Stone and Waves - Lena Dubois

90s Alternative Rock, Irish Folk Rock, 90s production, anthemic, nostalgic, ethereal, raw energy, Driven by acoustic guitar rhythms and a shimmering, clear jangle electric guitar, Tight punchy drums, melodic bass, Featuring a powerful, deep female vocal singing in Gaelic with a strong, authentic Limerick accent, mezzo voice, warm and slightly nasal, natural grit, expressive chest-to-head breaks on sustained vowels, subtle keening ornamentations, close-mic intimacy, organic tone, Vocal style must feature precise, clear-cut diction (like cutting stone) and ethereal sean-nós ornamentation, Must include soaring, emotional sean-nòs-like vocal breaks in the chorus, ‑pop, ‑bright high-pitched voice, ‑EDM, ‑autotune, ‑vocoder, ‑synthetic instruments, ‑glossy production, ‑alpine yodel, ‑theatrical vibrato, ‑excessive reverb, ‑clean overproduced mix

[Alt Rock] [Irish 90s rock Influence] [90s Jangle Jangle] [Quiet–Loud] [Female Lead: Celtic sean-nós, soft Irish lilt] [Harmonies in chorus] [Baritone Sax low counterlines] [Old Vinyl Crackle loop –24 LUFS, constant] [Warm analog saturation] [Snare with plate tail] [Tempo 84 BPM] [Key D minor], Verses: intimate, close-mic; slight ornaments and occasional sean nos breaks on key words, Choruses: explosive guitars, roomy drums, layered harmonies; slapback on lead, Final bar ends on a lone clean arpeggio while vinyl crackle fades, ‑live recording, ‑audience, ‑concert, ‑demo, ‑cover, ‑karaoke, ‑tribute, ‑famous artist, ‑band name, ‑imitation, ‑remix, ‑mashup, ‑parody, ‑edm, ‑trap, ‑techno, ‑house, ‑drum machine, ‑autotune, ‑vocoder, ‑male vocal, ‑duet, ‑choir, ‑gospel, ‑orchestral, ‑cinematic, ‑symphonic, ‑trailer, ‑applause, ‑crowd noise, ‑studio chatter, ‑folk, ‑yodel

Female mezzo voice, warm and slightly nasal, Irish inflection, natural grit, expressive chest-to-head breaks on sustained vowels, subtle keening ornamentations, close-mic intimacy, organic tone, Alternative rock 90s, mid-tempo (~82 bpm), Two electric guitars: clean + short delay arpeggios in verses, heavy distortion (Big Muff/RAT) power chords in choruses, Bass warm, played with pick, light compression, Drums heavy, dry snare, deep kick, closed hi-hat in verses, open in choruses, Minimal reverb, short delay on final vocal phrases, Raw, emotional performance with subtle dynamics, keeping natural imperfections, ‑pop, ‑bright high-pitched voice, ‑EDM, ‑autotune, ‑vocoder, ‑synthetic instruments, ‑glossy production, ‑alpine yodel, ‑theatrical vibrato, ‑excessive reverb, ‑clean overproduced mix

90s indie rock with grunge edge, raw and dirty, Female lead vocal, close-miked, Irish lilt, fragile yet explosive, mixing spoken-sung tone, Celtic ornaments, light sean-nós flips, emotional yodel breaks, Verses: clean folk guitar arpeggios, soft snare/hi-hat, round bass, intimate vocals, Choruses: distorted electric guitars, driving bass, louder snare/charley, rough edges, saturated tape feel, Background: looping crackle of scratched vinyl, adding grit, Minimal production, no polish, Emotional arc: restrained, tender verses exploding into raw grunge choruses, ‑autotune, ‑vocoder, ‑synth pads, ‑piano ballad, ‑brass, ‑saxophone, ‑choirs, ‑male vocals, ‑funk slap-bass, ‑electronic drums, ‑808s, ‑ukulele, ‑banjo, ‑harmonica, ‑flute

Dark [Rock Ballad] with stripped sound, [Guitar semi-hollow arpeggios calm, muted distortion until last chorus], [Banjo plucked and strummed], [Bass dry, heavy], [Drums dry, muted until chorus, short reverb, cymbal accents on verses], [Female voice very deep, raspy, broken, calm and spoken-sung, ironic tone, controlled without forcing; explodes only on final doubled chorus], Structure: [Intro guitar + banjo calm, mute: drums], [3 Verses with arpeggios + cymbal, mute: distortion guitar], [Chorus with band, drums unmuted], [Bridge distorted guitar solo], [Final chorus doubled, distortion + full drums], [Outro calm arpeggios + banjo, mute: drums], Lo-fi, tense atmosphere, ‑electric guitar solo except bridge, ‑pop, ‑live, ‑synth, ‑choir, ‑high-pitched vocals, ‑heavy reverb

