Swing Against The Machine

1940s big band swing dance track with jazzy horns, upright bass, piano stabs, and energetic drums, Tempo fast and bouncy, Vocals should be sassy and theatrical, male or female, with attitude and humor, Tone is cheeky but serious, like a political cartoon turned into a nightclub anthem, Think Cab Calloway meets anti-fascist resistance, Add crowd claps, trumpet solos, and classic swing rhythm, Chorus should be anthemic with group vocals

Upbeat swing jazz track with comedic flair—think jazzy horns, honky-tonk piano, snare brushes, and bouncing upright bass, Vocals should be cheeky and theatrical, like a vintage Broadway comedian roasting fascists with style, Include group chorus lines, trumpet solos, and call-and-response sass, Tone is playful, sharp, and rebellious—ideal for a musical number that mocks authoritarianism through dance and satire

High-energy swing jazz track with aggressive brass, upright bass, pounding snare, and theatrical call-and-response vocals, Vocals should be fast, sharp, and punchy, Horn section leads the charge like a protest in a nightclub, Tone is defiant and chaotic, like Zoot Suit Riot meets antifascist dancehall, Should feel like music that gets banned because it tells too much truth too loud

Swing jazz track with confident horns, a tight upright bass groove, and clean snare work, Vocals should be bold and theatrical with sarcastic precision—like a stylish courtroom takedown set to rhythm, Keep it sharp, clever, and high energy without sounding cheesy, Think femme-fatale truth-teller delivering receipts in perfect time

Fast swing track with bold horns, bouncing upright bass, and theatrical vocals, Avoid clichés, Mock modern authoritarian behavior through image obsession, stagecraft, and performative control, Keep vocals punchy, sarcastic, and rhythmic, Should sound like the soundtrack to a ballroom coup told by people who never stopped dancing

Slow swing/jazz ballad with smoky lounge energy, Piano-led with upright bass, brushed drums, and soft brass swells, Vocals should be sultry, restrained, and biting—like a torch singer who knows where the bodies are buried, The tone is intimate and dangerous, Think vintage nightclub confession meets quiet revolution

Dark, mid-to-fast swing with sharp brass hits, ominous piano, and theatrical vocals, Tone is coded and metaphorical, referencing secrecy, elite protection, and political betrayal without directly naming people or events, Lyrics should feel like whispered accusations from a velvet stage, Think vintage noir swing meets modern resistance cabaret, Slick, clever, brutal

Fast, upbeat swing with aggressive brass, thumping bass, and bold, theatrical vocals, Tone should be playful, rebellious, and cathartic, Lyrics are literal and direct: it is okay to punch Nazis, Include call-and-response moments, comedic jabs, and sarcastic one-liners, Think musical theatre brawl meets antifascist jazz club

Swing jazz with dark cabaret energy, Male crooner vocals, deep and cheeky with a devil-may-care grin, Full brass section, upright bass, snappy drums, and minor key progressions, Think vintage speakeasy meets revolution, Witty, theatrical tone with dramatic flair—like Sinatra fronting a rebellious jazz cabaret, No screaming, Lyrics are darkly funny and classy with sharp political satire, Tempo mid-fast, with punchy big band breaks, Use retro-style vocal harmonies and swing-era flair

Zoot Suit Riot–style swing-punk banger with wild brass, upright bass, explosive drums, and gritty call-and-response male and female vocals, Fast, rowdy, and theatrical, Channel Cherry Poppin’ Daddies energy with modern satire and fury, The vibe is rebellion in vintage suits, tearing up the dance floor while dismantling the elite, Title: Eat the Rich