
Go, and Sin No More
The third album from Soothsayer, generated with v5.5. Lyrics by Humiliation Ritual and Grok.
·
9 songs
4:12

Homunculus Sins
v5.5
high-energy math rock post-hardcore progressive fusion with intense latin-jazz salsa afro-cuban percussion grooves, frantic angular guitar riffs and virtuosic skronking leads with heavy delay reverb and psychedelic bends, complex odd time signatures rapid tempo shifts polyrhythms, technical drumming with ghost notes explosive fills and latin-infused breaks, dense interlocking instrumentation free-jazz chaos cinematic swells, soaring male falsetto and intense high-register tenor vocals alternating with raw emotional delivery, abrupt dynamic changes between melodic ethereal sections and chaotic dissonance, driving bass lines, unorthodox song structure, raw yet atmospheric production
2:52

Sin No More
v5.5
progressive psychedelic indie-pop alt-dance with latin-jazz fusion and salsa percussion, sleek groovy electronic rock with French indie strut, avant-garde cinematic spooky supernatural atmosphere, dense layered instrumentation, shimmering jangly guitars with dynamic leads, funky bass-forward groove and weird percussive flair, vibrant afro-cuban congas bongos timbales and salsa rhythms driving the pulse, hard-hitting yet danceable electronic drums with industrial edge, subtle eerie atmospheric synth pads, detuned house piano stabs with punchy off-kilter chords adding dissonant tension, tubular bells ringing with haunting cinematic resonance and distant tolling, processed demonic vocal chops blended with soaring ethereal male falsetto and tenor vocals, pitch-bent haunting effects, menacing stylish groove, evolving progressive structures, ‑bongos, ‑steel drums
4:32

Ya Estoy Vacío
v5.5
slow lonesome progressive rock dirge, psychedelic rock, latin-jazz fusion in languid grooves, heavy metal percussion with crushing cavernous double-kick and thunderous funeral toms, sparse jangling surf guitar slowed to desolate echoing strums and delay-drenched leads, deep rumbling bass pulses, vast lonely atmospheric pads, sustained ghostly fuzz haze, male falsetto and tenor vocals in mournful wailing delivery contrasted by deep rich contralto female vocals on Spanish lines, cinematic neo-noir nocturnal dirge with vast empty space
3:39

Simona
v5.5
slowed waltz-salsa swing with shoegaze haze, dreamy psychedelic cloud layers, latin-jazz fusion meets ethereal post-hardcore shoegaze, dense swirling atmospheric walls of distorted guitars, heavy reverb and delay on everything, floating male falsetto and tenor with spectral chopped layers, cinematic swells, dynamic guitar lines buried in shoegaze wash weaving muted brass, congas timbales bongos güiro in half-time swinging clave with waltz sway, deep sub bass pulses, piano montuno drifting in fog, math rock tension, avant-garde textures, sultry relaxed mystical mood, spacious decayed echoes, progressive rock builds dissolving into shoegaze haze
3:30

Leave
v5.5
progressive rock, psychedelic rock, latin-jazz fusion, salsa, afro-cuban rhythms, post-hardcore, math rock, dense instrumentation, dynamic guitar, male falsetto, ethereal vocals, fused with vaporwave mallsoft, glitchy dreamy lo-fi synths, heavily slowed chopped and screwed samples, retro mall ambiance, soft neon glow, reverb piano, heavy analog hiss, heavy VHS distortion, tropical pads, steel drum echoes, shimmering arpeggios, hypnotic polyrhythms blending salsa with vaporwave loops, ethereal male vocals over lush glitchy layers, intricate guitar through pastel soundscapes, urgent dynamic shifts between math-rock tension and crumbling glitchy mallsoft serenity, rising unease, dissonant warm tones, heavy stuttering glitches, digital dropouts, faint mall echoes with distant alarms, unsettling F# Phrygian minor key, heavy b2 (G natural vs F#), tritone tension, unresolved minor seconds
6:04

Fat Tuesday
v5.5
progressive rock, psychedelic rock, post-hardcore, alternative, avant-garde, cinematic, dynamic guitar, 112-115 BPM, 4/4 with occasional 5/4 shifts and polyrhythmic undercurrents, heavy low-end swerving groove, dark exotic Phrygian dominant tension with raised third and lowered second, palm-muted chugs into fluid hammer-on pull-off Phrygian licks, dense layered instrumentation, atmospheric clean tones with deep reverb and delay, heavy distorted walls with tight low-end punch, thick saturated guitar tone with feedback swells, ethereal breathy male falsetto and soaring raw male tenor vocals shifting from whisper to scream, restrained groove with subtle swing and push-pull feel, Tool-style polyrhythmic drum tension and war-drum builds, psychedelic atmosphere, cinematic builds, low tuned weight, faint shaker pulse only
4:10

Holy Ghosts '26
v5.5
progressive rock, psychedelic rock, latin-jazz fusion, salsa, afro-cuban percussion, post-hardcore, alternative, avant-garde, cinematic, dynamic guitar riffs, math rock complexity, dense instrumentation, male falsetto layered with raw tenor, ethereal atmospheres, bilingual Spanish-English, intense emotional delivery, building tension and release, heavy rhythmic drive with intricate polyrhythms, atmospheric synths, haunting reverb, dramatic dynamic shifts, exorcism-themed urgency, raw and mystical energy, unconventional time signatures, minor key, latin-inspired guitar riffs, heavy reverb, heavenly choir, detuned pipe organ, fast-paced verses, chorus explodes with melodic and anthemic guitar lines and soaring harmonized riffs, thrash energy, aggressive thrash riffing, blast beats fused with latin percussion, detuned pipe organs, haunting harps
3:23

soft dreamy ethereal city pop ballad, emo-pop twinkling guitars & drum swells, amplified sensual latin influence with horn accents, hypnotic latin grooves, stronger afro-cuban rhythms, late night pre-dawn haze, gentle swaying groove, warm analog synths, delicate electric piano, shimmering hypnotic guitars, light jazz percussion, breathy flute, warm bass, lush female-only layered backing vocals, soft velvet dreamy female vocalist with siren-like ethereal range, intimate cinematic production, psychedelic touches, enhanced latin-jazz fusion, dense atmospheric instrumentation, progressive rock dreamscape, post-hardcore emotional depth, avant-garde ethereal textures, exclusively female vocals throughout, no male vocals or harmonies whatsoever, strictly solo female lead and harmonies, zero male vocal elements, slow tempo, hazy reverb, soft dynamic swells
6:07

Guitar-only intro with serpentine spiraling riff full of hammer-ons pull-offs and perpetual forward motion pushing against the downbeat, lush cathedral reverb and delay on guitars, dense progressive psychedelic rock, subtle latin buried clave shimmer, post-hardcore emotional surge, cinematic dynamic builds, asymmetrical structure with elongated verses and delayed explosive choruses, ethereal male falsetto shifting to soaring passionate tenor, dense interlocking guitars and rhythm section, avant-garde textural depth, brooding mystical yearning atmosphere, intimate slow mid-tempo 4/4 pulse 82-88 BPM, atmospheric production with rich spatial reverb, bass and drums enter after guitar intro