Female mezzo voice, warm and slightly nasal, Irish inflection, natural grit, expressive chest-to-head breaks on sustained vowels, subtle keening ornamentations, close-mic intimacy, organic tone, Alternative rock 90s, mid-tempo (~82 bpm), Two electric guitars: clean + short delay arpeggios in verses, heavy distortion (Big Muff/RAT) power chords in choruses, Bass warm, played with pick, light compression, Drums heavy, dry snare, deep kick, closed hi-hat in verses, open in choruses, Minimal reverb, short delay on final vocal phrases, Raw, emotional performance with subtle dynamics, keeping natural imperfections, ‑pop, ‑bright high-pitched voice, ‑EDM, ‑autotune, ‑vocoder, ‑synthetic instruments, ‑glossy production, ‑alpine yodel, ‑theatrical vibrato, ‑excessive reverb, ‑clean overproduced mix

[female narrator], [Rock], [Alternative], [Indie], [Grunge], [Lo-fi], [Celtic yodels], [Dry vocals], [Close mic], [Distorted guitars], [Electric guitar], [Bass], [Drums], [Verse], [Chorus], [Bridge], [Outro], [Silence], [Sighs], [Ambient noise] Irish female vocals with natural accent, fragile and gritty, Close-miked voice with breath and mouth noise, shifting from whispered tension to raw yodel-style cries, Imperfect, emotional phrasing — no polish, no effects, Dry lo-fi mix with minimal reverb, Guitar-driven, analog distortion, tense verses, explosive choruses, No synths, no gloss — just raw 90s alt-rock energy, Lyrics condemn whale slaughter — quiet sorrow turns into furious lament, Open vowels in chorus allow expressive yodels, ‑operatic vocals, ‑clean vocals, ‑autotune, ‑pop production, ‑glossy mix, ‑perfect pitch, ‑synthetic instruments, ‑polished studio sound, ‑commercial tone, ‑soft pop, ‑cheerful melodies, ‑major key, ‑EDM elements, ‑whispery singing, ‑high-pitched vocals, ‑soprano vocals, ‑diva voice, ‑smooth transitions, ‑lush reverb, ‑electronic pads, ‑vocal layering, ‑vocal tuning, ‑ambient drones, ‑orchestral strings, ‑cinematic build-ups, ‑classical influences, ‑jazzy chords, ‑soul influences, ‑funk grooves, ‑gospel tones, ‑lounge vibe, ‑clap tracks, ‑background choirs, ‑overcompressed mix, ‑mainstream aesthetics, ‑synthetic drums, ‑tropical elements, ‑trap beats, ‑happy mood, ‑electro effects, ‑robotic filters, ‑synthetic textures, ‑crowd noise, ‑stadium ambiance, ‑metal aggression, ‑autotuned harmonies, ‑live

[STRICT: vocal clarity 100%, no autotune, no pitch correction] [Dry vocal, no reverb, no echo, no delay] [Close mic, breath and mouth noise preserved] [Female lead] raspy, raw, celtic yodels, emotional grit, fast phrasing in choruses, sustained notes in bridges, [Chorus: vocal layer x3, harmonies panned 30% L/R, main +6dB] [Mix: vocals +6dB, instruments -2dB, mono bass, kick sidechain 120ms] [Style] ROCK, GRUNGE, IRISH ROCK, CELTIC ROCK, ALTERNATIVE, Gritty, raw, imperfect, Celtic melodic runs with grunge distortion, Irish folk-inspired guitar, driving bass, tight snare, no gloss, [Intro: electric guitar arpeggios, snare rimshot] [Verse: dry vocal, narrative tone] [Pre-Chorus: BPM +8, guitar upstroke] [Chorus: full band, layered vocals + yodel phrases] [Bridge: whispered, bass+floor tom, long sustained yodel, explode] [Outro: fade on guitar drone + layered yodels], ‑clean pop tones, ‑soft whispery singing, ‑autotune, ‑heavy reverb, ‑synth pads, ‑orchestral strings, ‑electronic beats, ‑polished studio mix, ‑disco, ‑soul, ‑funky brass section, ‑EDM drops, ‑high-pitched vocals