NEWTUNE

multiple bass-baritone voices performing beatbox and bass Acapella only| All sound must be created from the human voice, Simulate multiple beatboxers layered together, Primary sound sources: throat bass, subharmonic hum, kick drum mouth pops, snare pops, hi-hat tongue clicks, breath-rolls, click consonants, gasp percussion, glottal stops, Rapid-flow rhythmic vocal phrasing with percussive consonants, Glitchcore / breakcore micro-edits: stutter cuts, time-slicing, reverse fragments, granular chops, ASMR-intimate proximity to microphone: close breath, lip smacks, saliva detail, chest resonance, low head-voice rumble, Chiptune-style arpeggios must be derived from vocal overtones only (no synths), Tone: hypnotic, playful, eerie, cybernetic, dissociative, Energy continuous, no verses or drops — evolving texture like a living machine made of voices, #VOICES male: ultra deep C2-A3 bass-baritone polish, clear warm male voice extracted from source audio|soft earworm|easy to listen to|hypnotic|, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing||lisp|distortion lisp

multiple bass-baritone voices performing beatbox and bass Acapella only| All sound must be created from the human voice, Simulate multiple beatboxers layered together, Primary sound sources: throat bass, subharmonic hum, kick drum mouth pops, snare pops, hi-hat tongue clicks, breath-rolls, click consonants, gasp percussion, glottal stops, Rapid-flow rhythmic vocal phrasing with percussive consonants, Glitchcore / breakcore micro-edits: stutter cuts, time-slicing, reverse fragments, granular chops, ASMR-intimate proximity to microphone: close breath, lip smacks, saliva detail, chest resonance, low head-voice rumble, Chiptune-style arpeggios must be derived from vocal overtones only (no synths), Tone: hypnotic, playful, eerie, cybernetic, dissociative, Energy continuous, no verses or drops — evolving texture like a living machine made of voices, #VOICES male: ultra deep C2-A3 bass-baritone polish, clear warm male voice extracted from source audio|soft earworm|easy to listen to|hypnotic|, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing|

multiple bass-baritone voices performing beatbox and bass Acapella only| All sound must be created from the human voice, Simulate multiple beatboxers layered together, Primary sound sources: throat bass, subharmonic hum, kick drum mouth pops, snare pops, hi-hat tongue clicks, breath-rolls, click consonants, gasp percussion, glottal stops, Rapid-flow rhythmic vocal phrasing with percussive consonants, Glitchcore / breakcore micro-edits: stutter cuts, time-slicing, reverse fragments, granular chops, ASMR-intimate proximity to microphone: close breath, lip smacks, saliva detail, chest resonance, low head-voice rumble, Chiptune-style arpeggios must be derived from vocal overtones only (no synths), Tone: hypnotic, playful, eerie, cybernetic, dissociative, Energy continuous, no verses or drops — evolving texture like a living machine made of voices, #VOICES male: ultra deep C2-A3 bass-baritone polish, clear warm male voice extracted from source audio|soft earworm|easy to listen to|hypnotic|, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing|

multiple bass-baritone voices performing beatbox and bass Acapella only| All sound must be created from the human voice, Simulate multiple beatboxers layered together, Primary sound sources: throat bass, subharmonic hum, kick drum mouth pops, snare pops, hi-hat tongue clicks, breath-rolls, click consonants, gasp percussion, glottal stops, Rapid-flow rhythmic vocal phrasing with percussive consonants, Glitchcore / breakcore micro-edits: stutter cuts, time-slicing, reverse fragments, granular chops, ASMR-intimate proximity to microphone: close breath, lip smacks, saliva detail, chest resonance, low head-voice rumble, Chiptune-style arpeggios must be derived from vocal overtones only (no synths), Tone: hypnotic, playful, eerie, cybernetic, dissociative, Energy continuous, no verses or drops — evolving texture like a living machine made of voices, #VOICES male: ultra deep C2-A3 bass-baritone polish, clear warm male voice extracted from source audio|soft earworm|easy to listen to|hypnotic|, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing|

