slow drawling western acoustic ballad, 72 BPM, 4/4 time, heavy steel-string acoustic guitar fingerpicking throughout Johnny Cash-like meets Chris Stapleton-like, opens sparse with lone guitar and faint harmonica wail, gravelly male vocals with deep drawl, pedal steel guitar slides mournful, light banjo upright bass and brush drums join, harmonica solo soars then fades to quiet acoustic and lingering pedal steel note, G major with minor inflections, ultra-high production real acoustic recording quality, 3-4 minute emotional arc of rugged melancholy and peaceful horizon gaze, no electric instruments goosebump-inducing
4:43

Nineteen
v5
Slow drawling western acoustic ballad titled "Akila City Sundown" for Starfield, 72 BPM, 4/4 time, heavy steel-string acoustic guitar fingerpicking throughout Johnny Cash-like meets Chris Stapleton-like, opens sparse with lone guitar and faint harmonica wail, gravelly male vocals with deep drawl enter at 0:30 singing about dusty Akila streets Freestar outlaws double moons rising and frontier longing, pedal steel guitar slides mournful at 1:15 light banjo upright bass and brush drums join at 2:00 harmonica solo soars then fades to quiet acoustic and lingering pedal steel note, G major with minor inflections, ultra-high production real acoustic recording quality, 3-4 minute emotional arc of rugged melancholy and peaceful horizon gaze, no electric instruments goosebump-inducing
3:04

Genre: Folk Rock, Sea Shanty, Country Folk, Upbeat Pub Anthem
Style: Energetic acoustic folk sing-along The Pogues-like meets Firefly's "Jaynestown" ballad, rowdy male vocals, stomping drums, banjo or mandolin riffs, harmonica swells, building to triumphant chorus, gritty heroic outlaw vibe]
Mood: Triumphant, rebellious, humorous hero worship, working-class pride, fun and anthemic
6:52

slow drawling western acoustic ballad titled akila city sundown for starfield 72 bpm 4 4 time heavy steel string acoustic guitar fingerpicking throughout Country, Rockabilly, Folk, Gospel like meets country, southern rock, Americana like opens sparse with lone guitar and faint harmonica wail gravelly male vocals with deep drawl enter at 0 30 singing about dusty akila streets freestar outlaws double moons rising and frontier longing pedal steel guitar slides mournful at 1 15 light banjo upright bass and brush drums join at 2 00 harmonica solo soars then fades to quiet acoustic and lingering pedal steel note g major with minor inflections ultra high production real acoustic recording quality 3 4 minute emotional arc of rugged melancholy and peaceful horizon gaze no electric instruments goosebump inducing