Acapella only, All sounds must come from the human voice, No instruments, Use layered male bass-baritone voices: deep throat hum for sub bass (smooth, rounded, no hiss), closed-mouth kick pops (bm / pm), soft snare pops (tk / dk), gentle short percussive consonants (t / k) but no prolonged s or sh, Hi-hat is created using short dry "ts" bursts, never continuous, Create hypnotic evolving rhythm like a machine built from voices, Add chiptune-style arpeggio texture generated from overtone humming (mmm-hmm-hm), not falsetto, not whistling, Tone is warm, deep, meditative, steady and pleasant to listen to, No saliva sounds, no lip smacks, no breath hiss, no sharp sibilants, Energy continuous and flowing, not aggressive, Polish bass-baritone presence, soft and confident, non stop beatbox amen breaks|, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing||lisp|distortion lisp

Acapella only, All sounds must come from the human voice, No instruments, Use layered male bass-baritone voices: deep throat hum for sub bass (smooth, rounded, no hiss), closed-mouth kick pops (bm / pm), soft snare pops (tk / dk), gentle short percussive consonants (t / k) but no prolonged s or sh, Hi-hat is created using short dry "ts" bursts, never continuous, Create hypnotic evolving rhythm like a machine built from voices, Add chiptune-style arpeggio texture generated from overtone humming (mmm-hmm-hm), not falsetto, not whistling, Tone is warm, deep, meditative, steady and pleasant to listen to, No saliva sounds, no lip smacks, no breath hiss, no sharp sibilants, Energy continuous and flowing, not aggressive, Polish bass-baritone presence, soft and confident, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing||lisp|distortion lisp

Acapella only, All sounds must come from the human voice, No instruments, Use layered male bass-baritone voices: deep throat hum for sub bass (smooth, rounded, no hiss), closed-mouth kick pops (bm / pm), soft snare pops (tk / dk), gentle short percussive consonants (t / k) but no prolonged s or sh, Hi-hat is created using short dry "ts" bursts, never continuous, Create hypnotic evolving rhythm like a machine built from voices, Add chiptune-style arpeggio texture generated from overtone humming (mmm-hmm-hm), not falsetto, not whistling, Tone is warm, deep, meditative, steady and pleasant to listen to, No saliva sounds, no lip smacks, no breath hiss, no sharp sibilants, Energy continuous and flowing, not aggressive, Polish bass-baritone presence, soft and confident, non stop beatbox amen breaks|polish trap rhythm|beatbox glitchcore|neuro earworm beatbox|asmr|earworm|hypnotic|smooth|viral|bassy easy to listen to|harmony through dissonance, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing||lisp|distortion lisp

Acapella only, All sounds must come from the human voice, No instruments, Use layered male bass-baritone voices: deep throat hum for sub bass (smooth, rounded, no hiss), closed-mouth kick pops (bm / pm), soft snare pops (tk / dk), gentle short percussive consonants (t / k) but no prolonged s or sh, Hi-hat is created using short dry "ts" bursts, never continuous, Create hypnotic evolving rhythm like a machine built from voices, Add chiptune-style arpeggio texture generated from overtone humming (mmm-hmm-hm), not falsetto, not whistling, Tone is warm, deep, meditative, steady and pleasant to listen to, No saliva sounds, no lip smacks, no breath hiss, no sharp sibilants, Energy continuous and flowing, not aggressive, Polish bass-baritone presence, soft and confident, non stop beatbox amen breaks|polish trap rhythm|beatbox glitchcore|earworm |asmr|earworm|hypnotic|smooth|lmale: ultra deep C2-A3 bass-baritone polish, clear warm male voice extracted from source audio|soft earworm, ‑instruments other than voices utilizing different styles| offensyve by accident| noise|boring intro| no voice imitating bass since begining|female voices|female choir|voices outside c2-a3 scale range|distortion|long intro||high voice lead||chaos|disharmony|hissing||lisp|distortion lisp